Best Albums of 2019: The Reconstructed – Great North Wind

 

Whoever said that the only good music comes out of Austin, the left coast, or New York, has obviously never heard of The Reconstructed, the best thing to come out of Southern Maine since the lobster. Their latest record, Great North Wind, is a melodic stunner of an album with delicious hooks, sweet vocals, and enough of a Power Pop sensibility to make Alex Chilton jealous.

The opener, “Cross Talk” is what the stork would have delivered if the parents were the Bands Crazy Horse and The Bodeans, and the title track shares some DNA with Jason Isbell and the 400 unit. “Wrapped” sounds like it could have been a R.E.M. B-side, “50 Minute Records” features next-level songwriting, and “Talking With Your Ghost” rhythmically carries a bit of a John Mellencamp torch. In “Something Came Over Me” your mind’s ear will be able to detect a bit of pre-Phil Genesis on a song that vitally demonstrates the intricate songcraft and Prince level musicianship delivered on this album.

In short, while bits, pieces, and resemblances of other great bands might be salted here and there on this record, don’t be mistaken, this album and this band is a wholly unique unicorn that should be reaching more ears.

Live Video of the Day: Dawes – A Little Bit of Everything (Live From Here with Chris Thile)

The last song on their 2011 release Nothing is Wrong “A Little Bit of Everything” tells the story about a desperate man who is about to jump off the Golden Gate Bridge. As he hoists his first leg over the rail his journey is interrupted. Spoiler alert, it ends well on this gripping version of a song that should savored with multiple listens.

Five Cool Ones: Five New Albums Released This Week (September 6, 2019)

Black Star Riders – Another State of Grace

With a more than solid follow up to 2017’s album Heavy Fire, this band born from the ashes of Thin Lizzy continues to place themselves on the mount Rushmore of bands that are saving Rock and Roll. The song “Don’t Let Me Down” is a distant cousin to Lizzy’s “Dancing In The Moonlight and is worth the price of admission alone.” The title track is Thin Lizzy meets Dropkick Murphy’s.

Crystal Gayle – You Don’t Know Me

Her first new record in 16 years, Crystal Gayle goes back to her country roots covering classic country tunes the likes of “Walking After Midnight,” “Crying Time,” and “Hello Walls.” “Put it Off Tomorrow” with Tanya Tucker and Peggy Sue Wright lending their voices is a highlite. Extra credit is given for not including her mega-hit “Don’t It Make My Brown Eyes Blue” on this set.

Iggy Pop – Free

These days it seems that Iggy Pop is trying to channel his inner David Bowie, and truth be told, this is a bit of a miss-step for the godfather of Punk. This record is an odd patchwork of free-form jazz, poetry, ambient sounds, and beat poet musings and it does not quite hit the mark. It seems he has lost his lust for life a bit. But, If you are an Iggy fan you have another era in his storied career to savor.

The Highwomen – The Highwomen

A somewhat hipper spin on the Highwaymen since Brandi Carlile Maren Morris, Amanda Shires, and Natalie Hemby are all pretty much in the prime of their careers, unlike their semi-namesakes that were already on the other side of the hill. Here, the songwriting is crisp, the chemistry is electric, and even though this record was put together pretty quickly there is no sense that this is a one and done project.

Paul Cauthen – Room 41

His 2016 album My Gospel was a terrific record, and this one is even better. Written mostly in room 41 in artist haven that is The Belmont hotel in Dallas, Cauthen’s voice has been said to sound like all four of the Highwaymen combined.