Album of the Day: Foxy Shazam – Burn

When Foxy Shazam came out with The Church of Rock and Roll in 2012 it was almost as if our Rock and Roll Dreams had been answered. Bringing over-the-topness back to Rock and Roll and pushing the envelope to the extreme with the bombast of “Holy Touch” and the otherworldly wail of the title track, throwing down Glam, Pomp, and a whole lot of audacity, it looked for one flicker of a moment that the devil spawn of Freddie Mercury had finally been born, and the race with the devil was headed to the Sunset Strip circa 1987. Until that is, Eric Nally and the band crashed and burned in ways that would have made The New York Dolls blush.

That’s why their latest record Burn is such a treat to the ears. The high camp is still front and center, albeit turned down to levels normal humans can endure, and from the lead-off title track it is clear that this rebooted version of the band that channels Mick Jagger, James Brown, and Justin Hawkins from The Darkness is pressing forward with fairly straightforward Pop anthems with a swashbuckling style that is more Three Musketeers than Pirates of the Caribbean. And that is a very good thing.

The Song “Dreamer” is early Queen by way of Supertramp, “In My Mind” has a bit of Bruno Mars Mojo to it, “Doomed” somehow rhymes china and vagina without and it actually works, and the auto-tuned close “Into The Wild” does take a wide left turn but ends up to be trippy instead of entirely offense to the years.

In short, from what these band of renegades delivered with this album, they might be one record away from creating their opus.

Album of the Day: Roger Clyne & The Peacemakers – Honky Tonk Union

Not Country, and with only small sawdust dustings of Honky Tonk, the debut record from Roger Clyne & The Peacemakers, a band formed from the ashes of the Refreshments, the Gin Blossoms, and Dead Hot Workshop, is Roots Rock of the highest order bringing to mind John Mellencamp, Bruce Springsteen, and Tom Petty. Or, think of them as a bit of a less ramshackle version of the Old ’97s.

The approach to Cowboy Rock that these guys put forth has just enough twang to catch the ear of Dwight Yoakam, Just enough jangle and songwriting chops to impress fans of Chuck Prophet and his band Green on Red, and David Lindley devotees will be quite impressed with the delicately played mariachi Southwest-Noir stylings.

The title track will drift you down South of the border, and “My Heart is a UFO” is a tearjerker that the Replacements could have covered quite nicely, and “Beautiful Disaster sounds like Born to Run’s younger brother. It is a little bit ear-scratching that this band is not as well known as The Blasters, The Bottle Rockets, or Whiskeytown, but there still is a lot of time.

 

Album of the Day: Dangereens – Tough Luck

Wham glam thank you, ma’am. If you close your eyes while listening to this glam-tastic new release from Montreal’s premier foot-stomping retro band, Dangereens, you might think you have been dropped into a time warp taking you back to 1975.

The influences and touchpoints are pretty straightforward, but that does not make them any less delicious. Marc Bolan, The Rolling Stones, Thin Lizzy, Hanoi Rocks, pretty much every Rock and Roll band you hold dear to your ears makes an appearance here. Heck, there even is a steady fragrance of epic-era Kinks on this set of odes to coolness.

Chuck Berry Riffs and T Rex Glam share the stage with older than their years’ songwriting chops, New York Dolls swagger, and blouse wearing torsos. This one has Rock and Roll record of the year written all over it.

 

Album of the Day: Born Ruffians – Squeeze

Born Ruffians – Squeeze (4 out of 5)

It’s not often, and actually, it’s pretty cool when a band will deliver two extremely listenable Power Pop gems a scant 6 months from each other and deliver this strongly on both fronts. And, Power Pop mavens Born Ruffians have done just that. After having put together enough material for multiple records, at the bare minimum a double album, the band chose to follow up their April release Juice with this October digital-only follow-up effort, Squeeze. 

From the opening track, “Sentimental Saddle,” a song that takes you on a semi-psychedelic journey swirling left-turns aplenty with Crazy Horse worthy harmonica escapades, swirling keyboards, and layered harmonies topped off with Beach Boys Holland influences on the back-end, the trip that lies ahead can be nothing but groovy. And It Is.

“30th Century War” has sort of a Kinks by way of The Talking Heads feel to it, the song “Waylaid” features Hannah Georgas on vocals is a solid bass line driven Indie Rock song, and “Sinking Ships” is anthemic in all the right places and is a centerpiece of the record.

There is a pure Pop super-sheen on the earworm-worthy “Rainbow Superfriends” that will stick with you long after your first listen, and the festival-ready “Noodle Soup” goes a bit deeper in understanding the need to take care of each other.

This record is everything you would want in an album that provides a solid listen. Songs with a message, pop-hooks abounding, and enough varied textures and turns to make you want to go to the listening well more deeply with each subsequent listen.

 

Album of the Day: Blitzen Trapper – Holy Smokes Future Jokes

Blitzen Trapper – Holy Smokes Future Jokes (4 out of 5)

The overall inspiration for Holy Smokes Future Jokes, the latest record from Indie Rock band Blitzen Trapper centers around the concept of Bardo, that transitional period between death and rebirth. existential stuff, for sure. There’s even a lyric that references smoking dope with Lincoln in a Chrysler on a hill on “Dead Billie Jean” that emphasizes the concept. But, dismiss this record as hippy-dippy nonsense at your own peril. The album has a real comforting ’60s folk fell instrumentally with a distinct George Harrison penned Beatles vibe, most notably on the title track. “Masonic Temple Microdose #1” is prime “Loser” era Beck, and “Sons and Unwed Mothers” is poignantly beautiful.

The melodies are varied and the harmonies are as tight as the skin on an apple. The lyrics may take a bit of headphone time to absorb properly, but the ear-time effort is well worth it. The best way to enjoy this one is to give it a couple of solid runs allowing the record to envelop your senses. Then go back to it, maybe after giving it a couple hours rest, and focus on the lyrics. The experience will be not quite life-changing, but close.

 

 

Album of the Day: The Bye Bye Blackbirds – Boxer at Rest

The Bye Bye Blackbirds – Boxer at Rest (five out of five)

The first thing that jumps out when you hit the play button or drop the needle down on Boxer at Rest, the supremely excellent new record by Oakland California’s Bye Bye Blackbirds, is the pristine knob-twirling production value courtesy of Doug Gillard, who has worked with Guided By Voices and Nada Surf as well as many other bands you like, that hits you between the ears on the first song “You Were All Light.”

At first-listen, the opening drum intro followed by the Big Star worthy guitar chords will float your mind-space back to happier and even hippier times. And, once the perfectly mixed vocals join the party courtesy of the George Harrison meets Tom Petty  (Travelling Wilbury’s era) vibe of the main songwriter Bradley Skaught, suddenly, as the horns kick-in to take you home, all is right with the world. And it almost wasn’t.

As the album was written and the tracking well underway at Hyde Street Studios in San  Francisco, founding member Lenny Gill fell gravely ill with an illness requiring a heart transplant almost derailing the record before it really got started. Then, during a period of time when Lenny’s ability to ever play the guitar again was very much in doubt, the band recorded each of the individual tracks with the exception of the guitar parts and put them on a shelf for safekeeping.  Replacing the irreplaceable and finding another player to fill in for Lenny was never an option. It was a time to be patient, a time to live, a time to heal. Until finally, after a hard-fought nine months of rehab, the boxer at rest was ready to get back into the ring recording all of the guitar parts in one day.

Having been largely written before Lenny’s illness, the songs on Boxer at Rest are mostly upbeat affairs with an undercurrent of social consciousness lying just below the surface of virtually every track. Two of the songs that demonstrate Bradley Skaught’s agile songwriting skills, “How Do We Stay?” and “All Our Friends”  directly address the tragic 2016 fire that killed 36 people in a warehouse known as The Ghost Ship that had been converted into an artist collective in the Fruitvale neighborhood of Oakland.

All we do is love you
and sing your names out
We pulled the anchor
And kissed you out to sea

And, on “So True” the gentrification of the neighborhoods in and around Oakland with hipster lofts and overpriced coffee shops taking over the landscape is lamented.

“In miles of old alleyways, all our secrets in piles, left outside where the dogs can find them. Gone like they’d never arrived.”

There is a poetic poignancy to virtually every song on this record that is enhanced even more so through a set of quality headphones and multiple listens. The liner notes clearly say play this one loud. Advice best heeded.

Trying to choose a favorite song or to cull band influences or genres from the choice morsels presented here would be somewhat of a fools’ errand. There is literally nothing not to like with this record. Sure, there are fairy dustings of Big Star, The Birds, Buffalo Springfield, and the Box Tops sprinkled everywhere, but make no mistake. Lenny, Bradley and the rest of the band aren’t simply riding the coattails of those that have gone before them, they are playing it forward with depth and deep reverence. Just listen to the guitar licks that would make Sun Records and Sam Phillips proud towards the end of “War Is Still Hell” and tell us we’re wrong. On “Watch Them Chime” you might catch the scent of R.E.M.’ or even a Tim era Replacements vibe. And, on “Baby It’s Still You” the horns are back in just the right spots and the band’s secret weapon, Kelly Atkins, announces herself in fine fashion even though she has been classing up the joint earlier with her elegant harmonies throughout many many of the tracks.

At a nice and tidy 33 minutes and 23 seconds, this one is best savored in one sitting with a nice cocktail in hand, surrounded by good friends, toasting those that are no longer able to join us.

 

 

 

 

Album of the Day: Petter Himmelman – Press On

Peter Himmelman – Press On (4 out of 5)

It is pretty hard to believe that Peter Himmelman is 15 albums in and has been applying his trade since 1986 with on solid effort after another, and his latest, Press On, is certainly no exception. Recorded live in-studio this one runs the cool-genre spectrum from Roots Rock to Gospel, To Country with a little bit of Rock & Roll and beyond.

“Press On,” the title track is a Gospel tinged narrative beauty and rides the same bus as Elvis Costello and Graham Parker, while the rest of the record carries that same working man’s hardscrabble songwriting flair. Even though the record was recorded in just under four days nothing about his feels rushed, just another troubadour doing what he was born to do.

Album of the Day: Kai Danzberg and Honeywagon – Rockshow

Kai Danzberg and Honeywagon – Rockshow (five out of five)

There really is not too much not to like on this one, the latest from Germany’s wunderkind Kai Danzberg. While he may have a baby face that shows all of his tender 24 years, this Pop-Savante definitely has a ’70s soul.  Every track on this pop-fastic record is as hooky as you will find this side of an episode of dangerous catch, there is not a tune presented here that would not be worthy of being released as a stand-alone single.

“Rockshow” is an epic soundscape that sounds like something Freddie Mercury would have produced if he were still with us, “Love You & Me” is an uptempo and bouncy love song, and “Oh Girl” is made even more spectacular with a helping hand from singer Drake Bell. The tones and textures all across this record vary with each turn of a groove making this one heck of a diverse listen that will grab your attention and not let go until the needle stops.

 

Album of the Day: The Total Rejection – The Time Traveller’s 3rd Will and Testament

The Total Rejection- The Time Traveller’s 3rd Will and Testament (4.5 out of 5)

Full disclosure, here at Rock is the New Roll we are huge fans of Austin Powers era Mojo-Garage Rock in the Little Steven Underground Garage mold. And, the latest record from The Total Rejection checks off all of the paisley boxes in fine fashion. From the 13th Floor Elevators inspired romp “Fly (Lost in Time/Party Nine)”, a song that Syd Barrett himself might dismiss as too drug-addled, to the Small Faces hipster glory of “Next Time I See You Around” there is a passion of purpose on display with every turn of a tune.

As the song cycle continues, you seem to be going down a worm-hole of back to the future grooviness spanning somewhere from the mid-sixties all the way to around 1973 before you spin around and go back down the rabbit hole of wonderment to discover the mojo dance party of “Tracy Said” along with the organ-drenched Paul Revere and the Raiders vibing “Next Time I See You Around.”

And then, 15 songs in, just like that, the closer, “Distress Signals From A Planet On The Edge of Despair” takes you to Red Sector A with a wild Space-Mojo jam that wraps it all up with a cosmic bow and sends you back to a reality that will leave you thinking, what has just happened?

Album of the Day: The Successful Failures – Pack Up Your Shadows

The Successful Failures – Pack Up Your Shadows

The first thing you should know about The Successful Failures is that any attempt to plug them into one genre or another is very much a fool’s errand. Hailing from Trenton, N.J., the band deftly combines Americana, Pop, Rock, and enough of a dusting of Bluegrass that serves as an appetizer to the main course without overwhelming the entire meal.

Originally intended to be an E.P., once the pandemic hit the band used the extra time available to expand the project into a proper full-length record, and what a record it is. Once you get past the mandolin introduction on the opening track “Honeycomb” for fear that a Flatt and Scruggs Hee Haw hoedown is awaiting, all seems to be well when Mick Choba’s vocals kick with his whiskey-soaked voice sounding like a less ramshackle Rhett Miller in full Old ’97s mold. “On Down The Line” is a perfect Honky Tonk sing-along, and “Whiskey Song” toes the Americana with a touch of Country line to perfection.

With the song “This Girl,” the first single from the record, there is more than a passing acquaintance with Power Pop by way of The Bodeans while the song structure puts on full display the master-class level songwriting inherent with the band.

“She used to, she used to be naked, now she’s always undressed she used to be lonely now she’s only making the best of this world she’s making the best of it.”

 

“Murder ‘neath the Silver Moon” is a murder ballad and a marvel of a song that doesn’t end well for our hero. Spoiler alert, he shouldn’t have cheated on her. These guys even morph the somewhat hokey “My Bucket’s Got a Hole In It” into a musical dual guitar, call and response feast for the ears.

This is a great band and should be on your list of best albums of 2020, no question.