The second single to be released from their upcoming record, Mess of Everything. This band from Springfield, Illinois travels the Power Pop edges of the Wilco, Cheap Trock universe with splinters of Tom Petty to soften out the edges. Look for the new record on March 17.
Nude Party – Sold Out Of Love
We are not sure of what is going on at camp Nude Party, but in the last couple of weeks they have put out a lot of content, and for the record, we here at Rock is the New Roll are quite pleased. This one, “Sold Out of Love” has a bit of a “Wild Horses” scent about it.
Ashley McBryde – Light On In The Kitchen
One of the shining lights on the Country/Americana scene, with her new single Ashley McBryde sings about the simple pleasures of life, pancakes that taste better after midnight, and a dose of local honey.
Angel – It’s Alright
If you were to ask RITNR senior contributor Bernie Sparrow there has been no decent rock music since 1977. This means this freshly minted single that features original Angel members Frank Dimino, Punky Meadows, and Danny Farrow will be on heavy rotation in the halls of Rock is the New Roll H.Q. And, god help us when the new record comes out on April 21st, via Cleopatra Records.
The National – New Order T-Shirt
The second pre-release single from their upcoming ninth proper release, Two Pages of Frankenstein.
When he is not applying his trade with the Foo Fighters is making music with his own Americana-adjacent band. Here, he enlists the help of John Osborne and Jaren Johnstone of The Cadillac Three on this country stomper.
Halloween is over, the Christmas season is here and the last real week of album releases is still a fortnight away. But, in the meantime there are a lot of new releases to savor.
The Electric Mob are out with a rock-stomper and their single, “By The Name (nanana).
Indie rockers Sloan are back and bubbling up with their new single, “Dream It All Over Again.)
And, newcomer Felix Weaver is scorching the earth with his new record.
But, wait, don’t put down those head phones just yet. Here are five new albums to tickle the earbuds this week.
The Lone Bellow – Love Songs For Losers
Morphing themselves from a Roots-Americana sound to a more Indie Rock AOR vibe that brings to Mind Fleetwood Mac, the resulting output may sound like an entirely new band, but there is absolutely nothing wrong with that.
The opener, “Honey” could have been a “Big Love” B side from Tango In The Night, “Gold” is a smartly written song that blasts across the speakers with the flair of Joshua Tree era U2, and “Wherever Your Heart Is” hits the ears like Dawes guesting on a Paul Simon single.
You might be familiar with the single “Homesick” as the song is used in the renovation series The Williams Family Cabin. And, “Caught Me Thinking” adds some horns and R&B tones spicing up an already eclectically delicious brew.
Moon City Masters – The Famous Moon City Masters
A throw back in all the best of ways, the opener, “Takin’ It Back” from the latest Moon City Masters record will take you all the way back to the James Gang ‘70s, bell-bottoms, cowbell and all. “”Spinning Wheels” is pure Toulouse Street Doobie Brothers, and their cover of the Beatles “I’ve Got A Feeling” has a Bad Company vibe to it and is one of the best songs we have heard all year.
Firmly riding in the neo-classic rock genre, Moon City Masters are painting their own soundscapes making fresh an otherwise tired genre.
Classic Rock Magazine says that their music is full of heart, harmonies, and rays of California sunshine. And, who are we to disagree.
Glen Phillips – There Is So Much Here
As the lead singer and major-domo of Toad The Wet Sprocket, Glen Phillips knows his way around a pop song. On his own since 2001, Phillips may not have surpassed the dizzying heights of the “Walk On The Ocean” days, but ignore at your own peril, his solo work is pretty great.
The opener, “Stone Throat” lays down the palate quite nicely with a breezy tempo on a layer of sparkling guitars. “Other Birds of Prey” has a Tom Petty feel to it, and “Center of the Circle” reminds us all to seek our better angels.
As the title might suggest, there is so much to see here. This one is pure pop for pure people.
Tuk Smith &The Restless Hearts – Ballad of a Misspent Yourh
Back to the ‘70s in the Hot Tub Time Machine, Tuk Smith rises from the ashes of his tumultuous period with the Biters to lay down an energetic, set of pure rock and roll the way it was meant to be played.
Part glam in the Sweet mold, part Thin Lizzy, most notably with the “Boys are Back In Town” spirit that “Girls on the East Side Of Town” Inhabits, every song in this set seems to be a festival-worthy anthem.
“Everybody Loves You When You’re Dead” is an interesting take on “Nobody Loves You (When You’re Down and Out), and “Love Sick City” is a Motley Crue worthy anthem.
First Aid Kit – Palomino
With Palomino, their fifth proper long player, Swedish siblings Klara and Johanna Soderberg, collectively known as First Aid Kit, have certainly hit their stride.
With their signature Fleetwood Mac meets Kate Bush sound still intact with songs as brilliantly constructed as “Wild Horses II” with the stellar line, you prefer The Rolling Stones, and I like Gram, their songwriting prowess has jumped to to the next level.
The song “29 Palms Highway” is perfect late night drive fare, “Ready to Run” could have been yet another hit on Jagged Little Pill, and “Angel” could have been on any Fleetwood Mac album.
Considering the mix of Indie Folk, Fleetwood Mac Pop, and Everly Brothers harmonies along with Simon & Garfunkel worthy production techniques presented here, with Palomino, First Aid Kit may have just painted their masterpiece.
The releases should get a bit more groovy over the next couple of weeks as the artists are in a frenzy to get their new releases ready to be wrapped under your Christmas tree.
The Ruen Brothers are out with their first new single in many a fortnight with “Don’t Know What’s Come Over You.“
Husband and wife duo Johnny Fox and Renee Couture doing business as The Standstills are scorching the earth with able assistance from Eagles of Death Metal on “Motherload”.
If you somehow missed the glory five minutes when Sebastian Bach was in the band and, like us, have been struggling to keep up with the revolving door of Skid Row frontmen since, with the mighty Erik Gronwall manning the microphone this time out may be worth a listen.
Librarians With Hickeys – Handclaps & Tambourines
From the opening blast of “I Better Get Home” from Handclaps and Tambourines, the latest album from Librarians with Hickeys, you will think you have been time-warped all the way back to the middle of the groove line at Austin Powers’ wedding reception. This record is that cool.
Fresh, propulsive, Power Pop in power drive, with a distinct undercurrent of Psychedelia, these bookworms lay down plenty of hookworms. “Lady Overdrive” is a perfect soundtrack for that early summer convertible drive down the Pacific Coast Highway, the ebullient “Over You” sounds like the best of Badfinger if they had been a little less depressed, and the ballad-ish “Stumbling Down Memory Lane” clearly demonstrates that this band is no one Cheap Trick Pony with the songwriting chops to match the Power Pop splendor.
Certainly subject to change as we are only 6 spins into the record so far, a favorite song in the set is “Last Days of Summer,” a song that likely would have been a hit song in the canon of the mid-era Beach Boys. Avoid the temptation to pigeonhole this one into any one particular sub-genre, put on the headphones, and immersive yourself in what is turning out to be one of the wholly satisfying listens of the year.
Lightning Seeds – See You In The Stars
For extra credit, take a trip back in the way back machine and check out “Pure,” the 1994 smash hit from The Lighting Seeds to get a flavor of the pure pop perfection that this band is capable of releasing.
And, with their latest, See You In The Stars, along with the lead off single “Losing You,” you don’t know if it’s 1979, 1989, or 2019, the music is that vibrant and relevant.
“Great To Be Alive” is a festival-worthy stunner, and the title track is a perfect song to calm the nerves in times of trouble.
Find a new friend, or reacquaint yourself with one of the best back in the day bands you likely have lost touch with.
Miko Marks and the Resurrectors – Feel Like Going Home
From the opening buzz of the lead-off as well as the title track, you get immediate sense that Miko Marks is on to something special. Aretha Franklin with a side of Bonnie Raitt is the vibe presented here with the overall band stepping in with an energy that would make the Tedeschi-Trucks band blush.
And, once “One More Night” kicks in paying tribute to Muddy Waters, Lightning Hopkins, Big Mama Thornton, and Muscle Shoals, her lend is fairly cemented.
A genre bender of the highest order, Marks can wrap her tonsils around a Mahalia Jackson spiritual or Patsy Cline’s “Crazy” with equal aplomb. Don’t waste your time looking, this record is all stunners no bummers. “Peace of Mind” is a slow and slow ballad, and “Trouble” is a real deal, for the times country stomper.
Chips to the middle of the table, this is a year end top 10 record for sure.
The Big Moon – Here Is Everything
Loosely themed around the experience of motherhood courtesy of vocalist and band leader Juliette Jackson, this is a fresh slice of Indie Pop Nirvana.
“Wide Eyes” is a cinematic wonder in a Florence and the Machine meets U2 sort of way, and “My Very Best” is a testament to simply giving things a go.
Listening to “Ladye Bay” there is a discerning freshness to the production value that seems a bit contrary to expectations since this was generally a covid-centric release with the band not in the same room in the era of file-swapping. The piano based “Satellites” lays bare the songwriting chops of the band, and “Trouble” is about as exuberant as you can get given the general topic is child birth.
We are officially putting The Big Moon on our Buzz Bands list.
Cory Branan – When I Go I Ghost
Cory Branan is one of those under the radar artists that gets little play in the mainstream but those who know definitely know.
His latest, When I Go I Ghost is definitely a must hear. From the opening salvo of “When In Rome, When in Memphis,” the sonic boom is palpable with his Steve Earle by way of James McMurty vibe hitting you between the ears.
“When I Leave Here” displays the songwriting chops that matches the musicianship. And, “Room 101” takes you on a back street love affair.
And, a listen or two to of “Come On If You Want to Come” will have you scrambling to check out his back catalog that goes back to 2002.