Category: Americana

Five Cool Ones: Five Cool Records Released This Week (January 26, 2024)

The weather may be cold, but the music is hot this week as many artists are scrambling to give us a morsel of singles in advance of a proper release.

Blackberry Smoke shows that they can go mellow low and slow when they are not putting out barn stompers with “Azalea.”

Circles Around The Sun delivers on a psychic Laurel Canyon mushroom cloud with “After Sunrise.”

And, Joe Bonamassa and Peter Frampton burn the house down with their version of Humble Pie’s “Four Day Creep.”

But wait, don’t put up those winter jackets just yet. Here are five records to keep you warm this week.

Ty Segall – Three Bells

Ty Segall, renaissance man, Swiss army knife, and bell weather cow of the indie rock scene is out with Three Bells, another monstrous record by a monstrous artist.

Song after song our ears are treated to the sonic wizardry that is Ty Segall. Not known to be especially user-friendly to the ears, oftentimes bathing in a foggy haze of fuzz, this time out he delivers a one-hour set of intricate guitar chords, Jimi Hendrix-worthy riffage, and Seagall-ist production that is not only accessible, but also provides a texture to the proceedings that is both refreshing and sorely missed in today’s musical landscape.

If this record was a Jazz album it would be John Coltrane’s Giant Steps record with the melodic frenzy of “Giant Steps” morphing with the tempo-changing “Countdown.”

Impressive accomplishments, indeed.

Gurf Morlix – Melt Into You

The first thing that will hit you between the speakers is that Gurf Morlix, on his latest record, Melt Into You, sounds an awful lot like Ray Wylie Hubbard which makes perfect sense since he has been twirling the knobs for both Ray Wylie and Lucinda Wiians for the last several years.

Morlix tackles old age and lonely travels on “Melt Into You,” as well as the self-reflecting “Last Days of the Dinosaur,” wrapping things up with a sentiment all of us experience at one time or another on “A Meaningless Life.”

Stop at three shots of bourbon if you listening to this one in one sitting.

Sarah Jarosz – Polaroid Lovers

With the essence of 80’s ladies and Garth Brooks-era country, this Sarah Jarosz gem of an album covers all of the touchstones.

With her deft songwriting and classic Americana-centric vocal stylings the multi-instrumentalist, multi-Grammy winner apples her trade like a slightly less cool Jenny Lewis.

The opener, “Jealous Moon” could have been a K.T. Oslin hit from back in the day, closer “Mezcal and Lime” is a last-call woozy sort of affair, and “Runaway Train” will transport you back to a simpler era when the women ruled the country radio dial.

Katy Kirby – Blue Raspberry

With this, her sophomore record, Katy Kirby comes out strong chronicling new discoveries and first-time lesbian experiences on the exquisitely cool, Blue Raspberry.

The crystalline vocals pushed forwar in the mix means you will not need to consult a lyric sheet to ascertain the lyrics that highlight the little things women recognize in other women.

Listening to this record in total within the confines of a serious listen lends itself to a revelatory stroll in a forest of reflection as it surely does in the string-subtle “Party of the Century.”

You will be a better person for listening to this record.

The Umbrellas – Fairweather Friend

The Umbrellas, an Indie Pop band that brings to the minds-ear the classic sounds of bands like The Go-Betweens, The Bats, or even The Cranberries.

With jangle guitars and layered harmonized vocals, each song has a nostalgic feel to it that scantily varies throughout the song set. The lyrics, poetic in their simplicity, along with the alternating vocals are delivered with the honesty that should serve the band well as they continue on the path to critical acclaim and more.

Five Cool Ones: Five New Albums Released This Week (January 19, 2024)

The heat is on and there is a ton of new long- players to digest this round.

The mighty Saxon is scorching the earth with a new single and video.

Judas Priest never fails to amaze and will likely go on forever, case in point, their latest single and video, Panic Attack.

And, if AOR is your jam, Grand and their new single “Kryptonite” will wet your early Journey and Europe whistle.

But grab the popcorn, the main event is coming up with five new platters the likes of which we have not heard in a very long time.

Sleater – Kinney – Little Rope

Returning from a ten-year hiatus, Sleater Kinney is releasing their 11th album. One of the more taut efforts from Carrie Brownstein and Corin Tucker, the guitar lines seem to be crisper, and the vocals are more textured than we are used to coming from the OG’s of the riot grrrl movement in the Pacific northwest.

The angst is still there front and center on “Six Mistakes” and the no-flinching songwriting has not been lost most notably with the lyric “get up girl, and dress yourself in clothes you love for a world you hate” as exhibit A.

The Love Gone Wrong song “Say It Like You Mean It” might be the poppiest of the pop songs the band has ever written, and “Don’t Feel Right” jumps right out of the speakers.

Look for this one staking a claim in the end of the year lists. The welcome return of a band we had forgotten we missed.

Chemtrails – The Joy of Sects

One of the rare female-centric Post Punk bands in the game today, Manchester-based Chemtrails has almost created their own sub genre, Garage Pop.

The opener “Detitrus Andronicus” sucks you in with the first bouncy guitar riffs, with the distinct vocals of Mia Lust and Laura Orlova introducing themselves to your ears.

Most, at first listen, will have a love-hate relationship with the Cindy Lauper fronting the B-52’s vocal stylings that some might find irrating at best, unlistenable at worst.

A record that needs to be savored in the correct setting, don’t jump off the island until you check out the “Rock Lobster” vibing of “Superhuman Highway.”

Lizzie No – Halfsies

Emerging Folk-Americana artist Lizzie No, with her latest record, Halfsies, is poised to be one of the hottest break-out artists of 2024.

A New York to Nashville transplant, Lizzie combines the best of the musical melting pot waving the inclusion flag in everything she does.

All of the hot spots are touched here with elements of Country, Bluegrass, Folk, Pop, and Rock all represented with aplomb.

80’s ladies’ country is all over “The Heartbreak Store,” “Lagunita” is a straight-up rocker, and “Deadbeat” is pure Laurel Canyon Joni Mitchell.

This record is a stunner well worth your aural respect.

Green Day – Saviors

Green Day is one of those bands that will immediately transport you to a place in time from your not so distant past where life was simpler and music was real.

With this, their 14th album Billie Joe and the fellas build that bridge connecting 1994’s Dookie, American Idiot, their most popular record, and now Saviors.

Weighing in at a compact 15 songs in 45 minutes, this one has Green Day doing what they do best, melding a scattershot of socially relevant songs around a soundscape of Post Punk fury that is unique to the band.

The opener, “The American Dream Is Killing Me” will remind you why you fell in love with the band in the first place, and “Corvette Summer” could be a long lost Jellyfish B-Side.

A welcome return from a band of our youth.

Emperor Penguin – Emperor Thieves

“What’s The Worst That Could Happen,” the leadoff single from Psych Pop band Emperor Penguin pre-dispositions the template on this one with the early Beatles rock and roll groove and psychedelic undertones.

“ I Wouldn’t Put It Like That” is Elvis Costello at his poppiest, “You And Me” will envelope you in the secondhand smoke of a Sgt. Pepper sit-in listening party and the band goes all hipster French on “Sonnez Les Martines.”

Pristine Power Pop for pure people.

Song of the Day: LJ Makkay And The Six – Bad Weather Blues

With a voice that seemingly comes from Hades that floats somewhere Between Johnny Cash and Leonard Cohen, Long John Makkay and his 66 crew ride the Americana/Country Rock range.

The songwriting is first-rate storyteller fare with a big sound along with varying soundscapes that make every song an immersive experience. Consider us among the several that missed placing their latest record, Bridges, on our album of the year poll for 2023. It was well deserving.

Five Cool Ones: Five New Records Released This Week (September 15, 2023)

The weather is cooling but the music is getting even hotter.

The Rolling Stones are alive and kicking better than they have in the last 10 years with the release, “Angry,” from their soon to be released record.

Relative newcomer Creed Fisher Ouija boards Merle Haggard and Alan Jackson with “This Ain’t The Hamptons.“

And, Paul Cauthen goes old school drinking song laying down “25 Tequilas.“

But, don’t call for that Uber just yet, here are five new albums to wet your music whistle.

The Bites – Squeeze

With Sunset Strip back in the day vibes emitting from every pore of their Rock and Roll soul with with their debut record, Squeeze, courtesy of Earache Records, the Bites are inviting you to a party that you don’t want to miss.

From the opening salvo of “Knockin’ On The Door” to the sleeze glam of “Pretty Boys,” a trip to the Whiskey and a late night hang with Lemmy at The Rainbow followed up by breakfast at Canter’s Deli just might be in your future.

Willie Nelson – Bluegrass

Does the world need another Willie Nelson album in general or a Bluegrass record in particular? Probably not, but we will take them while we can still get them.

Basically, Willie’s greatest hits with a banjo, “Bloody Mary Morning” seems to sparkle, and there is never a bad version of “Yesterday’s Wine.” Give this one a whirl, then cleanse the palate with Willie and Family Live.

Ashley McBride – The Devil I Know

Seeming to play the little sister role on the women in Americana scene, Ashley McBride should put her stamp on the certificate as a legitimate star with her latest, The Devil I Know.

With plenty of tear in your beer ballads to help you through your latest misery including the George Jones shadow of “Whiskey and Country Music” and the hangover lament of “6th of October“ the songwriting presented her is legitimate old school Outlaw Country.

You will be drawn in by the bouncy title track, but you will stay for the “Coldest Beer In Town.”

This one might be the Honky Tonk record of the year.

Brian Setzer – The Devil Always Collects.

The template hasn’t changed in 40 years, and if you think I’m wrong go back and listen to the Stray Cat’s Built For Speed. Otvstill holds up.

And, thankfully Brian Setzers latest, The Devil Always Collects, is raging Rockabilly coolness. Jump in the car and crank up “The Girl on The Billboard” to lose yourself in what might be the driving song of the year, and “Rock Boys Rock” is “Rev It Up And Go” on steroids.

Mitski – The Land is Inhospitable and So Are We

Ever the shapeshifter, Mitski is back with her second album in two years. Shedding her pop roots that were starting to show on her last record, Laurel Hell in favor of this more acoustically sparse orchestral approach, Mitski is proving that she is her own artist living in her own world.

From the mini-epic opener “Bug Like an Angel” all the way to “I’m Your Man” there is a spiritualness inherent in this record that will cleanse the heart and heal the soul.