With a new Goldray record out there in the near horizon here is one from their 2017 record, Rising.
With a new Goldray record out there in the near horizon here is one from their 2017 record, Rising.
The Delvon Lamar Organ Trio is bringing back Booker T and the MG’s one cool Hammond organ at a time.
The posthumous release after passing away from cancer of Flesh For Lulu vocalist Nick Marsh. Completed after his death by partner Katherine Blake, his music has been described as moonshine-skewed gypsy blues.

We get an extra week this month to check out our favorite records. That’s the good news. The bad news is that is is a pretty tepid week on the new release front. Undaunted, however, we will carry on my wayward sons.
There is a new Stryper song to sink your ears into in advance of a new record to be released later in the year.
Retro Country stars Midland gave us a live video this week from their live at The Palomoino recent release,
and, Rock is the new Roll mega-favorite Lissie is back after an extended absence with the highly excellent track “Just Because I can.
Here are five new records that have earned our attention this week.
Charlie Crockett – Welcome To Hard Times
With this, his 8th album since his 2015 debut, and his second already this year, to say that Charlie Crockett is on a bit of a roll would be like saying Eric Clapton is good at that guitar thing. Of course, captain obvious. And what a stellar album it is. Expertly walking the tightrope between Classic Country and Americana-Roots music, there is nothing about this old soul crooner that seems past its born-on date. Sure there is a bit of good old countrypolitan in many of the tunes presented here, most notably with the aptly named “The Man That Time Forgot,” but it is on the take me to the honky numbers “Run Horse Run” and “Paint it Blue” where this record really earns it spurs.
Mike Polizze – Long Lost Solace Find
Somewhat of a departure here for Mike Polizze as he strays from the recent Grunge-Garage sound of his band Purling Hiss for a more gently acoustic sound on this, his debut solo record. Played and sung entirely by Polizze with production help from Kurt Vile the record meanders from shoe-gaze to Beck inspired Bedroom Rock at the blink of an ear. There is a bit of grandeur around the subtle instrumentation that deftly floats around the lyrics that might bring to mind Nick Drake or Karen Dalton at their most thoughtful.
Psychedelic Furs – Made of Rain
As the torchbearers for much of the Psychedelic Rock sound that is prevalent in today’s Indie Rock sound, The Psychedelic Furs have released their first record in over twenty years. Dispanding their snarly Punk sound and sometimes foray into Synth-Pop, this one has a more expansive arena-friendly sound. There are a couple of real highlights here that will genuinely excite the long time fans of the band including “Wrong Train,” a song clearly demonstrating that Richard Butler has lost nothing on his vocal fastball and “Don’t Believe.” Once concerts return to full gear, expect an epic return to glory for this band that practically invented Indie Rock and college radio.
Fontaines D.C. – A Hero’s Death
A Heros Death, the sophomore album from Fontaines D.C. may not be as spot-on dangerous as Dogrel, it is still, none the less, an inspiring record that deserves to be in your record collection. Starting from the opener “I Don’t Belong,” a mid-tempo anthem that highlights the gritty vocal of Grian Chatten, the stage is set for this Dublin Band, sort of a Post-Punk U2, to opine on their world view over 11 tracks of intermittent rage and corresponding thoughtfulness.
“You Said” has a bit of a Velvet Underground feel to it, while the title track certainly shares some DNA with Iggy Pop and the Stooges and might just be the most important song to be released this year
If only people would listen.
Mojo Buford – Mojo Workin’
The classic Chicago blues is bleeding from every ounce of Mojo Buford’s fine new record, Mojo Workin’. Having the distinction of being the only harmonica player to have played with Muddy Waters in the 1950s, ’60s,’70s, and ’80s Mojo Buford was a Blues staple from Memphis to Chicago before his death in 2011. Originally recorded in 1969 this reissue courtesy of Sundazed records features many of his songs included in his live repertoire including “Got My Mojo Working,” the song that delivered his nickname when every night he would get requests to play the famous Muddy Waters tune.
The sound quality on this release is excellent and Mojo’s self-penned songs stand equally as tall beside Otis Spann’s “Blues Is Botheration” and Sonny Boy Williamson II’s “Help Me.
If harmonica-blues is your jam, you can’t get much better than this one.
There is a slight Lindsay Buckingham and Fleetwood Mac vibe to this new song from the Secret Machines (Brandon Curtis, Josh Garza) upcoming release.
David Ramirez is very much one of those under the radar Americana artists that deserve more ear-play. Here is one of his latest singles from his new record, “My Love Is A Hurricane.”
Championed by Lizzo, played guitar in Melissa Etheridge’s band, and is the one woman campaign crew and champion for bringing Sister Rosette Tharpes’s music to the masses, Celisse Hudson with her debut record coming out towards the end of the year just might be the next big thing.
The observational songwriter Andy Shauf pens another invites you to the party single in advance of his new record to be released later in the year.
Named after a Central California beach town, population 2,600, the band Cayucos produces dreamy So. Cal. Surf-Pop.
Peter Himmelman – Press On (4 out of 5)

It is pretty hard to believe that Peter Himmelman is 15 albums in and has been applying his trade since 1986 with on solid effort after another, and his latest, Press On, is certainly no exception. Recorded live in-studio this one runs the cool-genre spectrum from Roots Rock to Gospel, To Country with a little bit of Rock & Roll and beyond.
“Press On,” the title track is a Gospel tinged narrative beauty and rides the same bus as Elvis Costello and Graham Parker, while the rest of the record carries that same working man’s hardscrabble songwriting flair. Even though the record was recorded in just under four days nothing about his feels rushed, just another troubadour doing what he was born to do.