Category: A Rock and a Roll

Five Cool Ones: Five New Albums Released This Week (March 28, 2025)

With summer only a couple of fortnights away, the time is right for dancing in the streets.

Be very careful putting the pedal to the metal on this high-octane barn burner from Josh Todd and the Buckcherry boys.

De’Wayne is a newcomer on the scene and an artist to watch out for. The vibe here is Prince fronting the killers. Never before has Indie Rock and Classic rock blended so seamlessly.

And, finally, Rock is the New roll favorite, Luke Spiller is prepping for his April 25 release, Women Will Kill Me Before Cigarettes And Wine.

And if this rock and roll splendor doesn’t tickle your fancy enough, here are five new morsels for your ears to digest this week

Dawn Brothers – Cry Alone

All the way from the Dutch city of Rotterdam, The Dawn Brothers produce a refreshing blend of Rock, Americana, and Memphis Soul. Sort of like Hall and Oates teaming up with the Travelling Wilburys. If you did not know the band’s origin, with just one door-to-ceiling listen of their new record, Cry Alone, you would be hard-pressed to tell if they were from Rotterdam, Memphis, or Los Angeles.

The opener, “Do Me Wrong” sets the hook with a funk-driven backbeat and a Memphis Soul Stew vibe, “Can’t Let You In, Can’t Let You Out” is perfect Travelling Wilburys fare, and “I Cry Alone” would have been a perfect addition to the Hall and Oates Abandoned Luncheonette record.

Much like The Little River Band from back in the day, there is a timeless appeal to this record that will soothe the soul.

The Darkness – Dreams On Toast

For those not previously in the know, The Darkness, with their flamboyant frontman Justin Hawkins, is a U.K.-based rock and roll band that combines the over-the-topness of Sheer Heart Attack era Queen, Jellyfish, and for a more recent vintage touchpoint, Luke Spiller and the Struts. Glam energy, bombast, glass-breaking falsetto’s and more is the order of the day.

From the opening blast-off of “Rock and Roll Party Cowboy” the DNA of the band’s eighth album, Dreams On Toast is on full display. No-holds barred party like its 1975, good time, rock and roll played like its meant to be played, loud and proud.

Lead-off single “Longest Kiss” is pure Jellyfish vibing, and “Hot On My Tail” is the Darkness’ version of Queen’s “Seaside Rendevous,” deliciously operatic and bombastic with a bit of whimsey thrown in for good measure.

A welcome addition to the canon of one of the best rock and roll bands to come around in the last decade.

Lucy Dacus – Forever Is A Feeling

As one-third of the indie rock supergroup that includes Phoebe Bridgers, Julien Baker and an album that was rewarded with three Grammys, lucy Dacus steps out on her own with an understated record of hushed harmonies, warm shades, and gentle, close-to-shoegaze, instrumentation.

“Ankles” has Laura Nyro in its DNA, “Talk” is a slow-burn pastoral epic, and “Limerence” could have done well in the hands of Karen Carpenter, if she was just a little hipper.

This one belongs on your Sunday chill playlist as if that’s such a bad thing.

W.E.T. – Apex

If AOR-adjacent, 80’s rock in the Def Leppard and Night Ranger mold is what you are into, then W.E.T.’s latest, Apex, is going to be your jam.

“Where Are The Heroes Now” is pure peak-era Bon Jovi, “This House Is On Fire” is Journey by way of The Scorpions, and “The Believer” is a stadium-ready anthem.

Don’t think with this one, just listen.

Kenny Wayne Shepherd and Bobby Rush – Young Old Fashioned Ways

You can feel the feel the energy and the chemistry bursting from the speakers on this old-school meets younger gun collaboration between Bobby Rush and Kenny Wayne Shepherd.

Giving a respectful nod to Rush, his vocals and his harp throughout, Rush provides the vocals as well as a killer harp on all ten of these tracks. Holed up in a Memphis studio, the pair launches into a stripped-down set that leans into the blues half of their respective blues-rock resumes.

4 of the songs displayed here are Bobby Rush tunes with an additional 5 co-penned, with a Willie Dixon song thrown in for good measure.

Whether the pair goes low and slow like they do on “G-String,” or the alligator stomp of “Hey Baby) What Are We Gonna Do),” the playful comradery between the two is infectious and palbable.

Rush sings with the vigor of a singer half his age and Shepherd delivers one of the best performances of his career.

The leader in the clubhouse for blues album of the year, for sure.

Five Cool Ones: Five New Albums Released This Week (March 21, 2025)

The dynamite is definitely going boom this week.

Hannah Cohen is bringing back ‘70s folk-pop.

Bryan Ferry teams up with Amilia Barratt on a new single, “Loose Talk”.

And, The Counting Crows have some new music in the pipeline.

But, that’s not all fellow muso’s. Here are five fresh off the presses playyers to enjoy this week.

The Damn Truth – The Damn Truth

This Canadian quartet operates on a planet of revved-up modern rock with a classic rock twist, and with this, their fourth proper long-player, their reputation that has been building as festival forces to be reckoned with should be permanently solidified.

Produced by Bob Rock, the same Bob Rock who twirled the knobs for Motley Crue, Bon Jovi, and The Offspring among many others, the sound is crisp, vocally energetic, with all of the top 40 panache you would expect with the hand-in-glove partnership of artist and producer.

“The Willow,”’a song that highlights the back of the arena pipes that belong to lead singer Lee-La Baum, is Zeppelin “stairway” worthy, “Addicted” bangs the head phones like a Beth Hart banger, and the anthemic “All Night Long” features AC/DC riffage alongside classic Bob Rock artistry.

This is a next-level record for a next-level rock and roll band.

Foxy Shazam – Animality Opera

This one tickles that G-spot between the flower-power psychedelic vibes of Jellyfish and the operatic bombast of the early Queen records.

A bit chaotic at times, less than cohesive for most of the album, this 11-track journey quite nicely puts the ethos of Foxy Shazam into a capsule that while being less accessible than its forebearers, is all the more of an interesting listen for it.

Tito & Tarantulas – !Brincamos!

Widely known as the house band in Quentin Tarantino’s From Dusk Till Dawn, Tito Larriva and his tarantulas have been mainstays of the Los Angeles punk and roll scene for decades with their genre-bending mix of rock, punk, Tejano, and surf music.

And now, with !Brincamos! the band has delivered a masterpiece of Latinx punk rock with raw ballads and energetic anthems leading the way. The opener “X the Soul” would have been perfect in the hands of Tom Waits, if Waits ever let things fly that is, 99.9 sounds like an Alejandro Escovedo garage rant from the nugget days, and “Sneer At The Drummer” could have been a Willy De Ville classic.

This is a real rock record from a real rock and roll band.

My Morning Jacket – Is

With this, their 10th record in 30-plus years of existence, the jam band-adjacent My Morning Jacket has entered into a new phase of their career for the first time in a decade, for them, an outside producer is in charge, Brendan O’Brien who has worked with Bruce Springsteen, Pearl Jam, and Phish.

Every song on this record is melodic, transcendental, and perfectly executed. The spirit is uplifting and “Everyday Magic” as well as “Time Waited” remind us of the underrated genius that is Jim James when it comes to crafting a love song.

This might not be the album of the year, but it will certainly be on heavy rotation on our turn tables for the rest of the year.

Brian D’addario – Till The Morning

When is a record really/not really a solo album? The answer is nuanced but in this case with the latest from Brian D’Addario, one-half of the Lemon Twigs twins, both answers may be correct.

The first release on the brothers new label Headstack Records, most of the songs were recorded with brother Michael who is also credited as co-producer.

Self described as country- baroque the entire record is full of Donovan-worthy gems. “Nothing On My Mind” would have been a perfect early Kinks single, “Only To Ease My Mind” is Brian Wilson-worthy, and if “This Summer” is not your summer anthem of the year you should have your ears examined.

It is too early in his career to say that Brian D’Addario has created his own Pet Sounds, but when all is said and done you might not be wrong.

Five Cool Ones: Five New Albums Released This Week (March 14, 2024)

Rarely has there been a cooler week of music than our ears were hipped to last week, but don’t worry, this Nantucket sleigh ride seems to be in full bloom once again.

The Violet Mindfield has an organ freakbeat nuggets feel about the band.

The Blusterfields have a popiness about them that belies their Kiss sensibilities.

Jason Boland and the Stragglers – The Last Kings of Babylon

Blending Country, Rock, Pop, and sometimes even Punk muses Jason Boland and his red dirt henchmen seem to be going back to their roots with original producer Lloyd Maines at the helm of their latest record, The Last Kings Of Babylon.

Showing off all aspects of this eclectic band, “Next To Hank Williams” could have been on a mid-era Johnny Cash record, “Drive” is just what you thing it might be, a get out of Dodge travelogue sort of song, and “High Time” could have been on any Little Feat album.

Should you be anywhere near a Texas or Oklahoma honky tonk where Jason Boland is playing do your ears a solid and slide on in.

Ricky Warwick – Blood Ties

Already keeping the spirit of Thin Lizzy and Phil Lynott alive with his band The Black Star Riders as well as his solo work and other projects, Ricky Warwick carries the torch even higher with his latest record, Blood Ties.

This one is a corker, “Rise and Grind” with Blackberry Smoke,’s Charlie Starr is a straight-up rocker, “ The Crickets Stayed In Clovis” is “Boys Are Back in Town” special, and “The Hell Of Me And You” packs a proper MC-5 wallop. A proper rock and roll record that once again proves that rock is not dead.

Tobacco City – Horses

With echoes of Gram, Emmylou, and The Flying Burrito Brothers, the psychedelic country of Tobacco City has a certain timeless quality that is both inspiring and soul-affirming.

The opener “Autumn” has a certain John Mellencamp other side of the street and very Delines-like in its dramatic storytelling, and the frolicking “Buffalo” sounds lie an REM goes country barn raiser.

Look for these guys coming to a honky tonk near you.

Charley Crockett – Lonesome Drifter

This just, in Charlie Crockett, with a voice that makes Johnny Cash sound like a soprano, is rapidly rising to the top of the Mount Rushmore among the current crop of country crooners.

Recorded in just 10 days at the legendary Sunset Sounds Studio in LA with knob twirling assistance from Shooter Jennings, the record has a certain live feel to it with many songs recorded in one take.

With touch-points-a-plenty the musical influences make themselves known with Waylon Jennings, Bill Withers, and Woody Guthrie all making themselves known.

Lonesome Drifter might not be his best record, Welcome To Hard Times would likely take that honor among aficionados, it will lkely garner high honors when the end-of-the-year polls are gathered.

Silver Synthetics – Rosalie

Floating in a nexus of euphoric cosmic cowboy haze, Silver Synthetics stand on the shoulders of Rose City Band, Beachwood Sparks, and Poco. Every song on this charcuterie plate of a record that sounds like Neil Young fronting Big Star.

“Rosalie” will have you searching for a campfire and a bottle of whiskey, the opener “Age Of Infamy” is hot tub time machine worthy ‘70s smooth country rock at its finest, and “Right Time” carries the freshness of The Sheepdogs and the slick pop of early-era Eagles.

There is nothing not to like about this record.

Five Cool Ones: Five New Albums Released This Week (March 7, 2025)

Wow, what a week is in store for your ears to enjoy, one week just gets better than the last.

The Baboon Show are percolating their wild vibes with their latest single “Forward In Reverse.”

Aussie legend shares “New Day,” a song that shares DNA with Tom Petty’s “Learning To Fly.”

And, Brian D’Addario, the youngest of The Lemon Twig boys is out with a sublime single ahead of his upcoming full length.

But, don’t push all of your chips to the center of the table just yet. Here are five freshly minted morsels to savor.

Neil Young – Oceanside Countryside

A previously “lost” record that was recorded in an earlier time but took 40 years to see the light of ear, Oceanside Countryside culls songs from Neil’s ‘70s American Stars ‘n Bars era.

Many of the songs represented here were previously released on Rust Never Sleeps, Hawks & Doves, or Comes A Time but in different versions. With two distinct sides, side 1 features only Young and his guitar while side 2 was recorded additional musicians.

Not that we needed a reminder, but listening to the versions here of “Dance Dance Dance” and “Pocahontas” reminds us of what a national treasure Neil Young really is.

Jason Isbell – Foxes In The Snow

Recorded in five days with just voice and guitar in Electric Ladyland studios with this, his tenth solo album, we see Jason Isbell coming out of the other side of the tunnel reflecting on a failed marriage, and the pitfalls of stardom following his brilliant star turn on Killers of the Flower Moon, and his battle with dangerous memories.

Every song presented here is good bordering on great with the elegantly sparse arrangements providing the backdrop to some of the best songwriting in Isbell’s career.

One of the few artists whose solo work is on par with the music that they make with their band, now that he has gotten a few things off his chest, most notably on “Eileen” and “Good While It Lasted,” despite the loneliness that permeates the record, the future looks very bright. Talent always wins the Day.

Sorrows – Parting Is Such Sweet Sorrow

Self-described by guitarist and front-man Arthur Alexander, Sorrows is an intoxicating blend of The Who, The Kinks and The Easybeats with a touch of early-era Rolling Stones thrown in for good measure. Just listen to the opening bombast of “Have You Seen Your Mother Baby, Standing in the Shadows,” and tell us we’re wrong.

“What A Boy” is pure My Generation with a dose of Elvis Costello, and “Somethin’ Else” could have been an Eddie Cochran monster hit, because, of course, it was.

Mike Farris – The Sound Of Muscle Shoals

Returning to his roots as a rocker and a soil singer, Mike Farris lays down a solid set of Muscle Shoals adjacent songs that resurrect the souls of Sam Cooke and Otis Redding and preach on the alter of Al Green.

Chris Stapleton comes to mind on “On The Humble, while “Slow Train” is Al Green Gospel bliss. A solid well crafted listen.

Hotwax – Hot Shot

Meant to be played loud, this Hastings via Brighton post-punk band rocks like some devil hybrid of Deborah Harry fronting Nirvana.

The opener, “She’s Got A Problem” sets the stage for a Mr. Toad’s Wild Ride adventure down a careening bobsled track.

“Dress Our Love” has Chrissie Hind Pretenders on 78 vibes, and “Lights On,” a song that features Stella Mozgawa, is a burner of a gem.

This is the type of band that would headline CB GB’s one night and play Coachella the next without missing a fret.