Five Cool Ones: Five Cool Records Released This week (February 25, 2022)

We are just about ready to round the quarter pole, and there is a lot of new music for our ears to digest. New Easy Eye Sound stablemates, Ceramic Animals have a new record coming out soon and have released the new single, “Valerie.”

Twisted Sister frontman Dee Snider has released a video, “Stand,” as a tribute to those that lost their lives in the tragic fire at The Station in Rhode Island during a Great White concert.

And, hold on to your ears for this one, Taj Majall and Ry Cooder collaborate from a living room on “I Shall Not Be Moved.”

And, of course, on top of everything, we have five sweet records to savor this week.

Band of Heathens – Remote Transmissions, Vol. 1

Already in heavy rotation in the offices of Rock is the New Roll H.Q., The Band of Horses have turned the coolness up several notches with the release of Remote Transmissions, Vol. 1.

 With time on their hands and their professional lives on hold during the pandemic, every Tuesday night, the band would gather together a loose-knit collective of artists via Zoom to host a 90-minute fun time session called The Good Time Supper Club. Ultimately, as part of the shows, the band would sit down and interview the guest artists, and following the show, they recorded cover songs with each of them in a segment they called Radio Transmissions. 

All killer, no filler, the song selections for this record are perfectly complementary to our ears, the artists selected might as well have been culled from our vinyl library, and the pairing of the two is all hit and no miss.

The Ray Wylie Hubbard version of “Papa Was A Rolling Stone” shouldn’t work, but it does, and brilliantly so. The Rolling Stones cover of “You Got The Silver with blackberry smoker Charlie Starr is Keith Richards endorsement worthy, and “L.A. Freeway” is perfect.

Lock it in as the covers record of the year has already announced itself. And, if you still are not a believer, listen to “Tumbling Dice with Nicki Bluhm.

Tears For Fears – The Tipping Point

It should come as no surprise that after the passing of over forty years since the band originated and almost two decades away from their last record, Tears For Fears has released a new album. The headline here is that Roland Orzabel and Curt Smith have set aside artistic differences and petty personal squabbles in creating a song cycle that stands right up there next to the iconic “Songs From The Big Chair.”

With the possible exception of “My Demons,” the anthemic side of the duo does not rear its head which is a good thing as the boys generally stay in their vocal lane. Lyrically, this is a sign of the times record without being overtly political, with “River of Mercy” being about as topical as it could be right now.

With “End Of Night” blasting vintage Tears For Fears like it’s 1985 all over again, stick a pin in this one and resurface it once the end of the year best-of lists roll around.

Superchunk – Wild Loneliness

Longevity being the order of the day, it has been 32 years since Superchunk released their debut self-titled album. And, based on their sparkling new album, Wild Loneliness, it’s almost like no time has passed at all.

Sparkling Jangle Pop of the highest order, Big Star influences abound with touches of Jelly Fish here and Cheap Trick, there. “This Night” is a gang-chorus standout, “Endless Summer” has a scent of the melodic side of The Replacements in the DNA, and “Refraction” has Punk-Pop energy that is contagious.

There is no logical reason for this album to be as good as it is, but there is not a bad song on this surprisingly excellent record from one of the hip bands of the ’90s.

Diamond Dogs – Slap Bang Blue Rendezvous

From the name alone, you pretty much know what you are getting with Diamond Dogs and their new record, Slap Bang Blue Rendevous. 

Hailing from Sweden, their brand of incendiary Rock and Roll touches on David Bowie Glam, but their mojo goes much deeper than that. With touches of Aussie Rock in the Angels, Cold Chisel mode, and the essence of the Velvet Underground or Mott the Hoople respective oeuvres, this is a yellow brick road-worthy journey down the trail of Classic Rock coolness.

“Golden Wheel” Is Cheap Trick if they had come around ten years earlier than they did. We had to do a double-take to make sure that “Makeup Boogie” wasn’t on the T-Rex Electric Warrior album, and “You Shouldn’t Be Lonely On a Saturday Night” could have been a Status Quo special back in the day.

All in all, this is a true-spirited Rock and Roll record. Lighters Lit!

Sophie & The Broken Things – Delusions of Grandeur

A stunning debut record, Delusions of Grandeur, brought to you by Sophie & The Broken Things, is as good an Americana record as you are likely to find this year. With a vocal range that floats along like the love-child of Lucinda and Emmylou, Sophie Gault is the real deal. When you combine influences like Bonnie Raitt and Neko Case, along with a band that can switch from a mournful ballad to a country-tonk stomper at the blink of a stetson, all of the ingredients are in place for a classic listen.

“Churches & Bars” is Americana song of the year-worthy, “Dashboard” is an epic road trip song that finds Sophie getting in her car driving down the road putting some John on the cd player. And, on “Heavy-Metal,” the band gets to stretch a bit on this ode to traveling down the road cranking that heavy metal heading to bar to be with her black Slayer t-shirt wearing tribe.

This is a new find well worth checking out.

Five Cool Ones: Five New Records Released This Week (February 18, 2022)

A sneaky-cool week is brewing, with a couple of our favorites showing their musical wares. There is a groundswell of Rock and Roll in the air, and the Americana music brigade is out in force. And, if all of that is not enough.

We have our ears peeled for the upcoming release of their new record, and if “Devil’s Lullaby,” courtesy of the band Bad Day is any indication, it’s going to be a doozy.

The guns ‘N’ Roses riffing song driven by South of Eden, “Lone Rider’s,” will take you right back to the Sunset Strip.

And, straight out of Nashville, The Nobility, gallop, almost literally, their way into your airwaves with the highly infectious Western-Pop swagger of “No Doubts.”

And, of course, if all of that is not enough to satisfy your earbuds, here are five new records that are getting some serious play in the halls of Rock is the New Roll H.Q.

Goodbye June – See Where The Night Goes

The pride of Nashville, Goodbye June, has been flying under the rock and roll radar for almost a decade. But now, with their latest record, See Where The Night Goes, their current opening act gigs should be turning into headlining tours in short order. Goodbye group van, hello tour bus.

From the early guitar chords and instant Brian Johnson era AC/DC vocals on the opener “Step Aside,” it’s game on, lighters lit. Next in line is “See Where The Night Goes,” still a scorcher but a bit more melodic with killer hooks and even sweeter melodies that will whip the audiences into a frenzy during the upcoming festival season. And, things get more head-banging in all the best of ways from there.

Sure the band and the songs are a bit formulaic with an “if it’s not broken, don’t fix it” approach to their rock and roll. But, when a band goes about their business with such exuberance and delivers the quality riffs song to song as they do on this one, imitation turns into emulation in the blink of a power ballad.

Sarah Shook & The Disarmers – Nightroamer

Sarah Shook and her Disarmers step over and cross back again, that line between Americana and Rock and Roll with the ease of A Wallenda sibling tightrope walking across the Grand Canyon. With their latest record, Nightroamer, Sarah seems to be shedding her image as the younger sister who waters down her parent’s vodka, climbs out of her bedroom window, and sneaks out to sing a few tunes for a Hank III tribute band. Now, with her late-era Tanya Tucker vibe, her music is more contemporary posh than cow-punk with a classic country flair in just the right places. 

The stellar “Talking To Myself” is Sheryl Crow Meets Joan Jett, “If It’s Poison” has a ’50s country lilt to it complete with a lap-steel guitar, and “I Got This” is a biographical piece that carries some Melissa Etheridge DNA in its core. “No Mistakes” could have been a Billy Joe Shaver penned outlaw country tune.

Still worn weary with a well-earned lifetime expressed with every syllable she sings, Sarah Shook & The Disarmers have been there, done that, so you don’t have to.

Foxy Shazam – The Heart Behead You

If like us, you know exactly where you were the first time you heard the glam-glorious band Foxy Shazam, you are in luck, and your musical ship has arrived at the dock. Going back to their epic breakthrough record, The Church of Rock and Roll, a classic that is ten years old now, the band has never has failed to deliver on their psychedelic, glam, power pop template that brings to the minds-ear the classic S.F. based band Jellyfish. Until perhaps now, that is.

Certainly not their best, the production seems a bit fuzzy in the mix and does not sparkle as bright as a Foxy Shazam diamond should. And, the band is trying a bit too hard to be clever in their wordplay, case in point is the attempt to rhyme china (the tableware) and a part of a woman’s anatomy with a straight face. 

The opener, “I’m In Love,” is pure soaring, bombastic Foxy Shazam, “Fall Into The Night” is a dance-hall worthy call and response feet-mover, and “Love Rush Ecstacy” would be a wonderment if, as mentioned above, the production was crisper and cleaner.

Not their best effort, this one might be among the worst in their oeuvre, but much like when a skunk comes home for Thanksgiving with his family, gets drunk, and accidentally lets out a little spray, he will still be invited over for Christmas dinner.

Hurray For The Riff Raff – Life On Earth

Alynda Segarra, doing business as Hurray For The Riff Raff, is out with her typically a per-usual stellar record, Life On Earth. As part of a collective of New Orleans musicians, the new album, self-described as “nature-punk,” is centered around the theme of survival in a turned-around world.

“All stunners, no bummers” is the order of the day on this one. “Pierced Arrows” floats in the ether like Florence and the Machine’s younger sister performing on a side stage at Bonnaroo, “Jupiters Dance,” has a wafting of a Kate Bush Spirit Dance, and the exquisitely horned “Rosemary Tears” is the essence of New Orleans pathos in a song. The “deep in the soul” rendering of “My Sweet Lord” is life-affirming.

While this new record doesn’t quite live up to the majesty of its predecessor, The Navigator, it is a sterling example of an artist in progress that is one of the shining lights working today.

Dana Cooper – I Can Face The Truth

Dana Cooper is an Americana treasure that you likely have never heard. Roaming the country from Kansas City, Los Angeles, Nashville, to Texas and beyond, teaming up with Shake Russell on several records, Cooper is a dues-paying road-weary musician of the highest order. And, on his latest, I Can Face The Truth, the truth is out there.

With a version of “I’m So Lonesome I Could Cry” that is as honest as you will ever hear along with the Thelma and Louise road-tripping with your BFF vibe of “Old Friends,” the stage is set for the circle to be unbroken. “Laughing and Crying” might be a fitting metaphor for the present times, and “Summer in America” is a “lovers in wartime” protest anthem with a satisfying ending.

If you are not previously hip to the Dana Cooper scene, use this opportunity to right a grievous wrong.

Five Cool Ones: What We’re Listening To (January 7, 2022)

It still will be a couple of weeks yet until things start heating up and the River of new releases starts to flow again. But, in the meantime, there are a lot of groovy tunes to dive into while we wait.

The Sheepdogs – Singing in the Band

Rock is the New Roll uber- favorites The Sheepdogs are keeping themselves busy making some new music that will see the light of day in 2022. Their blend of James Gang by way of Blackberry Smoke vibes will have the toes tapping and ears twirling all in a Smokey haze.

Goodbye June – Stand and Deliver

The first really great E.P. of 2022 has declared itself. And, it’s a stunner. Having dribble-released the songs as singles in 2021, all four songs have been included on their debut E.P, Stand and Deliver. These Nashville Cats walk that tightrope between AC/DC and Lynyrd Skynyrd.

The Districts – Outlaw Love

These Pennsylvania Indie rockers blast off like a slightly less cool Rebel Yell-era Billy Idol on one of the first great songs of 2022.

Band of Heathens – Rock and Roll Doctor

Americana rockers Band of Heathens never fail to impress by coming up with unique ways to present their new music. Here, they release another of their collaborative cover songs, this time Little Feat’s “Rock and Roll Doctor” with Dallas psych-rockers White Denim. For extra credit, Search out the collabo with Ray Wylie Hubbard covering “Papa Was A Rolling Stone.”

Edgar Winter, Joe Walsh, David Grissom – Johnny Be Good

Joe Walsh and David Grissom on saxophone sit in with Edgar Winter on a scorched earth version of the Chuck Berry classic. Edgar is in fine form on this one.

Album of the Day: Kris Rodgers and the Dirty Gems – Still Dirty

If you haven’t hipped yourself to Springsteen’s guitarist Little Steven and his side gigs with his three XM radio stations, Little Steven’s Underground Garage, Coolest Songs in the world, and Outlaw Country, jump in on it now. And, for an even deeper dive, he’s got his own record label, Wicked Cool Records, where he digs deep with a stable of some of the coolest bands on the planet that you have never heard. With their debut set for Wicked Cool Records, the Dirty Gems have come up with a gem of a record with virtually no miss-steps over a tightly constructed 10 song set.

Avoid the temptation of glossing over the opener “She Likes To Party” with its Sly Stone by way of “Play That Funky Music” mojo as a one and done wonder. Sure this song is groovy, but trust us, this is only the tip of the coolness spear.

Overt genre-hopping has been been the death knell of many an album, but here, jumping from the mothership funk of the opener to the Motown worthy “I Can Still Feel It,” and be-bopping on to the Robert Palmer groove of “Can’t Give It,” the transition is as pure and smooth as a good bottle of whiskey.

Kris, as a piano player, will definitely render comparisons to early Elton. And, if after listening to “See You Again” and his spot-on terrific extended-jam reading of “Take Me To The Pilot” you don’t agree with this assessment, your Elton John fan club membership will be revoked. Bad Company By Way of REO Speedwagon makes an appearance on “I’m Your Man” and Deep Muscle Shoals vibes spring from every pore of “Don’t Turn Around.” “Tortuga” even has a Santana tinge to it.

It is not often that an album comes around that is this good that nobody has heard. Kris Rodgers and his mates deserve a wider following. Let’s make it happen.

Five Cool Ones: Five (More) Reasons Rock Is Not Dead – Best of 2021

Rock and Roll is alive and most definitely alive and well heading into 2022. Here are five bands that your ears should wrap themselves around heading into the new year.

Kim Melville – Mr. My Man

Throwing herself fully into the ring after delivering choice covers of Larkin Poe and Led Zeppelin tunes, Paris-based chanteuse Kim Melville will be transforming herself from an under-the-radar artist to center stage in no time.

Dust Coda – Limbo Man

These Londoners deliver the swagger of The Struts and the riffage of Greta Van Fleet on a bed of ’80s sunset strip glam. Crank this one while driving.

Chris Catalyst – King Of Everything

If Pop-Rock is an actual genre, “King Of Everything” from the Eureka Machines frontman Chris Catalyst would be among the best of the lot. Festival ready call and response chorus, jangle pop guitar splendor, this Cheap Trick inspired cut has it all.

Sheepdogs – No Simple Thing

If you long for the days of Three Dog Night, Dr. Hook, and Fanny, to get your ’70s mojo going, jump on the Sheepdogs bandwagon post-haste.

Sweet Crisis – Ain’t Got Soul

Straight out of Cambridge, this epic starts out as a bond theme and quickly morphs into some sort of slinky Led Zeppelin by way of The Cult anthem that would make Rival Sons blush.

The Darkness – Motorheart

A perfect fit for one of those early Queen records, Justin Hawkins and The Darkness has his band kicking it on all cylinders. This one is like going to see Rush opening up for Queen at the Cow Palace back in the day.

Video of the Day: Goodbye June – See Where The Night Goes

The Jury is in. Nashville’s Goodbye June is officially one of the best rock and roll bands on the planet. Here they are in all their riffage and glory with a three-song E.P. in advance of a proper full-length due in February. Think the devil spawn of Blackberry Smoke and AC/DC with these guys.