Author: falconi5

A place for musically minded folk to get together and share ideas, reviews, and basically spread the word.

Five Cool Ones: Five New Records Released This Week (January 21, 2022)

Sure, the week is a little slow on the new release front, but we are doing the work so you don’t have to in order to deliver to your ears some choice musical nuggets.

The Mysterines are barely out of their teens, have yet to release a proper album, yet these Liverpool rockers are set to take over the world two ears at a time.

Pretty much the only thing you need to know about Ceramic Animal is that the Black Keys and Easy Eye Records major-domo Dan Auerbach is twirling the knobs producing their upcoming album. The blend of classic ’70s countrypolitan splendor on this one will have you riding through a desert on a horse with no name.

The Canadian band The Damn Truth is setting stages on fire in support of their 2021 record, Now or Nowhere. All you really need to know about these guys is that they have opened for ZZ Top, Metallica, as well as Rival Sons and their latest record was produced by Bob Rock. “Only Love” opens up like a Bon Jovi lighters lit anthem and quickly morphs into a Heart Wilson sisters rocker at the blink of an ear courtesy of Lee-La Baum and her back of the barroom vocals.

And, yes there’s more. Here are five new records that are nibbling at our ear lobes this week.

John Mellencamp – Strictly A One-Eyed Jack

It’s hard to believe that it has been forty years since John Mellencamp was telling us to “hold on to 16 as long as you can.” Here, on his latest, Strictly A One-Eyed Jack we find the singer fully shedding his Springsteen lite midwest rocker overalls in favor of a Leonard Cohen worthy coat of paint.

The voice is rough and battle-scarred, somewhere North of Lemmy and South of Tom Waits, a result of decades of chainsmoking, but it still sounds great and is perfectly suited for the spare storytelling fare that he presents on this one.

Two songs, “Did You Say Such A Thing” and “Wasted Days” feature The Boss himself on guest vocals, are particularly great. And, the piano-sparse “Gone So Soon” could have easily been the last cut on any one of the early Tom Waits records.

If you haven’t spent any time with John Mellencamp since the “Pink Houses Days” allow yourself a visit, He is aging quite nicely.

Keb Mo’ – Good To Be …

After refurbishing his childhood home in Compton and alternating residences between California and Nashville, Kevin Morris, aka Keb Mo’ continues to reside deep in the pocket of what has become practically his own musical genre with a fusion of Delta Blues, Contemporary Country, Americana, and Soul.

“The Medicine Man” is a gospel stomper with Old Crow Medicine Show providing authentic hillbilly sensibility to an otherwise politically tinged tune, “Good To Be (Home Again)” proves once and for all that you can go home again, and you need to stick a pin in “Sunny And Warm” and dust it off for the summer hammock and sipping season.

There is a feel-good ebb and flow on this record that is inspired and soul-stirring. Feel free to walk on by the closing track “Quiet Moments.” This Lionel Richie ’80s ballad song could have been left off the record, all for the better.

The Whitmore Sisters – Ghost Stories

Sure, this may be the debut record under the name Whitmore Sisters, but if you are hip to the Americana scene at all you have heard both Bonnie and Eleanor Whitmore in various musical configurations over the last decade. Bonnie has four solo albums under her belt, Eleanor is a member of The Mastersons with Chris Masterson, and they are both card-carrying members of Steve Earles’ band, The Dukes.

Here, with Ghost Stories, the sisters Whitmore definitely seem to have found their niche. The opener “Learn To Fly” is a harmony-laden splendor that would make First Aid Kit blush, “The Ballad of Sissy & Porter” is a cross between “Jack and Diane” and “The Road Goes On Forever,” and the closer “Greek Tragedy” is a weeper made even more emotionally heartfelt with the blending on the sisterly voices.

This one is a grower that should grow onto many of the top ten lists when the end of the year rolls around.

Tinsley Ellis – Devil May Care

Tinsley Ellis has long stepped out from the shadow of Stevie Ray Vaughan and is still going strong. And now, 20 albums in, he is just as fresh, vibrant, and relevant as ever. On Devil May Care Ellis pays tribute to The Allman Brothers on ten tightly wound tunes culled from a batch of 200 songs written during a pandemic induced creative burst of energy. From the opening Allman’s “No Way Out” inspired salvo all systems are go as Tinsley’s leathery, whiskey soaked voice takes over and joins the party with the band kicking in creating a joyful Eat A Peach worthy noise.

Using overdubs of his own lead and slide playing to recreate the Almann’s signature sound with added musical texture courtesy of the presence of a trumpet and saxophone player in the band, the players are tight and in-step as any band you will find this side of Muscle Shoals.

Whether he is wandering the back alleys with the late night subtle blues of “Don’t Bury Our Love,” jumping center stage on the Hendrix chanelling “Step Up,” or taking the “Slow Train to Hell” like he does on the closer that owes more than a little debt to ZZ Top’s “Blue Jean Blues,” Tinsley Ellis may have just released the Blues record of the year. And, it’s only January.

Miles Kane – Change The Show

As co-frontman with Alex Turner in The Last Shadow Puppets, Miles Kane is known for his tightly constructed symphonic melodies in the Paul Weller Mold. And here, with his fourth record, he has hit his stride as a solo artist.

Chanelling Marc Bolan on the opener “Tears Are Falling” Kane somehow manages to rhyme orchestrator and cocktail maker on a song that could have been in the ether somewhere in the late ‘6os. The ghost of “Wah-Wah” era George Harisson surfaces on “See Ya When I See Yah,” and on the effortlessly ebullient “Coming of Age” he lyrically outkicks his coverage with the line “whisk me off to Sicily, we’ll pretend we know history.”

Putting forth nostalgic influences front and center is nothing new for an artist that moves from Beatles to Pop to Motown, and on to Phil Spector, with many time machine stops along the way, with the ease of a member of the Wallenda family walking a tightrope with a bicycle on their shoulder.

Video of the Day: Erin Rae – Modern Woman

This video is well-deserving of multiple plays for the prominent display of the vinyl of the Leon Russell And The Shelter people record alone, not to mention it is a great song. “Modern Woman” is from the freshly minted e.p. released in advance of her proper full-length, Lighten Up. Produced by Jonathan Wilson in his Topanga Canyon studio, this one is setting up to be a stunner.

Five Cool Ones: Five New Records Released This Week (January 14, 2022)

The wait is over, the new year is upon us, and we lie in wait for a bevy of new releases over the next few months. It should be a big first part of the year as John Mellencamp has a guest-laden record in the hopper called Strictly a one-eyed Jack, the mighty Jethro Tull is coming out of hibernation, and speaking of Classic Rock titans, Bryan Adams, The Scorpions, Tears For Fears, and Ozzy Ozbourne all will be tickling your ears soon in 2022.

In the meantime, the always intriguing Mitski has already released an e.p. in advance of a formal long-player later in the year. Her single, “Love Me More” is already getting buzz for inclusion on many year-end lists.

Never sleep on Bryan Adams as the Canadian Rocker has, coming to eardrums near you, a new album with the release of So Happy It Hurts. And, well it sounds like Bryan Adams.

And, Eddie Vedder has teamed up with a couple of Chili Peppers forming a new band called The Earthlings with a platter due in February.

And now, without further ado, we have five tasty nuggets all set to tickle your eardrums and rattle your senses this week.

Elvis Costello – The Boy Named If

With this follow-up to 2020s Hey Clockface, Elvis Costello shows no signs of slowing down. From the scorcher of an opener, “Farewell, OK,” Costello and his band, The Imposters, kick things into gear and party like it’s 1977 and they are living in the My Aim Is True glory days. The voice hasn’t changed too much, Elvis never was one for stretching out the high notes, and, here he stays very much within his range with his delivery that is pure E.C. vocal splendor.

The title track, with If actually meaning imaginary friend, is Classic Costello with its off-beat eccentric songwriting, and returning to ballad form, “Paint The Red Rose Blue” should stand the test of time as one of his best songs. And, “Magnificent Hurt,” to our ears, is best in class. This one is a lost-in-time record that is could have been released anytime from 1980 to the present.

Put a pin in this one for top album of the year consideration.

Cat Power – Covers

It only took 12 years for Cat Power, aka Chan Marshall to come up with the follow-up to her 2010 release, The Covers Record, the album that featured her seminal version of “(I Can’t Get No) Satisfaction.” This time out, she covers songs by Bob Seger, The Replacements, and Billie Holiday among others in her own style making the songs almost recognizable but no less glorious.

Seger’s “Against The Wind” is transformed into a night-noir ethereal wonder, the piano-based Replacements seldom covered “Here Comes A Regular” has a definite Tom Waits touch to the proceedings, and the one-two punch of Jackson Browns’s “These Days” and “It Wasn’t God Who Made Honky Tonk Angels” strays into Nina Simone territory when it comes to an artist making the song their own.

Ari Roar – Made To Never Use

Ari Roar is the name that singer/songwriter Caleb Campbell uses for his self-released projects. With a Ben Folds by way of Wilco vibe, the songs are all Indie-Pop bangers that you will be able to digest in short 2-3 minute jangly bursts. “Take Me Over” is Jack Johnson by way of John Lennon, and “Far From The Rest” could have been a Replacements with a slight Police vibe.

The hooks, rhythms, and melodies, all coalesce into a catchy set of songs that you should bring back out when the weather gets warmer and the drinks get colder.

Poco – One Night in Nashville

For many, the seminal band Poco is considered to be one of the original OG’s of Americana and the Country-Rock sound. Originally formed by Buffalo Springfield members Richie Furay and Jim Messina, the band released 18 albums with multiple hit singles including “Crazy Love,” “You’d Better Think Twice,” and “Rose of Cimarron.”

Now, the 2004 live concert from Nashville has been polished up into a spectacular blue vinyl edition that should serve to satisfy longtime fans of the band as well as those who are just starting to explore the roots of American Music. Reuniting original members Furay, Rusty Young, and drummer George Grantham, the band runs through all of the hits with particularly stellar versions of “Call It Love” and the harmony-laden “Good Feeling To Know” as stone-cold standouts. “Bad Weather” is a deep-cut must-hear.

Jacob Bryant – Barstool Preacher

Once you get past Garth Brooks, the ’80s flavor of Country music is not deserving of the scorn and ridicule that it seems to get in some circles. Travis Tritt, Alan Jackson, Clint Black, John Anderson it’s all good music, certainly better than the “all hat, no cattle” purveyors of the scene that seem to be prevalent today.

Here, with his latest record, Bar Stool Preacher, Jacob Bryant’s ear-melds ’80’s Alan Jackson country along with contemporary outlaw country in the Jamey Johnson and Chris Stapelton mold that would fit in perfectly at your next fourth of July party or your next bourbon binge.

“Well Whiskey (Discount Cigarettes)” could have been a hit song for Keith Whitley, and on the semi rocked-up “Good Ol’ Boy,” Bryant laments his local turning into a hipster bar with boys in skinny jeans and no Skynyrd songs in the jukebox.

Five Cool Ones: What We’re Listening To (January 7, 2022)

It still will be a couple of weeks yet until things start heating up and the River of new releases starts to flow again. But, in the meantime, there are a lot of groovy tunes to dive into while we wait.

The Sheepdogs – Singing in the Band

Rock is the New Roll uber- favorites The Sheepdogs are keeping themselves busy making some new music that will see the light of day in 2022. Their blend of James Gang by way of Blackberry Smoke vibes will have the toes tapping and ears twirling all in a Smokey haze.

Goodbye June – Stand and Deliver

The first really great E.P. of 2022 has declared itself. And, it’s a stunner. Having dribble-released the songs as singles in 2021, all four songs have been included on their debut E.P, Stand and Deliver. These Nashville Cats walk that tightrope between AC/DC and Lynyrd Skynyrd.

The Districts – Outlaw Love

These Pennsylvania Indie rockers blast off like a slightly less cool Rebel Yell-era Billy Idol on one of the first great songs of 2022.

Band of Heathens – Rock and Roll Doctor

Americana rockers Band of Heathens never fail to impress by coming up with unique ways to present their new music. Here, they release another of their collaborative cover songs, this time Little Feat’s “Rock and Roll Doctor” with Dallas psych-rockers White Denim. For extra credit, Search out the collabo with Ray Wylie Hubbard covering “Papa Was A Rolling Stone.”

Edgar Winter, Joe Walsh, David Grissom – Johnny Be Good

Joe Walsh and David Grissom on saxophone sit in with Edgar Winter on a scorched earth version of the Chuck Berry classic. Edgar is in fine form on this one.

Five Cool Ones – Five (More) Reasons That Pop Matters

It is no secret that here at Rock is the new Roll we love Pop music in any form. Whether it is Power Pop, Indie Pop, Pop-Punk, or Paul Simon and “Kodachrome” 70’s Pop we will be giving it a spin on our turntables. Here are 5 top-flight pop nuggets that hit our ears this past year.

The Lickerish Quartet – Threesome, Vol. 2

Formed from the ashes of famed S.F. Bay Area pop icons Jelly Fish, Eric Dover, Roger Manning, and Tim Smith are carrying the pop torch with their band, The Lickerish Quartet. Named after the Randy Metzger 1970 erotic drama, the band released a pair of stunning records over the last 18 months with Threesome, Vol. 1, and Threesome Vol. 2.

Roller Disco Combo – The Sun After The Rain

With their new e.p., Barcelona popsters Roller Disco Combo offers up Teenage Fanclub on “Indonesian Breakfast,” and a bit of a Laurel Canyon vibe courtesy of “Holes on the Grass.” In its entirety, The Sun After The Rain is a five-song e.p. that will have you yearning for more.

Sorrows – Love Too Late … The Real Album

This re-recording of a record that was originally released in the ’80s is a solid combination of Cheap Trick Power Pop, British invasion Garage Rock, and ’60s Rock and Roll with the cover of the Kinks “Tired of Waiting for You” a stellar standout. The back-to-back sound flurry of “Love Too Late” and “Crying Time” have the essence of The Knack Meets the Specials.

Bros. Vol. 2

BROS, the sidepiece band for Ewan and Shamus Currie from the ’70s throwback band The Sheepdogs deliver on a set of tunes that will have you reaching for your old KC and the Sunshine Band records. Never Gonna Stop is Hall and Oates meets The Greg Kihn Band, and Hesitationg is The Little River Band if they were just a wee bit cooler.

Radio Days -Rave On

Big Star with a bit of Replacements danger vibe is the cocktail of the day served on the latest L.P. from Radio Days, Rave On. Early Elvis Costello is also an appropriate touch-point for this record should cover all of your musical bases.

Album of the Day: Kris Rodgers and the Dirty Gems – Still Dirty

If you haven’t hipped yourself to Springsteen’s guitarist Little Steven and his side gigs with his three XM radio stations, Little Steven’s Underground Garage, Coolest Songs in the world, and Outlaw Country, jump in on it now. And, for an even deeper dive, he’s got his own record label, Wicked Cool Records, where he digs deep with a stable of some of the coolest bands on the planet that you have never heard. With their debut set for Wicked Cool Records, the Dirty Gems have come up with a gem of a record with virtually no miss-steps over a tightly constructed 10 song set.

Avoid the temptation of glossing over the opener “She Likes To Party” with its Sly Stone by way of “Play That Funky Music” mojo as a one and done wonder. Sure this song is groovy, but trust us, this is only the tip of the coolness spear.

Overt genre-hopping has been been the death knell of many an album, but here, jumping from the mothership funk of the opener to the Motown worthy “I Can Still Feel It,” and be-bopping on to the Robert Palmer groove of “Can’t Give It,” the transition is as pure and smooth as a good bottle of whiskey.

Kris, as a piano player, will definitely render comparisons to early Elton. And, if after listening to “See You Again” and his spot-on terrific extended-jam reading of “Take Me To The Pilot” you don’t agree with this assessment, your Elton John fan club membership will be revoked. Bad Company By Way of REO Speedwagon makes an appearance on “I’m Your Man” and Deep Muscle Shoals vibes spring from every pore of “Don’t Turn Around.” “Tortuga” even has a Santana tinge to it.

It is not often that an album comes around that is this good that nobody has heard. Kris Rodgers and his mates deserve a wider following. Let’s make it happen.