What We’re Listening To Wednesday (July 31, 2019)

Here are the sounds that have been coming out of the offices here at Rock Is The New Roll HQ.

Adia Victoria – Different Kind of Love

This Nashville based singer is new to our ear lobes, but we really like the darker edged story-noir she brings to the table.

The Raconteurs – Help Me Stranger

We really like the way that Brendan Benson smooths out Jack Whites sharp edges. The pop sensibilities that Benson delivers makes this song one of the best of 2019.

J.S. Ondara – American Dream

This one is an album we keep coming back to in our playlist.

Matt Costa – Make That Change

The Laurel Canyon vibe is pretty prevalent these days, and we love it.

White Reaper – Might Be Right

Next to Nude Party and De Wolff, White Reaper is one of our favorite new bands.

The Avett Brothers – High Steppin’

Good to see these guys back.

Head and the Heart – Brenda

Good low- key Sunday sort of song.

Of Monsters and Men – Alligator

Just as soon as we have gotten their last ear worm “Little Talks” out of our heads these guys deliver us another one.

Video of the Day: Supersonic Blues Machine – Right Now

They have a new live record out that features ZZ Top’s Billy Gibbons and this one is released ahead of an album expected later in the year. A blues supergroup of sorts featuring Super drummer Kenny Aronoff, these guys are on our short list of favorite bands.

Best Albums of 2019: Shana Cleveland – Night of the Worm Moon

Known mostly for her work with the Surf-Noir Band La Luz, Shana Cleveland doesn’t stray too far from the vintage guitar, psychedelic haze ambience on Night of the Worm Moon, her second proper full length record as a solo artist.

The cool, laconic, mostly psychedelic under current that wafts through the entire proceedings like an early era Leonard Cohen poetry reading will instantly take you back to a time when television came in both colors. Black, and white.

“The Fireball” is a shoegaze-y mellow-tron of a tune and “Solar Creep” is a night time chill-out experience. Don’t expect the jams to be kicked out anywhere on this record, just a fine, understated, spectral beauty of a listening journey.