The Best 100 Songs of 2019 (According to Rock is the New Roll)

It has been a very good year. As per usual, the task of pairing the list down to a select 100 is a bit of a daunting task. The troubadour is amply represented this year with Terry Allen, Tom Russell, and Bruce Springsteen all making an appearance.

Girl Power is a prominent theme throughout this list courtesy of Lizzo, Highwomen along with Kashi Ashton coming in strong, and there are even some curveballs thrown in for good measure on the strength of The Limboos, Flying Colors, Petrov, and Fat White Family, just to name a couple.

Under the radar groups like Maine’s own The Reconstructed and Lucille Furs caught our ear-tention right alongside better-known artists like The Who, Van Morrison, and Bryan Adams.

In short, 2019 was a very good year and Rock and Roll is certainly not dead

100. Terry Allen- Death of the Last Stripper

It has been a while since this underrated Texas troubadour has released a new song. Another master class in storytelling.

99. Van Morrison – Early Days

From Three Chords and the Truth Van Morrison takes us back to 70’s Van and the early days of Rock and Roll.

98. Ruen Brothers – A Million Things

2018 favorites The Ruen Brothers continue to sparkle on their new record for 2019.

97. Kurt Baker Combo – No One’s Home

Frequent winners of Little Sten’s Coolest Song in the World in The Underground Garage, Kurt Baker and his combo delivers on a template of Indie tinged Garage Rock.

96. The Limboos – Where Did She Go

The genre-defying Limboos with their 2019 release, Baia, combine Surf Rock, Soul, and good old Rock and roll for a record that just might be your party album of 2019.

95 – Highwomen – Highwomen

The sister song to Jimmy Webb’s version of “Highwaymen” made famous by the Mount Rushmore of country music, Waylon Jennings, Johnny Cash, Willie Nelson, and Kris Kristofferson. This version focuses on the fairer sex with a supergroup formed by Brandi Carlile, Maren Morris, Natalie Hemby, and Amanda Shires. Taking you back  300 years in the women’s movement, the message sent lamenting the complete dismissal of women in country music should not be ignored. And, thanks to this song, their new album, and these women, the message is signed, sealed, and delivered.

94. Better Oblivion Community Center – Dylan Thomas

Any collaboration between former Bright Eye Conor Oberst and Phoebe Bridgers is warranted to be on any list, and here, on one of the more upbeat songs on their debut album, the twangy guitars and the witty songwriting make this a collaboration worth celebrating.

93. Cherry Glazerr – Wasted Nun

Underneath the fiery, harsh guitar crunch and the stinging guitar licks is a wasted nun bursting to come out. This one is a female empowerment anthem for the new age.

92. Haim – Summer Girl

Singing in a Sunday morning voice with her head close to yours on adjoining pillows as you make plans for a California sunny day, the new Haim single is the laid-back summer jam of the year.

91. Hunny – Saturday Night

Contractually obligated to include any song that name-checks Echo and the Bunnymen, in this case, we are happy to oblige. Lifted from their highly excellent July release, Yes, Yes, Yes, Yes,, this song is perfect for that random pop-up dance party.

90. Caamp – Peach Fuzz

The bouncy rhythm on this one slightly brings to mind The Velvet Underground’s “Sweet Jane,” which is, in and of itself, somewhat mind-bending since nothing in this band’s background indicates that they would be fans of Lou Reed. The love story inherent in the song is pure “first couple of love rodeos” sweetness where you are sitting in the corner pouring yourself some punch while the current love of your life is in the kitchen cutting up a rug.

89. The Talbott Brothers – Run No More

This road warrior anthem is a slow-burn aural cinematic wonder. This set of rural Nebraska brothers on their 2019 record, Ghost Walker, delivers songs made for the wide-open prairie.

88. Midland – Mr. Lonely

Definitely riding the Hony Tonk Hot Tub time machine, “Mr. Lonely” definitely leans into the dirt floor, dance floor ethos inherent in places like Billy Bob’s and Gruene hall on a Saturday night. With dust bowl nods to Dwight and Buck, this one is a nostalgic winner.

87. Ingrid Andress – Lady Like

She’s on the list of women to watch in Country music, and if this song is any indication, paying attention to this up and coming artist should be no problem. “I drink tequila straight/haven’t brushed my hair in days/and i’ll kiss on the first date if I’m feelin’ It,”  the opening lines from “Lady Like,” tells you all you need to know about where this intoxicating new artist is coming from. A self-described unframeable, untameable Mona Lisa.

86. Kassi Ashton – Violins

The scorned lover song of the year, forget everything you thought you knew about Pop Country, most certainly dismiss the fact that you only have a passing interest in the genre, and check this song out. A banger of a song that calls out an ex-lover that is yearning for redemption as she proclaims “You can lay it on all night long but you don’t stand a chance, it’s the same old song and dance.” The video for this song is worth the price of admission alone.

85. The Cactus Blossoms – Desperado

When the guitar kicks on at about the 1:30 mark you can pretty much close your eyes and picture yourself sitting in a bar in North Beach S.F. listening to the Everly Brothers play a set just before the last call. This song is some sort of devil hybrid of The Righteous Brothers, The Everly Brothers, and Simon and Garfunkel. To add to the sweetness here, the record was produced by Rock is the New Roll favorite, Dan Auerbach.

84. Cherie Currie, Brie Darling – The Motivator

What do you get when you combine a favorite Runaway, Cherie Currie, along with the drummer from the 70’s all-girl band Fanny, Brie Darling, with a covers album of under the radar and over the radar hits? A cool as hell record, that’s what. The best of the lot on this highly listenable album is the outstanding cover version of the T Rex classic, “The Motivator.” Glam respects Glam.

83. Dale Watson – Call Me Lucky

When all is said, as the old school Honky Tonk singers are one by one carried by six white horses to the pearly gates, Dale Watson just might be the last sawdust dance floor crooner standing. On his latest record, Watson isn’t reinventing the stetson, he’s just doing what he does best. “One on the right, one on the left one is a blonde one’s a brunette if you don’t know my name I bet that you can guess, they call me lucky.”

82. Durand Jones & The Indications – Cruisin’ To The Park

Duran Jones along with his band, The Indications, has released quite probably the Soul record of the year, American Love Call. With retro-coolness inherent in everything they do, Smokey Robinson, The Temptations, and Marvin Gaye all come back to life right before our very ears. “Cruisin’ To The Park” is not from their 2019 release, it is a surprise throw-out single, but don’t sleep on it. This one should be your slow jam get jiggy with it in the boudoir song of the year.

81. Flying Colors – Love Letter

A supergroup of sorts consisting of members culled from Dream Theater, Spock’s Beard, and The Dixie Dregs, this one is for fans of ELO, Queen, 70’s era Beach Boys, and Pre-“Show Me the Way” Peter Frampton. Soaring harmonies, crisp melodic instrumentation, and skin-tight drumming courtesy of maestro Mike Portnoy all adds to the fun. Don’t let that slight wafting of progressive rock courtesy of the bong smokers in the corner steer you away from this one.

80. Marcus King Band – Carolina

Marcus King and his band are one of several new groups that are gaining popularity with their fan forward live shows, superb musicianship, and stellar songwriting. Recorded at RCA’s Studio A in Nashville and produced by producer du-jour Dave Cobb, the six-minute slow roll sort of a song features the soaring vocals and stinging guitar courtesy of the bandleader and namesake, Marcus King.

79. Bill Callahan – What Comes After Certainty

With a voice so low and slow it would make Leonard Cohen proud, this delicate love song sort of strays around to from professing his love to the woman of his dreams all the way to signing Willie’s guitar without The Red Headed Stranger knowing he was doing it and surfing in Kaui on his honeymoon. True love is not magic, it’s certainty.

78.  Billie Eilish – Bad Guy

959,703,699 (make that 959,703,700) plays on Spotify can’t be wrong, can they? The song has an infectious driving down the highway at 120 miles an hour driving beat with a distinct essence of Krautrock wafting in the air. The song is about people that expend a lot of hot air telling you what kind of person they are when, in reality, they are someone totally different. Pretty ambitious for a 17-year-old.

77. Black Keys – Low/High

The Black Keys, Patrick Carney and Dan Auerbach, are back and better than ever. Their latest record, Let’s Rock, very much lives up to its billing, and the best song in this barrel of pickles, “Low/High” is a T-Rex by way of Ty Seagall stomper with a little touch of The Sweet thrown in for good measure.

76. Ex Hex – Rainbow Shiner

While Ex Hex may be somewhat of a supergroup featuring members of Wild Flag, Aquarium, and Fire Tapes, what they really are is one hell of a Rock and Roll Band. “Rainbow Shiner” very well could have been the B side of The Runaway’s “Cherry Bomb” from back in the day.

75. Ezra Collective (feat. Jorja Smith) – Reason in Disguise

There is more than a little bit of Talking Book era Stevie Wonder vibing going on with this highly groove-able jam that features Jorja Smith providing the vocals fronting the Progressive Jazz ensemble Ezra Collective.

74. Illiterate Light – Carolina Lorelei

The band Illiterate Light is one of our under the radar bands of the year. Blending the ethos from Neil Young, My Morning Jacket, and Fleet Foxes, these guys produce soaring, psychedelic Indie Rock of the highest order. “Carolina Lorelei” is a love song wrapped in a sweater of Rock and Roll.

73. Josh Ritter – Old Black Magic

A touch of Petty, a bit of Dylan, there is a lot of coolness going here that is made even hipper with Jason Isbell’s crackin’ band The 400 Unit backing Josh Ritter on this one. The album, Fever Breaks, is one of the best of the year.

72. Karen O & Danger Mouse – Turn The Light

With a bass line that would make Bootsy Collins blush, this mid-tempo Funk soong is hipper than an episode of Hugh Hefner’s Playboy After Dark. The entire album, Lux Prima, is well worth a serious listen.

71. Mandolin Orange – The Wolves

The band Mandolin Orange is slowly creeping into our list of favorite bands. This North Carolina band has a lot to say and on “The Wolves” they tackle the handling of grief and coming through that tunnel to brighter days. Andrew Marlin has a real Jason Isbell tenor to his voice and can stand quill for quill with him on the songwriting front, and Multi-Instrumentalist Emily Frantz brings to mind Allison Krause and Amanda Shires.

70. Petrov – Divine Wine

Petrov is another one of the great bands to come out of North Carolina, this time Charlotte. With the addition of Mary Grace McKusick as the primary songwriter and lead vocalist, an added Post-Punk attitude was developed giving the band a bit of a harder edge. With a passing resemblance to the Police song “Message in a Bottle”, this is the sort of song that might be what Janis Joplin would have been recording.

69. Tiny Ruins – School of Design

It is hard to imagine that a chance wandering into the library of a school of design to kill some time would yield such elegance, but imagine no more. This sparse pastoral beauty finds beauty in simple things like the well-designed clocks all ticking in time.

68. Bryan Adams – Whiskey in A Jar

Listen closely, as you likely will never see this sentence written in this space ever again. This new Bryan Adams song is really cool, and unironically so. Playing things acoustically safe Adams’ gargle with razor blades voice seems to be perfectly suited to this Thin Lizzy rocker. Sure, he goes all Rod Stewart unplugged on the arrangement, but hey, it is sort of good to see the guy relevant again in this new Millenium.

67. The National – Light Years

As you work your way through the highly excellent new National L.P., I Am Easy To Find, and the 16 songs presented to you, there, at the very end, the last track on the record is “Light Years.” It seems like a simple song, starting off with a piano melody morphing into the hushed vocals of Matt Berninger. Simple it may be, but it is a beauty.

66. Anderson . Paak – Make It Better (feat. Smokey Robinson)

This one is clearly the bedroom, between the sheets, jam of the year. Who among us wouldn’t want to rekindle a bit of romance by getting jiggy with it in a motel room just like you used to do? With Smokey Robinson in fine form, this one could have come right from a 1972 hot tub time machine.

65. Strand of Oaks – Weird Ways

from the album, Eraserland, Timothy Showalter, doing business as Strand of Oaks, was contemplating retirement when he wrote this song, which makes sense on this song that builds from a slow meditation to a Rock anthem at the blink of an ear.

64. Julia Jacklin – Pressure To Party

With a lyric like “I know I’ve locked myself in my room/ But I’ll open the door and try to love again soon” you pretty much know what you are getting on this ode to isolation by Julia Jacklin. Dealing with a break-up is never easy, but against the vigorous back-beat presented here, you quickly discover that it is ok to not be okay.

63. Boy Scouts – Get Well Soon

Taylor Vick, the Oakland-based folk-pop singer who has performed as Boy Scouts for nearly a decade, sets the stage on this lilting lover scorned and hits the road dear John letter.

62. Che Apalache – The Dreamer

This North Carolina three bajo band was definitely made for these times. Here they tell the story of an imigrant family seperated from each other and fearful for what lies ahead. Produced by Bela Fleck, their 2019 release, Rearange My Heart, is a stunning debut.

61. Ashley McBryde  – One Night Standards

As a member of The Highwomen Ashley McBryde has been stepping out on support of the female voice in country music. Secure in her wants and needs along with her sexuality, on this one she turns the tables on barfly gender roles. The gal that brought you “A Little Dive Bar in Dahlonega” is showing no signs of slowing down.

60. Miranda Lambert – Mess With My Head

A bit rockier then a lot of her previous songs, here with a single from her highly excellent Wildcard record, there is an 8o’s ladies feel to the proceedings that fits Miranda quite nicely.

59. The Avett Brothers – High Steppin’

This high Steppin’ anthem courtesy of Scott Avett and the Avett Brothers from their album, Closer Than Together, will literally put a little pep in your step.

58. Frank Turner – Sister Rosetta

Frank Turner pays tribute to Sister Rosetta Tharpe, The Godmother of Rock and Roll, the Sister of Soul. This one is a history lesson in a song.

57. Sheryl Crow – Tell Me When It’s Over (feat. Chris Stapelton)

An outstanding duet with Chris Stapelton lamenting that point in a melting relationship where neither party knows it’s over when it actually has been over long ago. This one is from her record, Threads, an album that features in addition to Stapelton, guest turns from Joe Walsh, Jason Isbell, Bonnie Raitt, and several others

56. The Who – All The Music Must Fade

The gut pinch of a rhythm section, this time with Zak Starkey beating the skins, is still in fine form and Roger Daltry is back, but not quite better than ever. On this first single from their upcoming release, The Who. With a “You Better You Bet” feel to it, the song and subsequent record feels like it will be a great last waltz for an iconic band.

55. Deacon Blue – City of Love

Taking their name from a Steely Dan song, the Scottish band Deacon Blue hasn’t let up one bit from when they were opening for The Waterboys way back in 1985. In March of 2020, the band will be releasing City of Love, their fourth album in seven years. This band is almost the poster child for under the radar bands you should know about.

54. Soccer Mommy – Yellow is the Color Of Her Eyes

“Yellow is the Color Of Her Eyes” is only the second track of new music from Soccer Mommy that has reached our ears since 2018’s breakout album, Lush and complex, the song inspired by life on the road and the relations that suffer from the distance and time away features harpist Mary Lattimore.

53. Durand Jones & The Indications – Morning in America

Alongside Austin’s Black Pumas, Durand Jones and his mates are front and center on the cresting Soul revivalist movement. Drummer Aaron Frazer adds to the vibe with vocals that perfectly complement Durand Jones. From the record, American Love Call, “Morning in America” harkens back to the protest Soul of the ’60s and ’70s. The lyrics touch on contaminated water, overprescribing of pain-killers, and systematic racism, all touchstones of a protest song for todays times.

52. P.P. Arnold – I Believe

Unbelievably, her 2019 record, The New Adventures of P.P. Arnold, is her first proper solo album in 51 years, and she has not lost anything at all on her vocal fastball. “I believe” is a beautiful, immaculately produced cinematic wonder to behold.

51. Fontaines DC – Boys In A Better Land

With an energy that falls somewhere north of The Clash and South of The Waterboys, “Boys In A Better Land” almost literally sparks with a nervous energy that makes you feel alive. These guys mix Post-Punk riffs with a literate sensibility capable of ripping your ears off. Even the ballads these guys throw out have a lot of street swagger.

50. JJ Wilde – Home

With a whole lot of Nashville Swagger, JJ Wildes’s star is definitely on the rise. With “Home” her follow-up to her E.P. released earlier in the year, she establishes her independence and her inherent badassery. It’s all about finding freedom through good old-fashioned Rock and Roll.

49. Sunflower Bean – Come For Me

Not resting on any laurels after the really excellent Human Ceremony last year, Sunflower Bean released a four-song E.P., King of the Dudes, early this year. “Come For Me” is a female empowerment anthem with women calling the shots with their own sexuality. “Come for me, we don’t have all night.”

48. Karl Blau – Twilight

Karl Blau has not had a proper record out in a while, his last was Out Her Space in 2017, but if “Twilight” is a precursor to new music from this retro-tinged Americana artist, count us in. There is a bit of Harry Nilsson dusting on this one.

47. The Reconstructed – Home Fires

From Southern Maine, The Reconstructed are one of those bands that are very well known on the local scene, but not so much on the national stage. Their latest record Great North Wind does not have a bad song on it. “Home Fires” has a bit of a Stonesy groove to it and is a perfect initiation to a band that should really be reaching more ears.

46. Fat White Family – Feet

Getting their collective act together as a band is proving to be quite a good thing as far as their artistic development goes. Their new record, Serf’s Up!, is a stunner coming from these guys and their past distorted Punk Rock sound, and the single “Feet” shows a sense of purpose that has been lacking in the past.

45. Joanne Shaw Taylor – Reckless Heart

“Reckless Heart” the title track from her latest release is a clear step up in weight class for a Blues Rock Singer that combines the vocal prowess of Bonnie Raitt and the guitar chops of Susan Tedeschi.

44. Peter Bjorn and John – Reason To Be Reasonable

From the boys that brought you “Young Folks,” one of the top earworms of the last 20 years, they once again burrow their way into your ears with the anti-breakup song of the year. It is refreshing to hear a message that promotes trying to work things out instead of fleeing the scene when the first bit of adversity comes your way.

43. Brent Cowles – High To Low

L.A. Songwriter Brent Cowles decided full-force to write a song that wasn’t sad or negative. For this one, he decided he wanted to pen a tune that would make people dance and smile. With “High and Low” he has succeeded on all fronts in advance of a new record due early in 2020.

42. Trash Cat – Straw Girl

Trash Cat is one of those quirky bands that you will find very hard not to like once you give them a chance. The group features Mary Claxton playing the electric ukelele, Brian, her beardy jazz instructor husband, and, for good measure, you have a mohawked sax player. Hailing from Greely, Co,, this band of gypsies does not take themselves over-seriously but make no mistake, this is one talented trio as demonstrated on “Straw Girl” the lead-off single from their 2019 record, Welcome To Trash City.

41. Rufus Wainwright – Trouble In Paradise

If you are not on the Rufus Wainright bandwagon, jump on in. The water’s fine. As the son of musicians Louden Wainright III (The dead skunk in the road guy) and Kate McGarrigle, his own music is as eclectic as you can get including 7 albums and a note for note record rendition of Judy at Carnegie Hall. Here, Rufus demonstrates his Pop-Centric chops on “Trouble in Paradise” from his new record set to be released very soon.

40. Dirty Honey – Rolling 7s

If like most of us, you are sick and tired having just about every music critic this side of Cameron Crowe trying to jam Greta Van Fleet down your throat as the next great Rock and Roll band, we present to you, Dirty Honey. This L.A. band plays what they call “new-fashioned Rock and Roll.” With a sound that is some sort of devil hybrid between Led Zeppelin and Aerosmith, their 2019 six-song mini-album will rock your plimsoul.

39. The Stereophonics – Bust This Town

A bit maligned in their own U.K. The Stereophonics have been doing their thing for over 20 years now. The second single to be released from their 2019 Kind L.P., celebrates escapism in all its forms.

38. Garret T. Capps – All Right, All Night

Garret T. Capps is one of those stylistic and artistically hip Americana influenced artists along the lines of Tennessee Jet, Sturgill Simpson and Robert Ellis. “All Right, All Night” is only one of several terrific songs on his 2019 release of the same name.

37. Sir Woman – Highroad

Sir Woman is the newest project for Kelsey Wilson, co-founder of Wild Child. On “Sir Woman” she uses her singing and arranging skills on this string and horns laden stunner. With a snappy beat and a ’60s vibe, this one has a “feel good” feeling that demands to be on your year-end playlist.

36. Lucille Furs – Paint Euphrosyne Blue

Lucille Furs and their 2019 record, Another Land, have, and it’s not even close, released the Psychedelic album of the year. Full of Beatles, Monkees, and even 13th Floor elevators Austin Powers groovability, “Paint Euphrosyne Blue,” just one of stellar songs, could have been on a Monkees record back in the day.

35. Cheap Trick – Gimme Some Truth

Pressed on red vinyl for record store day, this 7″ disc is Cheap Trick in their never wavering glory.

34. Cowboy Diplomacy – The Get Down

Their first single since 2017, they have a new record that is due next year, Cowboy Diplomacy has been kicking around Austin for some time know delivering country grizzled Rock & Roll. If Waylon Jennings fronted Lynyrd Skynyrd this is what the band would have sounded like.

33. Dori Freeman – That’s How I Fell

With an Americana tinged voice that whippoorwills between Linda and Joni, her calming vibrato “That’s How I Feel” from her highly excellent new record, Every Single Star, features a collaboration with British Folk-Rocker Teddy Thompson.

32. Hector Ward & The Big Time – Whiskey Pants

These guys have been around enough and are so diverse they have opened for the likes of Gary Clark Jr,. The Zombies, Christopher Cross, and Ian McLagan. Put on your whiskey pants and head-on into the night.

31. Lillie Mae – You’ve Got Other Girls For That

Touring with Robert Plant and The Raconteurs, there is no sophomore slump for Lillie Mae, her latest release, Other Girls, is one of the best Americana records of the year. “You’ve got other girls for that. I just came to play.”

30. The Highwomen – The Chain

This Fleetwood Mac classic comes alive again in the hands of the Highwomen, 2019 Supergroup of the year. This cover song is from the Melissa McCarthy movie, The Kitchen.

29. Lucy Dachus – Fools Gold

He’ll blame the alcohol and you’ll blame the full moon pretty well expresses this lovely ode to The New Year.

28. Laura Stevenson – Living Room, NY

Laura Stevenson was in Australia when she wrote this song to a flame she was missing. You can feel the longing in every breath she takes here, and you will find yourself longing for the sequel to this stunner of a song.

27. Drugdealer – Honey

From Raw Honey, Drugdealer’s highly excellent 2019 release. This one sounds like it could have been on side 2 of George Harrison’s All Things Must Pass.

26. Purple Mountains – That’s Just The Way I Feel

This is hands down the saddest song of the year given that Dave Berman took his own life shortly after recording his Purple Mountains album. There is a Harry Nilsson vibe to this one, but don’t let the bouncy tenor fool you. There is an underlying sense of despair running through the core of this poignant swan song.

25. Sheer Mag – Hardly To Blame

A singalong chorus enhances the bounciness on this Rocker of a song from the Philly based group.

24. Leon Bridges and Khruangbin – Texas Sun

Two soon to be Texas legends, Leon Bridges from Fort Worth and Houston’s Khruangbin team up on a classic sounding single.

23. Gillian Welch & David Rawlings – When a Cowboy Trades His Spurs For Wings

The undeniable chemistry on this stand-alone (so far) single from Gillian Welch and David Rawlings makes for sweet harmony filled listening, courtesy of the San Saba Songbird from The Ballad of Buster Scruggs.

22. Yes Factory – Radio Waves

Some Matthew Sweet vintage Power Pop for the new age. The band is from Rockford Illinois and features Ian Zander, son of Cheap Trick’s Robin Zander. This apple falls not so far from the Rock tree.

21. DeWolff – It Ain’t Easy

One of our more pleasant Rock and Roll finds from 2018, it took us a bit to get used to the Jamiroquai vibes on this one from their latest two-song E.P. but after a few studious listens of this one, the mid-song guitar noodling sold us big time.

20. Weyes Blood – Everyday

Titanic Rising is one of the best records of 2019, and the single “Everyday” is sort of Bob Seger meets Enya.

19. Bill Callahan – What Comes After Certainty

If Neil Diamond and Leonard Cohen had a love child that was produced by Rick Rubin, this is the sort of beautiful noise that the offspring would share with the world. Willie’s guitar even makes an out of nowhere appearance on this one.

18. Rodney Crowell – Deep In The Heart of Uncertain Texas

We could have picked any number of tunes for this list from Rodney Crowell’s Texas L.P., but we are contractually obligated to mention Willie Nelson at least one time per post, and the more the better. Here, along with Ronnie Dunn, Willie is in perfect hippy form.

17. Elles Bailey – Road I Call Home

The heir apparent to Bonnie Rait who sounds like she could be the daughter of Melissa Etheridge with better chops, Elles Baily is really coming into her own with her new record, Road I Call Home. The title track shows an artist that, by all rights, should not be as good as she is.

16. Garret T. Capps – Sunday Sun

There is an old school outlaw troubadour ethos that generates through every pore of Garrett T. Capps that draws the line from Hank to Kris to Townes all the way to Garrett T. Capps without missing a beat.

15. Mark Ronson (feat. Lykke Li) – Late Night Feelings

This bouncy number from the producer that brought you “Uptown Funk” used his midas touch for groovy collaborations on this one that grooves like a cross between Abba and Off The Wall era Michael Jackson.

14. FKA Twigs – Cellophane

This sparsely stark ballad will envelop your soul with muliple listens. Substituting her trademark Electro-Pop sound for a piano, FTA Twigs give herself to us at her most vulnerable.

13. Jessica Pratt – Poly Blue

Sounding like a long lost Burt Bacharach nugget from the ’60s this one has the essence of a forgotten beauty from a long-lost time.

12. Lizzo – Juice

This banger of a tune is just one of several life affirming tunes on her breakthrough album. Nothing if not self-confident, Lizzo sings “Mirror mirror on the wall/Don’t say it ’cause I know I’m cute.” A positive force in a troubling world, a little bit of Lizzo has come along just when we need her.

11. Vampire Weekend – Harmony Hall

Several songs from Father of the Bride, Vampire Weekend’s first record in six years could have earned inclusion on this list, but for our ears this summer jam gets top honors.

10. Jason Hawk Harris – Phantom Limb

Confronting the death of his mother, newcomer Jason Hawk Harris brings this one to your ears in waves. It’s not until the end that the reveal is made that the long lost love is actually his mother. When he sings “Mother Your Dead” along with an accompanying two minute mournful guitar solo everything comes into perspective.

09. Chuck Mead – Daddy Worked The Pole

A modern day “Wichita Lineman” tha tells the story about a dady that worked as a lineman to support his family. “Daddy worked the pole so mama wouldn’t have to.

08. Vandoliers – Sixteen Years

The Ramones meet The Texas Tornados is the best description we can come up with for this mariachi Cow-Punk band. Listening to these guys and watching their eye-splitting live shows you get the feeling that these guys are going to become famous or die trying. The’ll make it even it takes another sixteen years.

07. Yola – Faraway Look

A breakout star from 2019, under the tutleage of Easy Eye Sound along with founder Dan Auerback Yola a 60’s above the rest bombast that woud make Dusty Springfield blush.

06. Tyler Childers – All Your’n

Produced by Sturgill Simpson, this classic-country tinged song blends psychedelic elements with state of the art song crafting for a finished product that is a melodic stunner.

05. Allison Moorer Cold Cold Earth

A “stop you in your tracks” what did I just hear song that describes the murder of her mother and subsequent suicide of her father after he murdered his wife in cold blood in front his daughter, Allison Moorer. They don’t make murder ballads any more real than this.

04. Metronomy – Salted Like Ice Cream

There is a lot of Prince and a little bit of “Funky Town” floating vibes going on with this one. A sparkling dance tune with enough of an edge to keep things cool.

03. Bruce Springsteen – Hello Sunshine

One of several more than solid new songs from Springsteen’s Western Stars record, the wide open spaces are out there waiting. This one might be the road trip song of the year.

02. Sharon Van Etten – Seventeen

The 80’s synths and propulsive guitars are just part of what gives this song it’s grit, But make no mistake, Sharon Van Etten is no longer seventeen and wants everone to know it.

01.  Tom Russell – T-Bone Steak and Spanish Wine

Sometimes, all that is needed is a man and his guitar. This one is all about the story, and here, we hear the tale of a travelling troubadour who turns back the clock by visiting one of his old haunts for a T-bone steak and some Spanish wine.

 

 

 

 

Rock is the New Roll: The Top Ten Albums of 2019

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Black Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

10. Yola – Walk Through The Fire

You won’t need to wander much past the first song on this record, “Faraway Look”, for this one to grab you. With pipes that would make Dusty Springfield blush along with the production fairy dust from Dan Auerbach and his Easy Eye team, this is one could have been released in 1968.

09. Bruce Springsteen – Western Stars

Quite possibly the best record The Boss has delivered in the past 15 years, this expansive record covers all of the Springsteen touchstones. Fine song-craft, common man storytelling, and superb musicianship all come together for one of the more compelling releases of the year.

08. Mercury Rev – Bobbie Gentry’s The Delta Sweete revisited.

This is one of those rare entities where the tribute album is better than the original. This thing is ridiculously cool. With a different female singer for each song, Mercury Rev puts their own swirling psychedelic spin on the original Country-Folk classics. “Big Boss Man” featuring Hope Sandoval is an eclectic stunner, on “Reunion” you just might find out what was thrown off of the Tallahatchie bridge, and Susanne Sudfor’s spin on “Tobacco Road” will tingle your spine. With only one song that was not on the original recording, Lucinda Williams does what Lucinda does on “Ode to Billy Joe” to polish off a sublime set of masterful songs.

07. Trigger Hippy – Full Circle

On their second incarnation of the band, Amber Woodhouse replaces Joan Osborne when a female lead singer is needed as the band lays down the best Country Soul this side of Delaney and Bonnie. This one is decidedly Laurel Canyon retro in all the best of ways.

06. The Delines – The Imperial

With every song being virtually a Raymond Carver short story, Willy Vlautin and company have come up with another masterpiece. “Eddy and Polly” is the “Jack and Diane” for the new millennium, If Jack was an abusive husband with an alcohol problem, and Diane was a cheating wife that is, and in “Holly the Hustle” as the song unfolds From drinking wine coolers at age 13, there is only one way things will end for Holly. Not well.

05. The Cactus Blossoms – Easy Way

The Cactus Blossoms make absolutely no effort to disguise the fact that they love The Everly Brothers. If you are looking to be transported back to a time when the Beatles didn’t exist, Then, this is your jam. Lead-off track “Desperado” really shows off the brotherly harmonies, and “Downtown” could have been a hit for Roy Orbison.

04. Drugdealer – Raw Honey

With a lot of very stiff completion, Raw Honey, the latest album from Drugdealer just might be the Laurel Canyon record of the Year. Fully capturing the singer-songwriter cult of the ’70s, on songs like “Honey” featuring Natalie Mering aka Weyes Blood that could be a Harry Nilsson song, and “Fools”, is a tune that could be mistaken for a Steely Dan B-Side, the only thing missing is a Boz Skaggs Lido Shuffle.

03. J.S. Ondara – Tales of America

Coming in at number three and generally regarded as one of the best debut records of the year, J.S. Ondara, hailing from Nigeria and currently living in Minnesota, almost literally chases his Bob Dylan Muse on this set of songs that should very soon elevate the young songwriter to Leon Bridges status.

02. Jenny Lewis – On The Line

Working with a bundle of top-rated players including Benmont Tench, Beck, Don Was, Ringo Starr, and Jim Keltner. There is an 80’s AOR vibe throughout the record that gives it a nostalgic touch that will spin your head back in time. Lewis is in fine vocal form, and like its predecessor, Voyager, really benefits from the Ryan Adams production touch.

01. Tom Russell – October In The Railroad Earth

Another stellar master’s level course in Americana songwriting. “T-Bone Steak and Spanish Wine” is a standout as is “Highway 46”  a song where none other than the late and not so great Spade Cooley is name-checked. Where were you on the day Merle Haggard died?

Rock is the New Roll: The Top 100 Albums of 2019 (21-10)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Black Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

21. The Limboos – Baia

The Limboos are pretty much the very definition of a genre-defying band. A bit soul, retro in all the coolest of ways fusing together Soul, Rumba, Jazz, Blues, Funk, and a bunch of others we are probably skipping. On songs like “Till The End Of Town,” you would bet your last dollar this was a Stax single from the ’60s. When the sax kicks in on “Where Did She Go,” the first single from the album, there is a sense that you should be in some sort of Jetsons hipster go-go bar. The vocals are front and center and the production value is first-rate with no single instrument overpowering another. And yes, they have a female drummer, as if they needed anything else to add to their coolness.

20. Brittany Howard – Jaime

Alabama Shakes front-woman steps out with her powerful solo record. Combining Rock and Soul along with contemporary beats, her debut record goes low Nina Simone Slow one minute, James Brown Funk the next with a lot of Janelle Monáe flair thrown in for good measure. Named after her sister who passed away from retinal cancer when Brittany was 9, this album is a stunner.

19. Ryan Bingham – American Love Song

With a sound that could be coming from a backwoods juke joint in the middle of Texas, Ryan Bingham along with guitar player Charlie Sexton lay down 15 tracks of Americana and Blues Boogie that will melt your frets. The album has a lived-in feel that is perfect for multiple listens.

18. Hollis Brown – Ozone Park

Named after the character in a Bob Dylan Song, this Queens, N.Y. these guys are more U2 mixed with Tom Petty and a dash of Black Crowes than Dylan. An album that is a bit more Rock than Roll, this is an extremely accessible record that will be on your regular listening rotation very soon. There is not a bad song in this basket.

17. Tanya Tucker – While I’m Living

This record was a pleasant surprise on a couple of fronts. First, the fact that we were treated with any new music at all was a revelation since we have not heard much from Tanya since her 2009 covers album, My Turn. The second semi-surprise is that While I’m Living is so darn great. Teaming up on this one with Shooter Jennings providing knob-twirling production duties, and Brandi Carlile outright writing or co-writing on the songs, a partnership made in Americana heaven was formed. Recalling Tucker’s classic albums from the ’70s and ’80s, songs like “The Wheels of Laredo,” a song that would have been superb as a duet with Mary Robbins, and “Bring My Flowers Now” show-off a scarred voice that has not lost any of its vocal power.

16. The New Roses – Nothing But Wild

This one might be the Rock and Roll record of the year. And, if this were thirty years ago most of the songs on this scorcher of a record would be in the top 10 with a bullet. “The Bullet” would have made a perfect Night Ranger ballad, “Can’t Stop Rock and Roll” sounds a bit like Bon Jovi on steroids. The choruses are huge, the hooks are everywhere and with songs that extoll the virtues of a six-pack and a radio down by the river, you won’t even need throwback Thursday to bring back the good old days.

15. Rodney Crowell – Texas

Ronnie Dunn, Willie Nelson, Billy Gibbens, Lyle Lovett and more celebrate all things Texas from the border to the oil patches, the strip bars honky-tonks. From the Piney Woods to the Rio Grande this record is almost as big as the state.

14. Nick Cave And The Bad Seeds – Ghosteen

Nick Cave pretty much writes every record that he delivers using what life is like for him at the time for inspiration. On this one that he started writing six months after his prior release, Skeleton Tree, he is starting to come out on the back end after the tragic death of his teenage son. Much like most of Nick Cave’s work, this record is not overly embraceable at first listen. But, once you sell yourself to the devil and immerse yourself in the beatific wonderment of this one as his heart is ripped from its cavity and presented to you, a believer you will become.

13. Lana Del Rey – Norman Fucking Rockwell!

Blending classic American Pop with contemporary touches, Lizzy Grant, aka Lana Del Rey has created one for the ages. Mostly low key, the songs carry a bit of a 70’s FM feel in particular on “The Greatest” where the vibe is Carole King by way of Karla Bonoff. Lot’s of Ladies of the Canyon imagery on this one especially on “Bartender.” The huge Pop hooks are pretty much gone on this album in favor of more lush and expansive soundscapes. “Venice Beach” is simply a stunner.

12. Walker Lukens – Adult

With Adult, Walker Lukens has released his most fully-formed record to date. Produced by Spoon’s Jim Eno, the album has an underlying contemporary feel to it while still maintaining its singer-songwriter soul. Secret weapon and member of his band The Sidearms, Mckenzie Griffin, really shines on several tracks, most notably on “Frankie & Bella” and “Black Matter.” Vocally, Walker can go from a Harry Nilsson croon to honeyed voice Marvin Gaye at the turn of a tonsil, and he does so often here with the ease of a seasoned professional. The production value on Adult is first-rate and there is a lot of nuance and texture for your ears to enjoy as they travel from song to song. There is a lot discover with repeated listens of this record.

11. Michael Kiwanuka – Kiwanuka

This guy keeps getting better and better with each subsequent album. Here, on his latest album following up the highly excellent 2016 release, Love & Hate, Michael Kiwanuka lays down a pate of Afro-Rhythms, Soul, and Funk along win an Indie-Pop sensibility. This Danger Mouse co-produced gem should land towards the front of many year-end best-of lists. including ours.

10. Yola – Walk Through The Fire

You won’t need to wander much past the first song on this record, “Faraway Look”, for this one to grab you. With pipes that would make Dusty Springfield blush along with the production fairy dust from Dan Auerbach and his Easy Eye team, this is one could have been released in 1968.

 

Rock is the New Roll: The Top 100 Albums of 2019 (30-21)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Black Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

21. The Limboos – Baia

The Limboos are pretty much the very definition of a genre-defying band. A bit soul, retro in all the coolest of ways fusing together Soul, Rumba, Jazz, Blues, Funk, and a bunch of others we are probably skipping. On songs like “Till The End Of Town,” you would bet your last dollar this was a Stax single from the ’60s. When the sax kicks in on “Where Did She Go,” the first single from the album, there is a sense that you should be in some sort of Jetsons hipster go-go bar. The vocals are front and center and the production value is first-rate with no single instrument overpowering another. And yes, they have a female drummer, as if they needed anything else to add to their coolness.

20. Brittany Howard – Jaime

Alabama Shakes front-woman steps out with her powerful solo record. Combining Rock and Soul along with contemporary beats, her debut record goes low Nina Simone Slow one minute, James Brown Funk the next with a lot of Janelle Monáe flair thrown in for good measure. Named after her sister who passed away from retinal cancer when Brittany was 9, this album is a stunner.

19. Ryan Bingham – American Love Song

With a sound that could be coming from a backwoods juke joint in the middle of Texas, Ryan Bingham along with guitar player Charlie Sexton lay down 15 tracks of Americana and Blues Boogie that will melt your frets. The album has a lived-in feel that is perfect for multiple listens.

18. Hollis Brown – Ozone Park

Named after the character in a Bob Dylan Song, this Queens, N.Y. these guys are more U2 mixed with Tom Petty and a dash of Black Crowes than Dylan. An album that is a bit more Rock than Roll, this is an extremely accessible record that will be on your regular listening rotation very soon. There is not a bad song in this basket.

17. Tanya Tucker – While I’m Living

This record was a pleasant surprise on a couple of fronts. First, the fact that we were treated with any new music at all was a revelation since we have not heard much from Tanya since her 2009 covers album, My Turn. The second semi-surprise is that While I’m Living is so darn great. Teaming up on this one with Shooter Jennings providing knob-twirling production duties, and Brandi Carlile outright writing or co-writing on the songs, a partnership made in Americana heaven was formed. Recalling Tucker’s classic albums from the ’70s and ’80s, songs like “The Wheels of Laredo,” a song that would have been superb as a duet with Mary Robbins, and “Bring My Flowers Now” show-off a scarred voice that has not lost any of its vocal power.

16. The New Roses – Nothing But Wild

This one might be the Rock and Roll record of the year. And, if this were thirty years ago most of the songs on this scorcher of a record would be in the top 10 with a bullet. “The Bullet” would have made a perfect Night Ranger ballad, “Can’t Stop Rock and Roll” sounds a bit like Bon Jovi on steroids. The choruses are huge, the hooks are everywhere and with songs that extoll the virtues of a six-pack and a radio down by the river, you won’t even need throwback Thursday to bring back the good old days.

15. Rodney Crowell – Texas

Ronnie Dunn, Willie Nelson, Billy Gibbens, Lyle Lovett and more celebrate all things Texas from the border to the oil patches, the strip bars honky-tonks. From the Piney Woods to the Rio Grande this record is almost as big as the state.

14. Nick Cave And The Bad Seeds – Ghosteen

Nick Cave pretty much writes every record that he delivers using what life is like for him at the time for inspiration. On this one that he started writing six months after his prior release, Skeleton Tree, he is starting to come out on the back end after the tragic death of his teenage son. Much like most of Nick Cave’s work, this record is not overly embraceable at first listen. But, once you sell yourself to the devil and immerse yourself in the beatific wonderment of this one as his heart is ripped from its cavity and presented to you, a believer you will become.

13. Lana Del Rey – Norman Fucking Rockwell!

Blending classic American Pop with contemporary touches, Lizzy Grant, aka Lana Del Rey has created one for the ages. Mostly low key, the songs carry a bit of a 70’s FM feel in particular on “The Greatest” where the vibe is Carole King by way of Karla Bonoff. Lot’s of Ladies of the Canyon imagery on this one especially on “Bartender.” The huge Pop hooks are pretty much gone on this album in favor of more lush and expansive soundscapes. “Venice Beach” is simply a stunner.

12. Walker Lukens – Adult

With Adult, Walker Lukens has released his most fully-formed record to date. Produced by Spoon’s Jim Eno, the album has an underlying contemporary feel to it while still maintaining its singer-songwriter soul. Secret weapon and member of his band The Sidearms, Mckenzie Griffin, really shines on several tracks, most notably on “Frankie & Bella” and “Black Matter.” Vocally, Walker can go from a Harry Nilsson croon to honeyed voice Marvin Gaye at the turn of a tonsil, and he does so often here with the ease of a seasoned professional. The production value on Adult is first-rate and there is a lot of nuance and texture for your ears to enjoy as they travel from song to song. There is a lot discover with repeated listens of this record.

11. Michael Kiwanuka – Kiwanuka

This guy keeps getting better and better with each subsequent album. Here, on his latest album following up the highly excellent 2016 release, Love & Hate, Michael Kiwanuka lays down a pate of Afro-Rhythms, Soul, and Funk along win an Indie-Pop sensibility. This Danger Mouse co-produced gem should land towards the front of many year-end best-of lists. including ours.

10. Yola – Walk Through The Fire

You won’t need to wander much past the first song on this record, “Faraway Look”, for this one to grab you. With pipes that would make Dusty Springfield blush along with the production fairy dust from Dan Auerbach and his Easy Eye team, this is one could have been released in 1968.

 

Rock is the New Roll: The Top 100 Albums of 2019 (30-21)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Black Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

30. The Drunken Hearts – Wheels of the City

With their hardscrabble approach to Americana, The Drunken Hearts lay down an earthy blend of Bluegrass, Outlaw, and Americana that would make Jamey Johnson and Cody Jinks proud. Lead singer Andrew McConathy has a bit of Michael Stipe by way of Hootie and the Blowfish frontman Darius Rucker in his voice, particularly on the title track. The band mixes rowdy anthems with broad soundscapes on a record that will capture your ears with subsequent listens.

29. Milk Carton Kids – The Only Ones

Be ready to lay down some chill vibes with the new Milk Carton Kids Record, The Only Ones. If you could create a Frankenstein duo with one member of Simon and Garfunkel and one of the brothers Everly, the resulting spawn would give you The Milk Carton Kids. At a tidy 7 songs, this one is a perfect listen for that spare half-hour in an otherwise hectic day.

28. Durand Jones & The Indications – American Love Call

A vintage 70’s R&B sound with a modern-day political bent. With dual vocals, Durand Jones and drummer Aaron Frazer, Jackie Wilson along with Curtis Mayfield and The Impressions will be an immediate comparison. This a terrific record and would have been made by Marvin Gaye if he was still alive.

27. White Reaper – You Deserve Love

heading towards the head of the pack on our list of 2019’s favorite records, White Reaper with their latest release hits that sweet spot between Cheap Trick and Thin Lizzy. From the opening track, “Headwind” that sounds a bit like The Killers in Glam mode, to the twin guitar attack on “Might Be Right” this is an old school Rock and Roll record for the new generation.

26. Orville Peck – Pony

Once you get by the Mystery Man face-veil gimmick there is some real substance here. With a vibe that harkens back to the Glen Campbell glory days, Peck sounds like a voodoo mix of Chris Isaak and Roy Orbison with a Tarantino soundtrack playing in the background.

25. The Mavericks – Play The Hits

News Flash! Raul Malo Can Sing. And here, he does it in exquisite fashion. In places where keeps the arrangements close to the bone like he does on “Blue Eyes Crying in the Rain” he shines, and things get even cooler when The Mavericks get jiggy with the essence of the songs they are covering as displayed on the John Anderson classic “Swingin'” where mid-song they morph into “Feelin’ Alright.” You likely have never heard anyone cover “Are You Sure Hank Done It This Way” any better than what is presented here.

24. North Mississippi All-Stars – Up and Rolling

Their debut record for New West, working for a semi-major label hasn’t slowed these Cats one bit, and while the production does seem a bit more glossy and less ramshackle than their previous affairs, the result is no less appealing and their boogie till the break of dawn spirit flag is still waving proudly.

Calling on a gaggle of talented friends to lend a hand in the making of this record in their family studio in the hill country of Mississippi, there is never a dull moment, and every track has a live feel to it especially on their reading of Little Walter Johnson’s “Mean Old World” featuring Duane Betts and Jason Isbell on guitar with Isbell also handling lead vocal duties.

23. Babe Rainbow – Today

Another album with strong Laurel Canyon vibes. “Morning Song” would have been a hit duet for Herbie Mann and Donovan in 1965.

22. Peter Bruntnell – The King of Madrid

Flying just underneath the Americana radar Peter Bruntell really should be better known. His latest The King of Madrid is more of a 60’s psychedelic pop record with a bit of a Byrds essence wafting in the air. The song “Dinosaur” is even a not so distant cousin of “Last Train to Clarksville.” Don’t hold it against him that on “Lucas” he sounds like Steve Miller. Cult status be damned. This guy is seriously good.

21. The Limboos – Baia

The Limboos are pretty much the very definition of a genre-defying band. A bit soul, retro in all the coolest of ways fusing together Soul, Rumba, Jazz, Blues, Funk, and a bunch of others we are probably skipping. On songs like “Till The End Of Town,” you would bet your last dollar this was a Stax single from the ’60s. When the sax kicks in on “Where Did She Go,” the first single from the album, there is a sense that you should be in some sort of Jetsons hipster go-go bar. The vocals are front and center and the production value is first-rate with no single instrument overpowering another. And yes, they have a female drummer, as if they needed anything else to add to their coolness.

 

Rock is the New Roll: The Top 100 Albums of 2019 (40-31)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Balck Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

40. Bedouine – Bird Songs of a Killjoy

’60s Folk meets 70’s Country-Funk on this one, Azniv Korkejian performing under the name Bedouine delivers a sparse yet eclectic vibe with a slight touch of bossa nova cool that makes things all the more interesting.

39. Jack Ingram – Ridin’ High Again

The album title along with every song on the record pays tribute to Jerry Jeff Walker and Texas hill country. “Straight Outta Jail” is a Lyle Lovett inspired gem and the sublime version of “Desperadoes Waiting For A Train” is the stuff Texas Legends are made from. Welcome back, Jack Ingram.

38. Big Search – Slow Fascination

If you are a fan of the Laurel Canyon Beach Boys West Coast vibe then the new record, Slow Fascination, by Big Search, definitely is your jam. Big Search is the solo moniker for Matthew Popieluch, who, when he is not sitting in as a sideman for bands like Papercuts and Fools Gold is creating lush Indie Pop orchestrations. Pianos and acoustic guitars blend delightfully with soaring harmonies and intricate arrangements.

37. Chuck Mead – Close To Home

With more than a passing homage to Chuck Berry, Honky Tonks, and good old Rock and Roll, this record could have come right from Sun Studios circa 1957.

36. Steve Earle – Guy

I would guess when Steve Earle stood on Bob Dylan’s coffee table and proclaimed Townes Van Zant the best songwriter ever that Guy Clark must have been a close second. This collection of songs is nothing short of terrific. With his band playing just the right notes at just the right times, the song “Old Friends” with cameos from Terry Allen, Jerry Jeff Walker, Emmylou Harris, Rodney Crowell, and Jo Harvey Allen is worth the price of admission alone.

35. Marvin Gaye – You’re the Man

for some strange reason, this album never saw the light of day when it was originally recorded in 1972. Billed as the “Lost” album, this one was recorded between Marvin Gaye’s masterwork, “What’s Going On” and 1973’s “Let’s Get It On. Reviews of the day called it ” A mostly disjointed affair”,  which explains why it never reached proper release standards, But, when you stack it against what we are exposed to on the present-day music scene, it is a top of the pops effort.

34. Ex Hex – It’s Real

Ex Hex is Mary Timony, Betsy Wright and Laura Harris, all veterans of the Indie Rock scene over the last decade or so. Sort of a more punk version of the Pretenders, the crunching guitars and the glittering sheen that is filtered throughout the record will have you spinning back to those days when Rock and Roll was nothing but fun.

33. Kenny Wayne Sheppard – The Traveller

Kenny Wayne Sheppard with each release seems to be more and more comfortable with his place in the pantheon of guitar slingers. His latest, a Classic Rock concoction of Blues, Boogie, and Rock is a powerhouse. Singer Noah Hunt is in fine grizzled form still sounding like Warren Zevon’s less drug-addled brother, and Stevie Ray’s old stick man Chris Layton pushes the band down the rails like a runaway train. Including eight originals and two covers, the best of the lot being a scorched earth version of Neil’s Mr. Soul, this one might be the band’s best record to date.

32. The Reconstructed – Great North Wind

Whoever said that the only good music comes out of Austin, the left or the right coast, or New York, have obviously never heard of The Reconstructed, the best thing to come out of Southern Maine since the lobster. Their latest record, Great North Wind, is a melodic stunner of an album with delicious hooks, sweet vocals, and enough of a Power Pop sensibility to make Alex Chilton jealous. The opener, “Cross Talk” is what the stork would have delivered if the parents were the Bands Crazy Horse and The Bodeans, and the title track shares some DNA with Jason Isbell and the 400 unit. “Wrapped” sounds like it could have been a R.E.M. B-side, “50 Minute Records” features next-level songwriting, and “Talking With Your Ghost” rhythmically carries a bit of a John Mellencamp torch.

In short, while bits, pieces, and resemblances of other great bands might be salted here and on this record, don’t be mistaken, this album is a wholly unique unicorn that should be reaching more ears.

31. Matt Andersen – Halfway Home By Morning

This melting pot of a record has it all. Gritty Muscle Shoals Soul, Heartfelt Americana, Gritty Blues, and good old Country. Recorded live in Nashville in the same studio that Jerry Lee Lewis and Emmylou Harris made magic, this one is leaps and bounds better than his also excellent 2016 release Honest Man, and that, in itself, is no small feat.

 

Rock is the New Roll: The Top 100 Albums of 2019 (50-41)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Balck Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

50. Renée Wahl – Cut To The Bone

With a spaghetti western Quentin Tarantino vibe courtesy of her Cracker Jack band The Sworn Secrets, this one sounds like a cross between Melissa Etheridge and Nicki Bluhm.

49. Dale Watson – Call Me Lucky

Truly an original, step back 50 years into Dale Watson’s Honky Tonk World.

48. Beaux Gris Gris & The Apocalypse – Love & Murder

Lead singer Greta Valenti is the straw that stirs this drink, but it doesn’t stop there. This is a lot of Country Blues swagger to love about this album.

47. Molly Tuttle – When You’re Ready

This one is for this of us who think they don’t like bluegrass. With stellar playing and vocals that would make Mary Chapin Carpenter blush, Molly Tuttle should be on your own personal best new artist list.

46. Kingfish – Kingfish

20-year old Christone “Kingfish” Ingram is nothing short of the next great blues prodigy. Growing up in the Mississippi delta just a few miles from the actual “crossroads” just listen to the tone coming from this guy.

45. The Teskey Brothers – Run Home Slow

The Teskey Brothers, and yes, they are real brothers, channel Motown, Blues, Funk, and Blue-Eyed Australian Soul.  With a shuffling rhythm that hooks you on every note, their sound bears similarities to Michael Kiwanuka. Listener beware though, the hipsters are starting to catch on to this band.

44. GospelbeacH – Let It Burn

Much like he did with his former band Beachwood Sparks, with GospelbeacH, lead singer Brent Rademcker, channels Tom Petty and the Laurel Canyon sound with a Country Rock vibe that is timeless. Adding even more to the Pop credentials laid down on the highly excellent 2017 release Another Summer of Love, “Dark Angel” could have been a long lost Heartbreakers song, and even when the band goes low and slow like they do on “Get It Back” there is a cool nostalgia that can be traced back to The Long Run era Eagles. The late Neil Casal, who was a member of Beachwood Sparks, contributes searing solos throughout the record and is a bittersweet presence on an uplifting record.

43. Jade Jackson – Wilderness

No real new ground is broken here, just a solid set of highly listenable Pop tinged Americana tunes. And, that is very special.

42. The Pearlfishers – Love & Other Hopeless Things

This fine Scottish Pop group delivers an often time glorious Brian Wilson inspired set of songs.

41. Lukas Nelson and the Promise of the Real – Turn Off The News (Build a Garden)

As the son of Willie Nelson and the bandleader for Bradley Cooper in A Star is Born, Lukas Nelson is as hot as a firecracker right now. Lukas and his boys have even found the time to release a new record in between concerts as the backing band for Neil Young. With a Traveling Wilburys vibe in places and a widescreen pop dusting in others along with a scent of herbal hippie sensation wafting across the entire proceedings, the experience of listening to this album will be mind-altering.

Rock is the New Roll: The Top 100 Albums of 2019 (60-51)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Balck Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

60. Jamestown Revival – San Isabel

Every 18 months or so Jamestown Revival will release an album and remind me that I really love this band. Their latest, San Isabel, takes them back to their roots and their Simon and Garfunkel by way of CSN vibe. Their loving tribute to California Dreamin’ is worth the price of admission alone.

59. Tyler Childers – Country Squire

A more than solid follow up to his 2017 release, purgatory. The songwriting appears to have a bit more of an edge and even without Sturgill on the knobs the production value is pristine.

58. The Wild Reeds – Cheers

Expanded to a five-piece with a more fleshed out expansive sound that will bring to mind sort of a groovy-tone hybrid of The Go Gos and Fleetwood Mac. All of the songs are pretty much festival stage ready with a bounce that might remind you of Oh Pep!, Lucious, or even First Aid Kit.

57. Los Coast – Samsura

This Austin based combo is a bit genre-defying, and in ‘this case that is a very good thing. Part Soul, part Surf-Rock, a lot Psychedelic, and all Cool. If Jellyfish merged with The Dap-Kings the resulting hybrid might sound like these guys.

56. Jesse Dayton – Mixtape Vol. 1

This covers record is a lot more than a slap-dash between albums mail-it-in effort. This is a seriously eclectic and cool set of songs arranged to perfection with a lot of thought going into the song selection. If Elton’s deep track “Country Comfort” or ACDC’s “Whole Lot of Rosie” isn’t good enough for you the Cars Power Pop gem “Just What I Needed” will have your head spinning until Jesse’s love of Punk comes crashing through on the Clash tune “Bankrobber.” Great stuff indeed.

55. Joseph Arthur – Come Back World

Joseph Arthur is nothing if not prolific. Despite this being his first solo project in three years, Arthur has definitely been part of the scene organically implanting himself into many musically diverse projects including Arthur Buck with Peter Buck, Fistfull of Mercy with Dhani Harrison, Ben Harper, and Jeff Ament. Here, his pals Jesse Malin, Ben Harper, and Patrick Carney join in on the fun with a spirit calming set of his most personal and powerful songs to date.

54. Delbert McClinton – Tall, Dark, And Handsome

Delbert pretty much paints from the entire Blues palette on this one. From Jump Blues to Dirty Blues, Country Blues, and Delta Blues with a little bit of Smokey Jazz mixed in, this one has a little bit of everything. Tall Dark and Handsome Doesn’t break any new ground but should serve to remind us that much like John Hiatt, Delbert McClinton is a National treasure.

53. Robert Ellis – Texas Piano Man

Somehow, right before our very ears, Robert Ellis has turned into Ben Folds. Texas Piano Man is a throwback to the 70’s singer-songwriter in all the best of ways. “Father” is a stunner of a song where a son tries to get to know more about what his father is all about and why he left, the line “I wanted a father but I’ll settle for a friend” pretty much sets the stage on this one. A new direction for sure, but still brilliant.

52. The Lilac Time – Return To Us

A lovely sort of pastoral listen, there is meandering pedal steel that sets much of the tone on this nine-song set. Slightly political in some places, the title track, written three days after the current inauguration, plays off an Obama speech, and elsewhere there is melancholy whimsey in the Country inflected “Simple Things” remembering a time with less technology.

51. Shana Cleveland – Night of the Worm Wood

Known mostly for her work with the Surf-Noir Band La Luz, Shana Cleveland doesn’t stray too far from the vintage guitar, psychedelic haze ambiance on Night of the Worm Moon, her second proper full-length record as a solo artist. The cool, laconic, mostly psychedelic undercurrent that wafts through the entire proceedings like an early era Leonard Cohen poetry reading will instantly take you back to a time when television came in both colors. Black, and white.

“The Fireball” is a shoegaze-y mellow-tron of a tune and “Solar Creep” is a night time chill-out experience. Don’t expect the jams to be kicked out anywhere on this record, just a fine, understated, spectral beauty of a listening journey.

Rock is the New Roll: The Top 100 Albums of 2019 (70-61)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Balck Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

70. Angel Olson – All Mirrors

A bit of a Swiss Army Knife sort of artist, here, Angel Olson mostly shreds her country-inflected Indie-Folk for a more lavish and expansive sound. Bolstered by a 17 piece orchestra, this record should be a master class in how to do Symphonic Pop the right way. From the title track to the moody and expansive “Impasse” your ears will take you on a journey that would make The Moody Blues proud.

69. Twin Peaks – Lookout Low

Famous for their live shows in their home town of Chicago, on Lookout Low the band channels 70’s FM Rock. Produced by Ethan Johns, the setting is Big Star in places and Basement era The Band in others. “Dance Through It” has a Jackson Browne by way of Simple Minds flavor to it and is worth the price of admission alone.

68. Dianne Coffee – Internet Arms

If Prince and David Bowie had a love child he probably would sound like Foxygen drummer Shaun Fleming and his swaggering oddball alter ego Dianne Coffee. Mining the same Glam Psychedelic territory that he favors with his main gig, Internet Arms features mostly mid-tempo synth numbers with “Stuck In Your Saturday Night” a real banger, and “Like A Child Does” dances to the beat of a thoughtful dance tune. This record is the one to put on when you are ready to go out on a Saturday Night.

67. The Plott Hounds – Damn The Wind

This time we mean it! The Plott hounds are definitely one of our new favorite bands. With the first introduction to these guys coming from a live version of “Get High (Down Town Anoka),” the first blast to the ears is courtesy of that voice, the one that belongs to Noah Alexander, the lead singer and guitar player for the group. It’s not only the whiskey-soaked, deep from the bowels of pre-“McArthur Park” Waylon Jennings Outlaw Country hades that overcomes you like the last call at closing time, but it is mostly the passion that the entire band that is what makes The Plott Hounds special.

66. Austin Meade – Waves

This denizen of the Texas hill country lays down a template of 70’s outlaw inspired country-influenced songwriting with more than a touch of Rock as well as Roll.

65. The Yawpers – Human Question

If you could only listen to artists from one single record label then Bloodshot Records should be your jam, and The Yawpers are right up there as show horses in their stable. A little more on the Rock and Roll Side than their last album, “Earn Your Heaven” will Rock your ears off and on “Dancing on My Knees” the rhythm section shows the musicianship and energy worthy of Stevie Ray’s Double Trouble.

64. The Regrettes – How Do You Love

Their Pop driven Punk songs are a must-hear. If the Go Go’s were actually cool they might have sounded like The Regrettes. Their sophomore record is full of Ramones worthy ear blasts.

63. Lizzo – Cuz I Love You

Believe the Hype. Behind the Lizzo-Mania is a serious talent. On her break out record she blends Pop, Soul, R&B with a touch of Hip Hop for good measure. Listen to her get funky on “Cry Baby,” a little frisky on “Better in Color,” and downright bombastic on the stellar “Juice.” Lizzo is one of the best talents to come down the road in a long time.

62. Kyle Craft – Showboat Honey

This dude is a bit genre-defying, this dude is. A bit Kinks, slightly Brit Pop, some Power Pop and Badfinger, but it’s all pretty cool. This one is a nifty follow up to the equally excellent Full Circle Nightmare from all the way back in 2018.

61. Beth Hart – War in My Mind

Beth Hart has never been one to bury her darkest secrets, and on her latest record, she continues to peel away the layers of her soul. This is one of those rare artists that you feel you really know and appreciate simply by listening to her songbook.

Rock is the New Roll: The Top 100 Albums of 2019 (80-71)

Here it is, the long-awaited list of the best albums of 2019. It has been a really great year for music. We heard from a couple of deceased legends in Harry Nilsson and Leonard Cohen, were treated with new records from Texas Honky Tonk legends Jack Ingram, Corb Lund, and Dale Watson, and bright lights shone for the first time with a bevy of new artists to discover including the one name wonders Lizzo and Yola.

Rock is not dead with White Reaper, Drugdealer and Balck Country Communion all inviting us to a party like it’s 1979. And of course, the singer-songwriter is back. The Boss, Bruce Springsteen, is back and better than ever and Rock is the New Roll favorite Tom Russell gave us a history lesson in 11 songs with October in the Railroad Earth.

This year we will be releasing our top 100 list 10 tasty gems at a time, so sit back, grab your favorite beverage, and enjoy the ear-pleasing top 100 records of the year.

80. The Black Keys – Let’s Rock

After spending time apart from each other going back to 2014 Dan Auerbach and Patrick Carney are reunited and it feels so good. Blues, Garage, and Old Soul are still at the core of their sound, but this time around there is a Joie-de-vie amplification that seems to have the band re-energized.

79. The Magpie Salute – High Water II

High Water II, the appropriately titled sequel to High Water I, comes so close to sounding like vintage Black Crowes it might as well be a reunion record. And no, that is not necessarily a bad thing. Heavy on rockers and blues-boogie with an occasional acoustic interlude thrown in for good measure with Rich Robinson providing the guitar riffage. In the battle of the brothers Robinson for world domination, Chris definitely has some catching up to do.

78. Flying Colors – Love Letter

A Progressive Rock supergroup channeling their inner Beatles and ELO, Mike Portnoy, Steve Morse, and Neal Morse join singer Carey McPherson in a harmony drizzled dose of Sunshine Pop. The song “Love Letter” is definitely worth the price of admission alone.

77. Quaker City Nighthawks – Quaker City Nighthawks

Formed in Forth Worth in 2012, the Quaker City Night Hawks are constantly and consistently refining their sound. On their latest self-titled record, they mix funky rockers with piano-led ballads. On “Suit In The Back” they look back to when they were pulled over and arrested for the possession of marijuana concentrate.

76. Allison Moorer – Blood

You will be hard-pressed to listen to a more poignant record this year as Mrs. Hayes Carll presents a biographical record in conjunction with a book release later in the year. Having been raised by her sister Shelby Lynne after her father killed her mother and turned the gun on himself, the album, as well as the book, will take you on an emotional journey that will make you feel alive.

75. Goodbye June – Community Inn

Nashville’s favorite sons Goodbye June finally deliver what should be their breakout album. Full of anthemic Southern Blues Rock with more hooks than a season of Dangerous Catch, this just might be the Rock and Roll record of the year.

74. Miranda Lambert – Wildcard

With her latest album, Wildcard, Miranda Lambert seems to be walking on the wild side after a much-publicized public divorce. Ditching her old producer in favor of Jay Joyce who twirled the knobs for Brothers Osbourne, Brandy Clark, and Ashley McBryde, there seems to be a bounce in her step that wasn’t there before. There is a bit of Swamp Funk on “Holy Water,” and 80’s Rock on “Mess With My Head.” This is a diverse and textured record that will reward multiple listens.

73. Lucille Furs – Another Land

With a Magical Mystery Tour as your tour guide, Lucille Furs and Another Land will time warp you back to superspy Austin Powers groovy bachelor pad at the blink of a mellotron.

72. Jade Bird – Jade Bird

One of the British shining stars on the Americana Folk scene, on her debut record there are soaring pop epics the likes of “Side Effects,” introspective slow burners with “My Beauty” where she sounds like Melissa Etheridge in her prime, and on the low and slow “Does Anybody Know” her songwriting talents really shine. This one will be on heavy rotation for quite a long time.

71. Black Star Riders – Another State of Grace

With a more than solid follow up to 2017’s album Heavy Fire, this band born from the ashes of Thin Lizzy continues to place themselves on the mount Rushmore of bands that are saving Rock and Roll. The song “Don’t Let Me Down” is a distant cousin to Lizzy’s “Dancing In The Moonlight and is worth the price of admission alone.” The title track is Thin Lizzy meets Dropkick Murphy’s.