Author: falconi5

Now we’re rolling, the month is careening into high gear with a bevy of fine morsels to savor.

The fine folks at Big Stir records are out with “Anchors Away,” a nautical video that features Maple Mars from their highly excellent 2022 release, Someone’s Got To Listen.

And, speaking of Rock is the New Roll favorites, Easy Eye Sound, their latest entry, The Velveteers, have a snarling new video out with “Choking.”

And, if all of that is not enough, retro popster Nick Waterhouse throws down his 60’s crooner vibes on “Hide and Seek.”

Of course, it’s all foreplay in anticipation of the main event and the five choice nuggets released this week.

Maneskin – Rush

With the slow burn rush of singles that were dribbled out to the masses, Maneskin, depending on your point of view, is either a guilty pleasure, or the next big thing.

Combining the eclectic glam mix of Queen, Abba, The Struts, Sweet, and the Village People, the vibe us all fun all of the time. Perfectly framed for the festival circuit, whether your jam is “Gossip,” a song that features Tom Morello, or “Supermodel” the entirety of this record is an E-Ticket Disney ride of the highest order.

Don’t sleep on “Mammamia,” a song released earlier in the year, but equally bombastic. There is not a cut on this record that is not a glam-stomper.

The Baboon Show – God Bless You All

This Swedish rock and roll band that features the dynamic lead singer Cecilia Bostrom is not so quietly establishing themselves as one of the best live acts on the planet. The opening track of their latest L.P., “Made Up My Mind” is definitely a case in point.

Ten records, in The Baboon Show is still a rock and roll show on a platter. Cecilia’s vocals are a somewhat an acquired taste, picture Axl Rose, Meatloaf, and Cherie Curie in your minds ear, but once the familiarity settles in, the uniqueness becomes an asset.

The opener, “Made Up My Mind” is a propulsive rocker and” Have a Party With Me” mixes things up a bit with guitar player and main songwriter Hakan Sorle jumping in on the vocals.

Not for the faint of heart, but if you are looking for one hell of a party record you wouldn’t be too wrong turning up the dials on The Baboon Show.

Black Star Riders – Wrong Side of Paradise

With Wrong Side of Paradise former Thin Lizzy ax player Ricky Warwick leads his Black Star Riders through another master class in rock and roll on this, their fifth proper record.

Throwing down an anthemic blend of ferocious guitars and thundering drums, most notably on the Thin Lizzy pitch perfect vibes of “Better Than Saturday Night,” and the 60’s garage rock splendor of “Pay Dirt,” there is nary a miss-step here, unless, of course you choose to throw shade on the questionable choice to include “Crazy Horses,” an Osmond Brothers cover, in the set.

The Black Star Riders with their singular mission to preserve all that is good in rock and roll have definitely scored another winner here.

Butch Walker – Butch Walker as … Glenn

Adopting the persona of piano man Glenn, singer, songwriter, producer Butch Walker adopts the role of a piano player regulated to applying his trade in dive bars playing for half-listening drunk patrons. A sequel of sorts to Billy Joel’s character on “Piano Man.”

That’s not to say that these are simply a set of snoozer tunes, every song presented here is pretty stellar. “Roll Away (Like a Stone)” could have been a Boz Scaggs “Lido” B side, “Tell Me I’m Pretty (Bethamphetamine Pt 2)” rolls out like a Springsteen rager, while “State Line Fireworks” has the pastiche of the great Jim Steinman and Meatloaf.

Overall, Butch Walker as … Glenn is a semi-easy listening gem that will have a definite appeal to those ears of a certain age.

The Bad Ends – The Power and the Glory

It would be reaching a bit to call this band a supergroup given the only legitimate universally known member of the band is R.E.M. drummer Bill Berry with the rest of the band filled out by stellar talent from the Athens, Ga music scene present and past.

With a solid mix of college rock, back in the day, evoking tunes and pathos driven tender ballads, this record definitely was made for these times as the band grapples with loss, change, and decay offering up an antidote to doom scrolling and negative vibes.