Five Cool Ones: Five New Records Released This Week (May 27, 2022)

Another week under our listening belts and we are zooming towards the summer months where the weather will be hot and the music even hotter.

Starbenders, only days ago, released their new single and video, “If You Need It.”

Rock is the New Roll Glam faves Moneskin are fresh off a Jimmy Kimmel appearance performing their new single “Supermodel.”

And, on his latest incarnation with his new band The Sinners Ginger Wildheart delivers a Stones inspired dose of audible moonshine.

Slang – Cockroach in a Ghost Town

Sort of a Pacific Northwest Indie supergroup, Slang features Drew Grow along with Janet Weiss of Sleater-Kinney, Anita Lee Eliott, and Kathy Foster of The Thermals. But, make no mistake, the real star of the show here are the staggering over the top vocals courtesy of Drew Grow. With the human torch swagger of the opener “Wilder” to the Bowie-esque “Wrong Wrong Wrong” where grow demonstrates his ability to hit the high notes, the perfect balance of Indie-Punk bombast melded with festival-ready anthems is met on virtually every song.

The slinky “King Gunn” is Orville Peck on speed, And, the sprawling, cinematic, title track, “Cockroach In A Ghost Town” is an Iggy Pop cinematic delight.

As debut records go, this one is really good. Allowing his band mates to play a bit more in the sandbox giving them more room to roam should take their sophomore record to the next level should this not be a one and done affair.

Def Leppard – Diamond Star Halos

The title, Diamond Star Halos, comes from a line from the iconic T-Rex single, “Get It on” that perfectly captures the spirit of this latest, and certainly greatest, throwback treasure of an album in all its glam glory.

This, the 7th record with the current line up of Joe Elliot, Rick Savage, Rick Allen, Vivian Campbell, and Phil Collen, waving all of the Leppard flags in full glory. Swagger-filled vocals, gang backing harmonies, and hooky ear worms for days are all presented front and center early ‘80s style.

With varying textures from the on-point “Fire It Up,” the Pink Floyd inspired closer, “From Here To Eternity,” and the two Alison Krause assists rendered on “This Guitar” and “Lifeless” this diversity of sounds gives the album a bit of more character than we heard on the last couple of Leppard albums.

At just over one hour, there is a lot to savor in one sitting, but multiple listens will yield multiple rewards.

Steve Earle & The Dukes – Jerry Jeff

Having moved to Nashville and serving as his designated driver, Steve Earle’s love and respect for fellow troubadour Jerry Jeff Walker runs deep. His fourth tribute record following Townes, a tribute to Townes Van Zant, Guy, a nodding of the chapeau to Guy Clark, and JT, the the heartbreaking memorial to his own son, Justin Townes Earle, on Jerry Jeff the songs remain the same with a choice curation of widely known hits alongside lesser known gems.

Leading off, of course, with “Gettin’ By” the perfect introduction to the set, with Earle speak-singing, “Hi buckaroos, Steve Earle again,” pretty much the same as Jerry Jeff opened up his Viva Terlingua l.p., followed by “Gypsy Songman,” Walker’s biography in a song, gives the set a one-two punch that would make this one a stellar effort with those two songs alone.

Earle gives a sublime touch on “Little Bird” and on the ubiquitous “Mr. Bojangles,” the passion runs deep. With the should have been a bigger hit, “Hill Country Rain,” Steve slaps it on the grill, cooks it up rare, and delivers one of the best renditions of the song you will ever hear this side of Jerry Jeff himself.

Saddened by the fact they have to be made, Steve Earle’s, now four, tribute records are all stellar affairs, with Jerry Jeff possibly the best in the canon.

We are not going to tell Van Gogh how to paint here, but our vote for the next in line would be a Billy Joe Shaver tribute record.

The Lickerish Quartet – Threesome Vol. 3

With a vibe that time warps back to ‘70s, Threesome Vol. 3 is the third member of the triptych of E.P.’s from three ex Jellyfish members, Joseph Manning Jr., Tim Smith, and Eric Dover.

Recorded mostly remote with files zipping across the world from the confines of their respective home studios, the songs somehow seem to still reflect the sparking Psychedelic Pop splendor of the original Jellyfish band.

The string-laden “You All Alone” hits the speakers like a b-side from a mid-era E.L.O. record with a side order of the Alan Parsons Project, and “In The Meantime” is a bouncy tune with a for-the- times message asking the pertinent question, where do we go when the world is falling apart. And, “The Dream That Took Me Over” would have been a picture perfect placement tune for a John Hughes.

If we can’t have proper Jellyfish, The Lickerish Quartet is the first, second, and third best thing.

Simon McBride – The Fighter

The fact that Simon McBride is not better known outside a small cult of Blues-Rock enthusiasts is a wrong that needs to be righted post haste. And, with his stellar new record, The Fighter, our collective radars are soon to be updated.

Shifting the gears on a dizzying array of rock and roll touch points from the opener “Don’t Dare” that could have been a perfect in their prime Paul Rodgers Free era song, to “Show Me How To Love” a song that that hots your ears like Stevie Ray tune run through a Night Ranger filter, all the way to “Kingdom’s” that could have been a Purple Rain deep cut. Yes, this one is that eclectic.

The vibe continues to be versatile as McBride does his best Charlie Starr and Blackberry Smoke impersonation on “Just Takes Time.” And, speaking of the band Free, the version of “Stealer” presented here is a perfect complement to a record that will soon have squatters rights on your turntable.

Song of the Day: Datura4 – Blessed is the Boogie

Along with Blackberry Smoke and The Sheepdogs, Datura4 is one of our favorite new school by way of the old school new finds. Blues-Boogie, Psych-Rock done ‘70s style. Think Black Keys by way of Black Sabbath and a whole lot of boogie.

All of their records are great, with this, from their third album, “Blessed Is The Boogie,” a particular gem of a groover.

Five Cool Ones: Five New Albums Released This Week (April 8, 2022)

Boom goes the dynamite this week with a ton of really cool music to delight the ears and tickle your sonar system.

Rock is the New Role super faves, retro ‘70s rockers The Sheepdogs, are out with a really hip new single and video with “Find The Truth.

The latest Beach Bunny single, “Fire Escape” straddles the Pop Punk, Indie Rock line.

And, Dawes delivers a mighty fine live video from their upcoming release, Live from the Rooftop, With a sparkling long-form rendition of “Somewhere Along the Way.”

But, wait. Don’t give the party the Irish exit just yet. Here are five ear-worthy records carefully curated this week for your listening pleasure.

Albert Cummings – Ten

One of those underrated consummate musicians you will find, Albert Cummings very much needs to be on your radar if he is not already. With a vibe that walks the back alleys of B.B. King and Delbert McClinton, every song on his latest record, Ten, is a Blues Rock banger.

While the single “Need Somebody” strays into rock territory on the Blues-Rock spectrum, Albert’s ability to pen a honky tonk rabble-rouser of a tune is on full display thanks to the songs “Too Old To Grow Up,” along with the “you don’t have to go home but you can’t stay here anthem” “Last Call,” featuring a Vince Gill vocal turn.

“Beautiful Bride” should become the next great wedding song, and “Sounds Like The Road” is a paean to the pull of life on the road for a working musician. If you haven’t been in a proper roadhouse since Patrick Swayze was the bouncer, spend some time with this record and it will be as if you never left.

Jack Broadbent – Ride

Growing up in Lincolnshire, England tagging along with his father on open mic nights, Jack Broadbent absorbed the scene ultimately playing drums in his father’s band while learning to be a Nashville-class slide guitar player.

With his latest record, Ride, Broadbent channels his Tony Joe White by way of Lou Reed vocal style into a set of songs that will take you way down the alleyways of New Orleans and off into the horizons.

The opener, “Ride” eulogizes the path of ghosts left behind, and the delicate balance in knowing when to leave before it is past time to go, while “New Orleans” may be the destination and a love letter to his favorite city as well.

Spend some time with the jaunty “I Love Your Rock ‘n’ Roll” as it earworms itself way into your brain, while “Midnight Radio” will have you drinking French 75’s with Tony Joe White on Bourbon Street.

Romero – Turn It On

It is no secret that some of the best vibrant, electrified, pure Rock and Roll currently is generated down under, in this case, Melbourne Australia. Turn It On, the debut record from the Band Romero is, simply put, a party on a platter.

With Blondie fronting The Undertones in the DNA of this band, the punk-laced Power Pop presented here is confident, brazen, and timeless. “Honey” is the Go Go’s on steroids, the opener “Talk About” an air blast of energy, is a tightly constructed stunner, and yes, there is cowbell. “Crossing Lines could have been a Siouxsie Sue hit song, if she ever had one that is, and “Turn It On” is another cowbell-infused classic.

For a debut record, this one represents a band that is fully formed and ready to scorch the earth on the festival circuits this summer.

Paul Cauthen – Country Coming Down

A member in good standing of the younger gun Outlaw Country movement along with the likes of Chris Stapleton, Cody Jinks, and Sturgill Simpson, Paul Cauthen has released a record that to many ears might be his best effort to date.

With a vocal timber that goes deep into the Waylon Jennings well, the songs presented here range from honky tonk worthy staples to glint in the eye semi bro-country tunes.

“High Heels” is a perfect song for that hour of preparation time while you wait for your lady to get ready for a night on the town. “Champagne & A Limo” ironically states the case for becoming rich, and “Country as F**k” is a subversive middle finger raised to the establishment.

One gets the sense that Pail Cauthen had a lot of fun making this record. The fact that he doesn’t take himself too seriously makes this one a good listen for a poolside margarita party.

Calexico – El Mirador

From the opening horn-centric Babalu worthy refrains of “El Mirador,” the lead-off track from the eclectically groovy latest record of the same name from Calexico, the stage is set for a fantastical listening journey.

From the Tarantino-noir vibes of “Harness The Wind,” a tune that would like fit in quite nicely in the middle of any of the once upon a time in … [insert location here] movies, to the corner of Hollywood & Vine Tom Waits vibing “El Paso,” there is a surprise around every musical corner. Mixing Spanish language mariachi-lite with English, as the band is known to do, seamlessly accents the listening experience with varied song textures cut after cut.

Fully realizing we are just barely past the quarter pole in this race, it is not simply hyperbole to declare this one a candidate for album of the year.

Wet Leg – Wet Leg

It has been quite a while since a record hit the halls of Rock is the New Roll H.Q. that carried the hype that the band Wet Leg brings to their self-titled release.

Once the most non-sensical first single “Chaise Lounge” ear-wormed itself into our skulls, you either hated the song, or you reveled in the post-punk Ty Seagall evoking, French disco-inspired, Joie de vie of the whole experience. For some, they landed squarely in the camp of the former, and after several carefully curated, semi-sober listening sessions, color us, chips to the center of the table, all in with this record as well as this band.

Picture Joan Jett, Pat Benatar, and Suzi Quattro as members of the Go Go’s, and you get a real minds-ear view of what this band sounds like. Tight, harmonic, aggressive CBGB mini anthems from the perspective of a 20-something duo, Rhian Teasdale and Hester Chambers.

Mixing the buoyant risqué-ness of “Wet Dream,” a song that name-checks the Christina Ricci cult classic film Buffalo 66, with the swooning Florence and the Machine inspired “Convincing,” with a side order of “Loving You,” a song that could be a long lost Abba single, what you are left with is a roller coaster ride that is well worth taking.

Five Cool Ones: Five New Albums Released This Week (March 18, 2022)

There seems to be a bit of a lull on the new music front as the heavy lifting is underway in preparation for the summer releases. But, that doesn’t mean there aren’t a few gems to be mined.

Jukebox The Ghost have released a bouncy new pop song, “Wasted.”

Rock is the New Roll stalwarts Ducks Ltd. are back with a rollicking collaboration with the Illuminati Hotties.

And, the band Lucius has collaborated with Brandi Carlile and Sheryl Crow on a bouncy new single, “Dance Around It.”

But, don’t spend all of your lunch money just yet. Here are five new records that were released this week for you to digest.

Ray Wylie Hubbard – Co-Starring Too

No need to mix words here. Ray Wylie Hubbard is a bonafide Texas outlaw legend. Here in the sequel to Co-Starring, with Co-Starting Too, Hubbard is back in true collaboration glory spinning to include Willie Nelson, Steve Earle, and Hayes Carll along with harder rockers John 5 and Lzzy Hale. And yes, Hubbard BFF Ringo Starr is invited back to the party on “Ride or Die – Montar O Morir.”

There are no slips here, after all Ray Wylie is incapable of penning a bad song, but a clear standout is “Groove,” a song that name checks among others J.J. Cale, Tony Joe White, and Delaney and Bonnie.

If blues is your thing, if Rock is your jam, don’t blame it on the boogie, get in with the groove and this fine sequel. This one’s for cowboys, old drunks, paramours, and thieves.

April March – In Cinerama

It is best not to overthink things when it comes to, In Cinerama, the spectacularly cool new album courtesy of April March. Pretty much every genre that you hold dear to your ears is represented within the the pages of this record. Beach Boys sunshine, surf rock, French pop, Spector girl group, Tarantino – Noir, you name it, it’s here.

“Open Your Window Romeo” is a a great Parisian-Pop tune that would have played quite nicely in the recent vintage One Upon A Time in Los Angeles movie, “Ride or Divide” would have been a perfect song for Diana Ross and The Supremes to cover, and “Down the Line” has has a contemporary sunshine swing that would make Bethany Constantino and her band Best Coast blush.

And, if all of that doesn’t want you to staple your ears directly to the speakers, “Stand in the Sun,” and “Rolla Rolla” will take you back to your favorite ‘60s vintage hipster a-go-go.

Chip Z’Nuff – Perfectly Imperfect

As bass player and major-domo for the power pop band Enuff’s Z’Nuff, Chip Z’Nuff and his band have always stood in the shadow of Cheap Trick and have been criminally ignored in the realm of Classic Rock heroes.

As the only remaining member from the stalwart band, Chip gives a master class in Power Pop that delivers on a set that includes the gang-harmony splendor of “Heaven in a Bottle,” the pulsating virility “3 Way,” and the hooks-a-plenty “Honaloochie Boogie” that has Fountains of Wayne meets Weezer in the DNA.

Give this one multiple spins and as Chip and guest artist Joel Hoekstra would say two songs in, “Welcome to the Party.”

Colin Hay – Now and Evermore

Colin Hay, the former frontman for Men at Work, is still at work with the release of his first solo album since 2016. Having relocated to Los Angeles, where this record was recorded between L.A. and Nashville, the songs have a distinct Americana feel to them that is both comforting and inspiring.

“Where Does The End Begin” finds a man at peace with his life’s journey, and the title track features Ringo Starr. The song “Undertow” is a perfect lamentation of life’s ups and downs, and “All I See Is You” is an Irish tinged coming home to you love song.

This is a perfectly uplifting record for these times that are not so uplifting.

Duke Robillard – They Called It Rhythm & Blues

Amazingly, They Called It Rhythm & Blues is Duke Robillard’s first record that is pure vintage-style danceable blues, and as such this collection of R&B, Blues, and jazz covers is a treat for the ears.

The swing is the thing right from jump street with “Here I’m Is,” a treatise in jump blues. Sue Foley add’s some grace to the proceedings on “No Good Lover,” and the horn-centric party anthem “In The Wee Wee Hours” is house-boogie perfection.

Even when the vibes drop low and slow like they do on “Someday After A While,” with a stellar vocal turn courtesy of the Fabulous Thunderbird Kim Wilson, the results are captivatingly cool.

With boogie blues classics “Eat Where You Slept Last Night” and the organ drenched “Swingin’ For Four Bills” instrumental closing down the party, one can sense that this was a one in a lifetime passion project for all involved.