Wow, what a week is in store for your ears to enjoy, one week just gets better than the last.
The Baboon Show are percolating their wild vibes with their latest single “Forward In Reverse.”
Aussie legend shares “New Day,” a song that shares DNA with Tom Petty’s “Learning To Fly.”
And, Brian D’Addario, the youngest of The Lemon Twig boys is out with a sublime single ahead of his upcoming full length.
But, don’t push all of your chips to the center of the table just yet. Here are five freshly minted morsels to savor.
Neil Young – Oceanside Countryside
A previously “lost” record that was recorded in an earlier time but took 40 years to see the light of ear, Oceanside Countryside culls songs from Neil’s ‘70s American Stars ‘n Bars era.
Many of the songs represented here were previously released on Rust Never Sleeps, Hawks & Doves, or Comes A Time but in different versions. With two distinct sides, side 1 features only Young and his guitar while side 2 was recorded additional musicians.
Not that we needed a reminder, but listening to the versions here of “Dance Dance Dance” and “Pocahontas” reminds us of what a national treasure Neil Young really is.
Jason Isbell – Foxes In The Snow
Recorded in five days with just voice and guitar in Electric Ladyland studios with this, his tenth solo album, we see Jason Isbell coming out of the other side of the tunnel reflecting on a failed marriage, and the pitfalls of stardom following his brilliant star turn on Killers of the Flower Moon, and his battle with dangerous memories.
Every song presented here is good bordering on great with the elegantly sparse arrangements providing the backdrop to some of the best songwriting in Isbell’s career.
One of the few artists whose solo work is on par with the music that they make with their band, now that he has gotten a few things off his chest, most notably on “Eileen” and “Good While It Lasted,” despite the loneliness that permeates the record, the future looks very bright. Talent always wins the Day.
Sorrows – Parting Is Such Sweet Sorrow
Self-described by guitarist and front-man Arthur Alexander, Sorrows is an intoxicating blend of The Who, The Kinks and The Easybeats with a touch of early-era Rolling Stones thrown in for good measure. Just listen to the opening bombast of “Have You Seen Your Mother Baby, Standing in the Shadows,” and tell us we’re wrong.
“What A Boy” is pure My Generation with a dose of Elvis Costello, and “Somethin’ Else” could have been an Eddie Cochran monster hit, because, of course, it was.
Mike Farris – The Sound Of Muscle Shoals
Returning to his roots as a rocker and a soil singer, Mike Farris lays down a solid set of Muscle Shoals adjacent songs that resurrect the souls of Sam Cooke and Otis Redding and preach on the alter of Al Green.
Chris Stapleton comes to mind on “On The Humble, while “Slow Train” is Al Green Gospel bliss. A solid well crafted listen.
Hotwax – Hot Shot
Meant to be played loud, this Hastings via Brighton post-punk band rocks like some devil hybrid of Deborah Harry fronting Nirvana.
The opener, “She’s Got A Problem” sets the stage for a Mr. Toad’s Wild Ride adventure down a careening bobsled track.
“Dress Our Love” has Chrissie Hind Pretenders on 78 vibes, and “Lights On,” a song that features Stella Mozgawa, is a burner of a gem.
This is the type of band that would headline CB GB’s one night and play Coachella the next without missing a fret.
Rock Is The New Roll 