Category: Indie Pop

Five Cool Ones – Five New Records Released This Week (September 27, 2024)

With just a few blockbusters set for release later in the year, there are still a few diamonds to be mined this week.

Dutch masters DeWolff are back with their ‘70s style organ-drenched rock with “In Love.”

The semi-stripped-down reincarnation of Dawes is prepping for an album later in the year.

And, The Darkness, one of the best new bands to come out in the last 10 years, is out with another Queen-inspired operatic wonder.

But fear not, there’s more. Here are five more pieces of dust in the wind to savor this week.

Nick Lowe – Indoor Safari

Nick Lowe along with his cronies in Los Straitjackets with Indoor Safari have crafted what is sure to be one of the cooler albums of the year. Starting with the opener “Went To A Party” the Tiki-surf noir is dialed up to 11. “Crying Inside” comes across like a long-lost Roy Orbison tune, and “Lay Ot On Me” is classic vintage Nick Lowe.

Never straying far from his sweet spot, this one sounds classically vintage and contemporary at the same time.

Sam Millar – Virtual Summer

A bit late for the peak-summer beach vibing, Virtual Summer is hands down the best summer anthem meets power ballad record of the year.

Millar himself has said that releasing these gems now will give the listener something to hold on to when winter sets in allowing them to create their own virtual summer.

Bon Jovi-adjacent highlights abound including the 80’s stolen jam “Chardonnay” and the Duran Duran vibing “Deja Vue.”

This one stands on its own merit as the best back-to-the-future record of the year.

Billy Strings – Highway Prayers

Billy Strings is quickly morphing himself into the best live performer, in any genre, on the planet. Somehow finding the time to release a proper long-player right in the middle of his hectic tour schedule.

On this one, Strings has somehow managed to channel the Americana magic of Stapelton and Sturgill while maintaining his unflinching bluegrass ethos.

A bit on the longer side, this one weighs in at about one hour and 15 minutes, the 20 original songs represented here are a great way to experience the pure musicianship of one of the best virtuosos to come around in the last several decades.

JD McPherson – Night Owls

JD McPherson is front and center with his Duane Eddy stylings on his first proper non holiday album since 2017’s Undivided Heart and Soul.

With one foot in the Rockabilly ethos and the other in vintage ‘60s surf guitar McPherson has created a deliciously eclectic wonderment of a record.

The title track carries a Cars Mantra, and the instrumental “The Phantom Lover Of New Rochelle” is an aggressive surf guitar throwback.

This one is a brilliant return for a sorely missed artist.

Pale Waves – Smitten

Buoyant exuberance, anthemic propulsion, and layered production are the touchstones of this excellent record from the Manchester-based band Pale Waves.

Led by the effervescent Heather Baron-Gracie, the band sashays their way through a solid set of arena-ready misses that bring to the minds ear The Corrs by way of Stevie Nicks.

The closer “Slow” is a slow-burn stunner from a band that seems to be reaching the peak of their powers.

Five Cool Ones: Five New Records Released This Week (May 17, 2024)

As we are driven kicking and screaming into the heat of the summer the record release parties seem to be thinning out a bit. But, we, as always, are doing the work so you don’t have to.

Joe Bonamassa’s side-piece band Black Country Communion is bubbling up with their new single, “Enlighten” in advance of a proper record.

Carol Hodge paints with a brush of a gothic Fleetwood Mac by way of Queens of the Stone Age Cover band.

And, Isobel Campbell meanders gently into your head-space with her latest, ‘4316.”

But wait, don’t get those beach chairs out just yet. here are five new records to throw in the fire pit to bask in the glow of a friendly flame.

Caldwell – Caldwell

With just a couple of salvos into track number one “No Flowers Today“ and on to “Love Confession” you will be kidnapped and will find yourself aboard a pirate radio ship somewhere between Austin Power’s bachelor party and a mushroom-infested evening with Donovan.

This one is a post-British invasion extravaganza that will have you reaching for those Dave Clark Five, Herman’s Hermits, and Gerry and the Pacemakers records that you have stashed in the attic.

Prisoners – Morning Star

The Prisoners are a mod-revival band from the early 80’s, and by the listen of things, with their latest Morning Star, they haven’t missed a beat in the intervening years.

With the Booker T Jones vibe of “Save Me” and the Badfinger influences shining through on “Morning Star,” the mod father time machine is tuned up, all systems go with the cool setting cranked up to high.

Kings Of Leon – Can We Please Have Fun

The Kings Of Leon, twenty years in now, are one of those rare bands that have been able to maintain the core joie de vie of their soul center while, at the same time keeping the arrow trending towards hip, relevant, and cool.

From the opener, “Ballerina Radio” from their latest effort, Can We Please Have Fun a song that envelopes you in the night swimming atmosphere that we have come to know and love from this band.

With the ripped from the headlines lyric, “There’s a war outside, we should all get high, as Caleb Followill recommends on “Nowhere To Run, and the apocalyptic energy of “Nothing To To,” yesterdays darlings have become today’s prophets.

Little Feat – Sam’s Please

While Little Feat has always been entrenched in the deep blues, a cover of Howlin’ Wolf’s “Forty-Four Blues” was included on their debut record, this is their first platter that is solely dedicated to the genre.

The opener, “Milkman” roams the back alleys like a sleazy Robert Cray love on the dark side of town tune, and “You’ll Be Mine” duck-walks across the stage drenched in a Chuck Berry riff. And, if you want some good old OG Little Feat just rest your ears on “Can’t Be Satisfied.”

With long-time conga player 74-year-old Sam Clayton handling the vocals, once you enter Sam’s Place you might just be walking into the home of blues album of the year.

The Mavericks – Moon & Stars

One of the best singers of his generation, Raul Malo brings his band and his velvet croon back to a time and place that will remind you of those glory “Dance The Night Away” days.

“Live Close By (Visit Often”) is classic 90’s Mavericks dance fever, the title track, “Moon & Stars” has Sierra Ferrell providing an assist channeling her inner Linda Ronstadt, and Roy Orbison makes a spiritual appearance on “A Guitar And A Bottle of Wine.” “Turn Yourself Around”’ even rides a Holland-era Beach Boys wave.

This one is a wonderfully typical Maverick’s record blending Latin music, Country, Tex-Mex, Classic Pop, Big Band, and 60’s noir into one of the best top-shelf margaritas that you will ever savor.

Five Cool Ones: Five Cool Records Released This Week (January 26, 2024)

The weather may be cold, but the music is hot this week as many artists are scrambling to give us a morsel of singles in advance of a proper release.

Blackberry Smoke shows that they can go mellow low and slow when they are not putting out barn stompers with “Azalea.”

Circles Around The Sun delivers on a psychic Laurel Canyon mushroom cloud with “After Sunrise.”

And, Joe Bonamassa and Peter Frampton burn the house down with their version of Humble Pie’s “Four Day Creep.”

But wait, don’t put up those winter jackets just yet. Here are five records to keep you warm this week.

Ty Segall – Three Bells

Ty Segall, renaissance man, Swiss army knife, and bell weather cow of the indie rock scene is out with Three Bells, another monstrous record by a monstrous artist.

Song after song our ears are treated to the sonic wizardry that is Ty Segall. Not known to be especially user-friendly to the ears, oftentimes bathing in a foggy haze of fuzz, this time out he delivers a one-hour set of intricate guitar chords, Jimi Hendrix-worthy riffage, and Seagall-ist production that is not only accessible, but also provides a texture to the proceedings that is both refreshing and sorely missed in today’s musical landscape.

If this record was a Jazz album it would be John Coltrane’s Giant Steps record with the melodic frenzy of “Giant Steps” morphing with the tempo-changing “Countdown.”

Impressive accomplishments, indeed.

Gurf Morlix – Melt Into You

The first thing that will hit you between the speakers is that Gurf Morlix, on his latest record, Melt Into You, sounds an awful lot like Ray Wylie Hubbard which makes perfect sense since he has been twirling the knobs for both Ray Wylie and Lucinda Wiians for the last several years.

Morlix tackles old age and lonely travels on “Melt Into You,” as well as the self-reflecting “Last Days of the Dinosaur,” wrapping things up with a sentiment all of us experience at one time or another on “A Meaningless Life.”

Stop at three shots of bourbon if you listening to this one in one sitting.

Sarah Jarosz – Polaroid Lovers

With the essence of 80’s ladies and Garth Brooks-era country, this Sarah Jarosz gem of an album covers all of the touchstones.

With her deft songwriting and classic Americana-centric vocal stylings the multi-instrumentalist, multi-Grammy winner apples her trade like a slightly less cool Jenny Lewis.

The opener, “Jealous Moon” could have been a K.T. Oslin hit from back in the day, closer “Mezcal and Lime” is a last-call woozy sort of affair, and “Runaway Train” will transport you back to a simpler era when the women ruled the country radio dial.

Katy Kirby – Blue Raspberry

With this, her sophomore record, Katy Kirby comes out strong chronicling new discoveries and first-time lesbian experiences on the exquisitely cool, Blue Raspberry.

The crystalline vocals pushed forwar in the mix means you will not need to consult a lyric sheet to ascertain the lyrics that highlight the little things women recognize in other women.

Listening to this record in total within the confines of a serious listen lends itself to a revelatory stroll in a forest of reflection as it surely does in the string-subtle “Party of the Century.”

You will be a better person for listening to this record.

The Umbrellas – Fairweather Friend

The Umbrellas, an Indie Pop band that brings to the minds-ear the classic sounds of bands like The Go-Betweens, The Bats, or even The Cranberries.

With jangle guitars and layered harmonized vocals, each song has a nostalgic feel to it that scantily varies throughout the song set. The lyrics, poetic in their simplicity, along with the alternating vocals are delivered with the honesty that should serve the band well as they continue on the path to critical acclaim and more.