Jellyfish/The Lickerish Quartet/Imperial Drag/Foxygen/Foxy Shazam
Jellyfish was a SanFranciso based band that was unapologetically retro in all the best ways of ways. With a Pop sensibility that brings to the minds-ear XTC, Badfinger and The Zombies, the band, formed around singer-songwriter Andy Sturmer, keyboard player Roger Manning along with Jason Falkner, crashed and burned mostly due to musical differences after two spectacularly immaculate records, Bellybutton and Spilt Milk.
Born from the ashes of Jellyfish was the band Imperial Drag that featured Jellyfish alum Roger Manning, singer Eric Dover, and drummer Andy Sturmer. The band was one and done. The Grunge obsessed fans of the mid-’90s were never a nuanced bunch and killed the group before it ever really got started. Never the less, their Glam-forward self-titled record was an exercise in perfect Power Pop with that little bit of extra edge that made them really cool.
The Lickerish Quartet
And now, The Lickerish Quartet is playing it forward with their new record, Threesome, Vol. 1, a four-song E.P. that features Eric Dover, Roger Manning, and Tim Smith former members of the legendary band Jellyfish getting together for the first time since 1994. If you miss Slade, Queen and Marc Bolan you will love this band.
Foxygen and their 2013 album We are the 21st Ambassadors of Peace & Magic, along being with clear disciples of Jellyfish and Glam rock are another one of the bands that are not ashamed to wear the retro-rock tag with great honor. If Lou Reed and David Bowie had a love child the resulting spawn would be Foxygen. Unfortunately, having crashed and burned mostly due to the over the top LSS (Lead Singer Syndrome) affliction Sam France was dealing with, or maybe they ran out of money hiring a full symphony orchestra for their 2016 release Hang, in any case, the band is now on an indefinite hiatus.
Another one of those backward-looking retro rocking bands that seem to have crashed and burned far too quickly, for our tastes anyway. With their intoxicating blend of rock and roll theatrics, a maniacal mix of double-kickdrum percussion, and howling vocals, maybe after lighting the sky on fire with 2012’s The Church of Rock and Roll maybe it is best for a band like this to die young and leave a good looking corpse.
— Jeremy Wren —