Tag: Jack Broadbent

Five Cool Ones: Five New Albums Released This Week (April 8, 2022)

Boom goes the dynamite this week with a ton of really cool music to delight the ears and tickle your sonar system.

Rock is the New Role super faves, retro ‘70s rockers The Sheepdogs, are out with a really hip new single and video with “Find The Truth.

The latest Beach Bunny single, “Fire Escape” straddles the Pop Punk, Indie Rock line.

And, Dawes delivers a mighty fine live video from their upcoming release, Live from the Rooftop, With a sparkling long-form rendition of “Somewhere Along the Way.”

But, wait. Don’t give the party the Irish exit just yet. Here are five ear-worthy records carefully curated this week for your listening pleasure.

Albert Cummings – Ten

One of those underrated consummate musicians you will find, Albert Cummings very much needs to be on your radar if he is not already. With a vibe that walks the back alleys of B.B. King and Delbert McClinton, every song on his latest record, Ten, is a Blues Rock banger.

While the single “Need Somebody” strays into rock territory on the Blues-Rock spectrum, Albert’s ability to pen a honky tonk rabble-rouser of a tune is on full display thanks to the songs “Too Old To Grow Up,” along with the “you don’t have to go home but you can’t stay here anthem” “Last Call,” featuring a Vince Gill vocal turn.

“Beautiful Bride” should become the next great wedding song, and “Sounds Like The Road” is a paean to the pull of life on the road for a working musician. If you haven’t been in a proper roadhouse since Patrick Swayze was the bouncer, spend some time with this record and it will be as if you never left.

Jack Broadbent – Ride

Growing up in Lincolnshire, England tagging along with his father on open mic nights, Jack Broadbent absorbed the scene ultimately playing drums in his father’s band while learning to be a Nashville-class slide guitar player.

With his latest record, Ride, Broadbent channels his Tony Joe White by way of Lou Reed vocal style into a set of songs that will take you way down the alleyways of New Orleans and off into the horizons.

The opener, “Ride” eulogizes the path of ghosts left behind, and the delicate balance in knowing when to leave before it is past time to go, while “New Orleans” may be the destination and a love letter to his favorite city as well.

Spend some time with the jaunty “I Love Your Rock ‘n’ Roll” as it earworms itself way into your brain, while “Midnight Radio” will have you drinking French 75’s with Tony Joe White on Bourbon Street.

Romero – Turn It On

It is no secret that some of the best vibrant, electrified, pure Rock and Roll currently is generated down under, in this case, Melbourne Australia. Turn It On, the debut record from the Band Romero is, simply put, a party on a platter.

With Blondie fronting The Undertones in the DNA of this band, the punk-laced Power Pop presented here is confident, brazen, and timeless. “Honey” is the Go Go’s on steroids, the opener “Talk About” an air blast of energy, is a tightly constructed stunner, and yes, there is cowbell. “Crossing Lines could have been a Siouxsie Sue hit song, if she ever had one that is, and “Turn It On” is another cowbell-infused classic.

For a debut record, this one represents a band that is fully formed and ready to scorch the earth on the festival circuits this summer.

Paul Cauthen – Country Coming Down

A member in good standing of the younger gun Outlaw Country movement along with the likes of Chris Stapleton, Cody Jinks, and Sturgill Simpson, Paul Cauthen has released a record that to many ears might be his best effort to date.

With a vocal timber that goes deep into the Waylon Jennings well, the songs presented here range from honky tonk worthy staples to glint in the eye semi bro-country tunes.

“High Heels” is a perfect song for that hour of preparation time while you wait for your lady to get ready for a night on the town. “Champagne & A Limo” ironically states the case for becoming rich, and “Country as F**k” is a subversive middle finger raised to the establishment.

One gets the sense that Pail Cauthen had a lot of fun making this record. The fact that he doesn’t take himself too seriously makes this one a good listen for a poolside margarita party.

Calexico – El Mirador

From the opening horn-centric Babalu worthy refrains of “El Mirador,” the lead-off track from the eclectically groovy latest record of the same name from Calexico, the stage is set for a fantastical listening journey.

From the Tarantino-noir vibes of “Harness The Wind,” a tune that would like fit in quite nicely in the middle of any of the once upon a time in … [insert location here] movies, to the corner of Hollywood & Vine Tom Waits vibing “El Paso,” there is a surprise around every musical corner. Mixing Spanish language mariachi-lite with English, as the band is known to do, seamlessly accents the listening experience with varied song textures cut after cut.

Fully realizing we are just barely past the quarter pole in this race, it is not simply hyperbole to declare this one a candidate for album of the year.

Wet Leg – Wet Leg

It has been quite a while since a record hit the halls of Rock is the New Roll H.Q. that carried the hype that the band Wet Leg brings to their self-titled release.

Once the most non-sensical first single “Chaise Lounge” ear-wormed itself into our skulls, you either hated the song, or you reveled in the post-punk Ty Seagall evoking, French disco-inspired, Joie de vie of the whole experience. For some, they landed squarely in the camp of the former, and after several carefully curated, semi-sober listening sessions, color us, chips to the center of the table, all in with this record as well as this band.

Picture Joan Jett, Pat Benatar, and Suzi Quattro as members of the Go Go’s, and you get a real minds-ear view of what this band sounds like. Tight, harmonic, aggressive CBGB mini anthems from the perspective of a 20-something duo, Rhian Teasdale and Hester Chambers.

Mixing the buoyant risqué-ness of “Wet Dream,” a song that name-checks the Christina Ricci cult classic film Buffalo 66, with the swooning Florence and the Machine inspired “Convincing,” with a side order of “Loving You,” a song that could be a long lost Abba single, what you are left with is a roller coaster ride that is well worth taking.

Five Cool Ones: Five New Records Released This Week (November 15, 2019)

Yes, we are definitely in the dog days of music releases. More Christmas records are starting to pollute our atmosphere, and there is a limited palette for artists to release a record with limited time to crank up the marketing machine to get the word out before the holiday lost in the shuffle scramble kicks in. But don’t panic, we have done the work so you don’t have to and cherry-picked a couple of fine listens for you to enjoy. Editors note, we contractually obligated to let you know that the cue tip on a stick, as Elton calls her, Celine Dion, has a new record out. Unless you are a fan of Cher, stay clear of this one.

Lady Antebellum – Ocean

Not sure why, but Lady Antebellum is somewhat of a guilty pleasure band in the halls of Rock is the New Roll. Every time we listen to them most of us, Bernie Sparrow, is somewhat of an old-school purist, but the rest of us will wonder why we don’t listen to them more. On this record, sure there are some soul-shattering bro-country, cookie-cutter tunes, but, mixed in are some downright semi-rockers like “You Can Do You.” The buttery vocal interplay with all of the band members jumping in is still as cool as when our ears first experienced the band courtesy of their mega-hit “Need You Now.” There is no splitting of the atom going on here but on songs Like “Boots,” there is even a bit of Rock in their Roll. All this being said, they should be forgiven if at times here they sound like a combination of Hall and Oates and The Little River Band.

Joe Henry – The Gospel According To Water

Working through this set of songs as he was battling his treatments for prostate cancer, the tightly woven set of songs was recorded in his home studio over the course of two days. As expected the record has a definite DIY feel to it which is exactly what was intended. Originally approached as a project to gather a series of demos for use in a more fully fleshed out record,  Henry rightfully decided to release these close to the bone recordings as a cathartic experience for himself more than anything else.

Milky Chance – Mind The Moon

The duo that brought you “Stolen Dance,” the absolute monster earworm of a song that was pretty much the soundtrack of 2014, is back with their third long-player, and it is pretty strong. The opener “Fado” is a multi-textured affair that carries a bit of a Santana feel with it, and “Eden’s House” with Ladysmith Black Mambazo sounds like it could have been a lost Graceland demo. Overall, this one won’t have you at hello but the diverse soundscapes that are created with varied textures as you stroll through the tracks will reward your ears with frequent visits. “Scarlet Paintings” is pretty much an aural stunner.

Juliana Hatfield – Juliana Hatfield Sings The Police

If Juliana Hatfield likes a band you can be sure that we are going to hear about it. As a quick follow-up to her 2018 record, Juliana Hatfield sings Olivia Newton-John, Hatfield memorializes another influential band from her teens with the appropriately named Juliana Hatfield Sins The Police. Thankfully, she keeps things interesting and offers unique, almost Go-Go’s worthy arrangements for most of the songs. Not sticking to the hits, a couple of deep cuts are covered including the splendid up-tempo tunes “Landlord” and “Murder By Numbers” cranking up the guitars to 11.  Throwing everything she’s got into each number, even if you are not a big Police fan the energy that zips from song to song makes this one a real winner. “Canary In A Coal Mine” is worth the price of admission alone and Juliana does the impossible and makes “De Do Do Do, De Da Da Da” listenable.

Jack Broadbent – Moonshine Blue

Pay close ear-tention here. You will be hearing much more from this dude in 2020 and for years to come. Already hailed as the new master of the slide guitar by the folks that run the Montreaux Jazz Festival Broadbent offers up a unique blend of virtuosic acoustic guitar playing to accompany his from The Crossroads slide work. Having recently opened for Peter Frampton, Lynyrd Skynyrd, and Robben Ford, Moonshine Blue, his fourth album, should put this guy on the map.  The title track “Moonshine Blue” is one of the better songs of 2019, and “If” has Duane Allman rolling over his grave reaching for his guitar to challenge Jack to a slide guitar duel. “Wishing Well” is a jaw-dropper. Editors Note: After five listens the Rock is the New Roll review team as moved this record into the top 10 for 2019.