Five Cool Ones: Five New Records Released This Week (May 17, 2024)

As we are driven kicking and screaming into the heat of the summer the record release parties seem to be thinning out a bit. But, we, as always, are doing the work so you don’t have to.

Joe Bonamassa’s side-piece band Black Country Communion is bubbling up with their new single, “Enlighten” in advance of a proper record.

Carol Hodge paints with a brush of a gothic Fleetwood Mac by way of Queens of the Stone Age Cover band.

And, Isobel Campbell meanders gently into your head-space with her latest, ‘4316.”

But wait, don’t get those beach chairs out just yet. here are five new records to throw in the fire pit to bask in the glow of a friendly flame.

Caldwell – Caldwell

With just a couple of salvos into track number one “No Flowers Today“ and on to “Love Confession” you will be kidnapped and will find yourself aboard a pirate radio ship somewhere between Austin Power’s bachelor party and a mushroom-infested evening with Donovan.

This one is a post-British invasion extravaganza that will have you reaching for those Dave Clark Five, Herman’s Hermits, and Gerry and the Pacemakers records that you have stashed in the attic.

Prisoners – Morning Star

The Prisoners are a mod-revival band from the early 80’s, and by the listen of things, with their latest Morning Star, they haven’t missed a beat in the intervening years.

With the Booker T Jones vibe of “Save Me” and the Badfinger influences shining through on “Morning Star,” the mod father time machine is tuned up, all systems go with the cool setting cranked up to high.

Kings Of Leon – Can We Please Have Fun

The Kings Of Leon, twenty years in now, are one of those rare bands that have been able to maintain the core joie de vie of their soul center while, at the same time keeping the arrow trending towards hip, relevant, and cool.

From the opener, “Ballerina Radio” from their latest effort, Can We Please Have Fun a song that envelopes you in the night swimming atmosphere that we have come to know and love from this band.

With the ripped from the headlines lyric, “There’s a war outside, we should all get high, as Caleb Followill recommends on “Nowhere To Run, and the apocalyptic energy of “Nothing To To,” yesterdays darlings have become today’s prophets.

Little Feat – Sam’s Please

While Little Feat has always been entrenched in the deep blues, a cover of Howlin’ Wolf’s “Forty-Four Blues” was included on their debut record, this is their first platter that is solely dedicated to the genre.

The opener, “Milkman” roams the back alleys like a sleazy Robert Cray love on the dark side of town tune, and “You’ll Be Mine” duck-walks across the stage drenched in a Chuck Berry riff. And, if you want some good old OG Little Feat just rest your ears on “Can’t Be Satisfied.”

With long-time conga player 74-year-old Sam Clayton handling the vocals, once you enter Sam’s Place you might just be walking into the home of blues album of the year.

The Mavericks – Moon & Stars

One of the best singers of his generation, Raul Malo brings his band and his velvet croon back to a time and place that will remind you of those glory “Dance The Night Away” days.

“Live Close By (Visit Often”) is classic 90’s Mavericks dance fever, the title track, “Moon & Stars” has Sierra Ferrell providing an assist channeling her inner Linda Ronstadt, and Roy Orbison makes a spiritual appearance on “A Guitar And A Bottle of Wine.” “Turn Yourself Around”’ even rides a Holland-era Beach Boys wave.

This one is a wonderfully typical Maverick’s record blending Latin music, Country, Tex-Mex, Classic Pop, Big Band, and 60’s noir into one of the best top-shelf margaritas that you will ever savor.

Rock is the New Roll: The Top 100 Albums of 2019 (30-21)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Black Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

30. The Drunken Hearts – Wheels of the City

With their hardscrabble approach to Americana, The Drunken Hearts lay down an earthy blend of Bluegrass, Outlaw, and Americana that would make Jamey Johnson and Cody Jinks proud. Lead singer Andrew McConathy has a bit of Michael Stipe by way of Hootie and the Blowfish frontman Darius Rucker in his voice, particularly on the title track. The band mixes rowdy anthems with broad soundscapes on a record that will capture your ears with subsequent listens.

29. Milk Carton Kids – The Only Ones

Be ready to lay down some chill vibes with the new Milk Carton Kids Record, The Only Ones. If you could create a Frankenstein duo with one member of Simon and Garfunkel and one of the brothers Everly, the resulting spawn would give you The Milk Carton Kids. At a tidy 7 songs, this one is a perfect listen for that spare half-hour in an otherwise hectic day.

28. Durand Jones & The Indications – American Love Call

A vintage 70’s R&B sound with a modern-day political bent. With dual vocals, Durand Jones and drummer Aaron Frazer, Jackie Wilson along with Curtis Mayfield and The Impressions will be an immediate comparison. This a terrific record and would have been made by Marvin Gaye if he was still alive.

27. White Reaper – You Deserve Love

heading towards the head of the pack on our list of 2019’s favorite records, White Reaper with their latest release hits that sweet spot between Cheap Trick and Thin Lizzy. From the opening track, “Headwind” that sounds a bit like The Killers in Glam mode, to the twin guitar attack on “Might Be Right” this is an old school Rock and Roll record for the new generation.

26. Orville Peck – Pony

Once you get by the Mystery Man face-veil gimmick there is some real substance here. With a vibe that harkens back to the Glen Campbell glory days, Peck sounds like a voodoo mix of Chris Isaak and Roy Orbison with a Tarantino soundtrack playing in the background.

25. The Mavericks – Play The Hits

News Flash! Raul Malo Can Sing. And here, he does it in exquisite fashion. In places where keeps the arrangements close to the bone like he does on “Blue Eyes Crying in the Rain” he shines, and things get even cooler when The Mavericks get jiggy with the essence of the songs they are covering as displayed on the John Anderson classic “Swingin'” where mid-song they morph into “Feelin’ Alright.” You likely have never heard anyone cover “Are You Sure Hank Done It This Way” any better than what is presented here.

24. North Mississippi All-Stars – Up and Rolling

Their debut record for New West, working for a semi-major label hasn’t slowed these Cats one bit, and while the production does seem a bit more glossy and less ramshackle than their previous affairs, the result is no less appealing and their boogie till the break of dawn spirit flag is still waving proudly.

Calling on a gaggle of talented friends to lend a hand in the making of this record in their family studio in the hill country of Mississippi, there is never a dull moment, and every track has a live feel to it especially on their reading of Little Walter Johnson’s “Mean Old World” featuring Duane Betts and Jason Isbell on guitar with Isbell also handling lead vocal duties.

23. Babe Rainbow – Today

Another album with strong Laurel Canyon vibes. “Morning Song” would have been a hit duet for Herbie Mann and Donovan in 1965.

22. Peter Bruntnell – The King of Madrid

Flying just underneath the Americana radar Peter Bruntell really should be better known. His latest The King of Madrid is more of a 60’s psychedelic pop record with a bit of a Byrds essence wafting in the air. The song “Dinosaur” is even a not so distant cousin of “Last Train to Clarksville.” Don’t hold it against him that on “Lucas” he sounds like Steve Miller. Cult status be damned. This guy is seriously good.

21. The Limboos – Baia

The Limboos are pretty much the very definition of a genre-defying band. A bit soul, retro in all the coolest of ways fusing together Soul, Rumba, Jazz, Blues, Funk, and a bunch of others we are probably skipping. On songs like “Till The End Of Town,” you would bet your last dollar this was a Stax single from the ’60s. When the sax kicks in on “Where Did She Go,” the first single from the album, there is a sense that you should be in some sort of Jetsons hipster go-go bar. The vocals are front and center and the production value is first-rate with no single instrument overpowering another. And yes, they have a female drummer, as if they needed anything else to add to their coolness.

 

Five Cool Ones: Five Cool Ones: Five New Albums Released Today (November 1, 2019)

We are now officially in the dog days of record releases. But fear not, we aren’t just going to sit on our ears waiting for the new Who album to come out. Here are five really cool records released this week.

Micky and the Motorcars – Long Time Comin’

One of the best Texas Honky Tonk bands in the game today, on this, their 6th record to date, the band is is in dark night of the soul Tearjerker ballad mode with “Alone Again Tonight,” and “Run Into You,” wallowing in my baby left me tears on “All Looks the Same,” and generally down in the dumps lamenting a lost love on “Break My Heart.” This is, sit in the corner, next to the jukebox, wallowing in your own misery my baby left me Honky Tonk splendor.

The Mavericks – Play The Hits

News flash! Raul Malo can sing. And he does it here in exquisite fashion. In places when he keeps the arrangements close to the bone like he does on “Blue Eyes Crying In The Rain,” he shines, and things get even better when The Mavericks get jiggy with the arrangements like they do on “Are You Sure Hank Done It This Way” to spectacular results.

Michael Kiwanuka – Kiwanuka

This guy keeps keeps getting better and better with each subsequent release. Here, on his latest album following up the highly excellent 2016 release Love & Hate, Michael Kiwanuka lays down a palate of Afro-Rhythms, Soul, and Funk along with an Indie Pop sensibility. This Danger Mouse co-produced gem should land towards the front of many year end best-of lists, including ours.

Miranda Lambert – Wildcard

With her latest album, Wildcard, Miranda Lambert seems to be walking on the wild side after a much publicized public divorce. Ditching her old producer in favor of Jay Joyce who twirled the knobs for Brothers Osbourne, Brandy Clark, and Ashley McBryde, there seems to be a bounce in her step that wasn’t there before. There is a bit of Swamp Funk on “Holy Water,” and 80’s Rock on “Mess With My Head.” This is a diverse and textured record that will reward with multiple listens.

Grace Cummings – Refuge Cove

The big whiskey soaked voice emanating from Australian Grace Cummings comes across like some sort of devil spawn from the loins of Patti Smith and Melissa Etheridge. Part pastoral folk, part beat poet, this one is an eclectically pleasing Scott Walker sort of listen. Let it grow on you.