Five Cool Ones: Five Cool Murder Ballads

The murder ballad has been around since the dawn of music time going back to the Appalachian folk and Country Swing days with all of the great ones dabbling in this sub-genre in one form or another. Dealing with mostly the dark side of human behavior the subject matter for a rivetting narrative can include murder, mayhem, or even worse, oftentimes with a woman at the center of the action. Before true crime became a staple on our television and radio airwaves it was the murder ballad that we turned to satisfy our inner Hitchcockian demons.

Here are five cool murder ballads that are now playing on the Rock is the new Roll ear-waves.

Lyle Lovett – L.A. County

This one from Lyle Lovett’s Pontiac album sort of sneaks up on you. Like a scene from a Tarantino movie this slow burn of a murder-ballad unfolds over the course of a year as the protagonist decides to attend a wedding and starts heading from Houston to Los Angeles with an old friend by his side that just happens to be a coal-black 45.

And they kissed each other
And they turned around
And they saw me standing in the aisle
Well I did not say much
I just stood there watching
As that .45 told them goodbye

 

Johnny Cash – I Hung My Head

Who knew that Sting would write one of the great murder ballads? This one, first appearing on the Mercury Falling L.P., was subsequently covered by the man in black as part of the Rick Rubin series and is one of the rare songs in the genre where the killing that occurs in the narrative is not necessarily intentional. As the man borrows his brothers’ rifle and climbs the hill to practice his aim he sees a lone rider off in the distance. Recklessly, he raises the gun simply to aim towards the target with no harm or malice intended. As the rifle accidentally discharges and the riderless horse gallops away the shooter hangs his head as the calamity of what has just occurred sets in.

Eddie Noack – Psycho

This one could have been ripped right from the pages of an Alfred Hitchcock script. Just in the first minute of the song, the essence of the tale is told and the story unfolds as the young man, over breakfast, tells his mother that he saw his ex last night at a dance at Miller’s store with Jackie White. He killed them and buried them both under Jenkin’s sycamore. And there’s more. One of the few murder ballads that features a serial killer. This one’s not for the faint of heart.

Allison Moorer – Cold Cold Heart

All the more disturbingly poignant because it’s a true story, here, Allison Moorer tells the story of how her father came home from the city and killed her mother before turning the gun on himself with Allison and her sister Shelby Lynne just a screen door away inside the house.

Porter Wagoner – The Cold Hard Facts of Life

The entirety of Porter Wagoner’s The Cold Hard Facts of Life is pretty much a murder ballad in 12 songs. They are all great, and we could have included “The First Mrs. Jones” where all of the current and future Mrs. Joneses meet with an untimely demise, “Tragic Romance,” or “Julie” who liked parties and clothes that fit tight. Things don’t end well well when Julie brings a stranger home. But, fret for fret, the best of the lot is the title track “The Cold Hard Facts of Life” where our hero comes home early to surprise his wife only to find out there was a party going on in his house and he wasn’t invited.

 

 

Rock is the New Roll: The Top 100 Albums of 2019 (80-71)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Balck Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

80. The Black Keys – Let’s Rock

After spending time apart from each other going back to 2014 Dan Auerbach and Patrick Carney are reunited and it feels so good. Blues, Garage, and Old Soul are still at the core of their sound, but this time around there is a Joie-de-vie amplification that seems to have the band re-energized.

79. The Magpie Salute – High Water II

High Water II, the appropriately titled sequel to High Water I, comes so close to sounding like vintage Black Crowes it might as well be a reunion record. And no, that is not necessarily a bad thing. Heavy on rockers and blues-boogie with an occasional acoustic interlude thrown in for good measure with Rich Robinson providing the guitar riffage. In the battle of the brothers Robinson for world domination, Chris definitely has some catching up to do.

78. Flying Colors – Love Letter

A Progressive Rock supergroup channeling their inner Beatles and ELO, Mike Portnoy, Steve Morse, and Neal Morse join singer Carey McPherson in a harmony drizzled dose of Sunshine Pop. The song “Love Letter” is definitely worth the price of admission alone.

77. Quaker City Nighthawks – Quaker City Nighthawks

Formed in Forth Worth in 2012, the Quaker City Night Hawks are constantly and consistently refining their sound. On their latest self-titled record, they mix funky rockers with piano-led ballads. On “Suit In The Back” they look back to when they were pulled over and arrested for the possession of marijuana concentrate.

76. Allison Moorer – Blood

You will be hard-pressed to listen to a more poignant record this year as Mrs. Hayes Carll presents a biographical record in conjunction with a book release later in the year. Having been raised by her sister Shelby Lynne after her father killed her mother and turned the gun on himself, the album, as well as the book, will take you on an emotional journey that will make you feel alive.

75. Goodbye June – Community Inn

Nashville’s favorite sons Goodbye June finally deliver what should be their breakout album. Full of anthemic Southern Blues Rock with more hooks than a season of Dangerous Catch, this just might be the Rock and Roll record of the year.

74. Miranda Lambert – Wildcard

With her latest album, Wildcard, Miranda Lambert seems to be walking on the wild side after a much-publicized public divorce. Ditching her old producer in favor of Jay Joyce who twirled the knobs for Brothers Osbourne, Brandy Clark, and Ashley McBryde, there seems to be a bounce in her step that wasn’t there before. There is a bit of Swamp Funk on “Holy Water,” and 80’s Rock on “Mess With My Head.” This is a diverse and textured record that will reward multiple listens.

73. Lucille Furs – Another Land

With a Magical Mystery Tour as your tour guide, Lucille Furs and Another Land will time warp you back to superspy Austin Powers groovy bachelor pad at the blink of a mellotron.

72. Jade Bird – Jade Bird

One of the British shining stars on the Americana Folk scene, on her debut record there are soaring pop epics the likes of “Side Effects,” introspective slow burners with “My Beauty” where she sounds like Melissa Etheridge in her prime, and on the low and slow “Does Anybody Know” her songwriting talents really shine. This one will be on heavy rotation for quite a long time.

71. Black Star Riders – Another State of Grace

With a more than solid follow up to 2017’s album Heavy Fire, this band born from the ashes of Thin Lizzy continues to place themselves on the mount Rushmore of bands that are saving Rock and Roll. The song “Don’t Let Me Down” is a distant cousin to Lizzy’s “Dancing In The Moonlight and is worth the price of admission alone.” The title track is Thin Lizzy meets Dropkick Murphy’s.

Five Cool Ones: Five New Albums Released This Week (October 25, 2019)

One of the best weeks of the year on the new record front. Ringo Starr, Allison Moorer, Harry Connick Jr. and a lot more. Here are five new records that demand some of your ear time.

Airbourne – Boneshaker

If you thought that Bon Scott era AC/DC wasn’t going to walk through that door anytime soon, you would be wrong. Save your money, don’t buy that time machine, just light your ears on fire with this one.

Grace Potter – Daylight

We haven’t heard much from Grace Potter for a while as she has been taking a break, getting married, and having a baby. Now she is remaking her image a bit from Chick Rocker to chanteuse. Listen closely and you will hear a woman coming of age before your very ears.

Ringo Starr – What’s My Name

There is no wheel reinventing going on here. Ringo is happy as clam just being Ringo, and he does it in style on this one. Chock full of old friends and band mates that have been part of Ringo’s All Stars touring show over the years including Colin Hay, Dave Stewart and Joe Walsh, the vibe is loose, fun, and professional. Sure, some of the songs can be a bit corny, but hey, who can argue with peace and love.

Allison Moorer – Blood

You will be hard pressed to listen to a more poignant record this year as Mrs. Hayes Carll presents a biographical record in conjunction with a book release later in the year. Having been raised by her sister Shelby Lynne after her father killed her mother and turned the gun on himself, the album, as well as the book, will take you on an emotional journey that will make you feel alive.

Goodbye June – Community Inn

Nashville’s favorite sons Goodbye June finally deliver what should be their breakout album. Full of anthemic Southern Blues Rock with more hooks than a season of Dangerous Catch, this just might be the Rock and Roll record of the year.