Of course, as we all know, everything is just a placeholder until the new Teenage Fanclub record comes out in very short order. In the meantime, there is an ear-load of tasty one-off nuggets to savor.
The Black Keys have one in the hopper ready to see the light of day in a couple of months announcing itself with the single and video “Crawling Kingsnake” filmed at Jimmy “Duck” Holmes’ Blue Front Cafe, the oldest juke joint in America.
Briston Maroney, with his cross of T Rex and Pavement vibes, has released a single called “Bottle Rocket” and continues to show that he is a worthy candidate on our “ones to watch for” list.
And, Sasami an artist that has an actual French Horn degree, is out with her video of “Not The Time.”
And, if all of the above is not all, here are five really good records released this week.
The Brother Brothers – Calla Lilly
New York-based identical twins Adam and David Moss are one of the closest things your ears will be able to find to Simon and Garfunkel and their particular brand of apple skin-tight harmonies. Their sophomore record, Calla, Lily, mixes smooth Indie-Folk on the opener “On The Road Again,” no, not that one, showing their versatility with the Appalachian-style folk-inspired “The Road Runner Song” and deal from the deck straight-ahead Everly Brothers on “Seein’ Double.”
With a bit of Donovan DNA sprinkled here, and Don Mclean’s spirit there the mood and texture differences from song to song on the record make this one an engaging listen that should have legs on your listening rotation that will please your ears for months to come.
West of Texas – Heartaches, Hangovers & Honky Tonks
Pull on your boots, tighten up your stetson, leave your spurs at home, and head to the Honky Tonk courtesy of the best Western swing record of the year. The Willie by way of Asleep at the Wheel opener “My Whiskey Life” is a perfect introduction to a band that makes no bones about it. They like both kinds of music, Country and Western.
The entire spectrum of country song fare is represented here, Lovin’ with “Fixin’ to Love You,” Leavin’ on “The Cost of Lovin’ You,” and Livin’ representing on “Dead End Jobs Blues.” And, of course, there is plenty of Cheatin’, Drinkin’, and Hurtin’ going on just ask the closer “Cheatin’, Drinkin’ Hurtin’ Song.”
London Grammar – Californian Soil
If you miss The Eurythmic and Florence and the Machine, Californian Soil courtesy of London Trio London Grammar just might be your latest jam. Sparse, Electo-Pop of the highest order, it is the otherworldly vocals of Hanna Reid that carries the day with this band.
“Lose Your Head” in an epic of a song that will lose you in the groove, “How Does It Feel” is Adele meets Annie and is one of the more straightforward pop songs on the record, and the title track, “Californian Soil” is simply a haunting masterpiece.
Simply put, this is a stunning record.
Jesse Aycock – Steps
A card-carrying member of Todd Snider’s side-piece band The Hard Working Americans, Jesse Aycock combines blissful Laurel Canyon Rock with Tulsa-inspired J.J. Cale Roots rock into a blend that will have you reaching for your old Whiskeytown records.
“Wreck Like You” has a bit of George Harrison sound to it, the opener “Shed The Light” could have been a Chris Robinson Brotherhood single, and the laid-back groove of “Roll South” does J.J. Cale proud.
“High Hopes” Rocks it up into Tom Petty territory, and the closing “Woodland Park” will most definitely leave you in a feel-good mood. Todd Snider is great, but Jesse Aycock with this new record is right on his heels.
Imelda May – 11 Past The Hour
Full disclosure, while we like this latest incarnation of Scotland’s own Imelda May that she brings out on her latest 11 Past The Hour, we prefer the Eddie Cochran Wanda Jackson version of Imelda versus the Sheryl Crow AOR sound that we get here. Even the presence of Ronnie Wood and Noel Gallagher is good but doesn’t throttle up the coolness meter like her version of “Tainted Love” or the song “Johnny Boom Boom” Does.
That is not to say this is not a good record, in fact, quite the opposite, it is really good. “Made To Love” is a highly polished Pretenders style track, the title song is a fine bit of late-night noir, and “What We Did in the Dark” is a propulsive highly addictive duet with sometimes Arctic Monkey Miles Kane that will be perfect for the festival circuit should festivals ever be a thing again.