Five Cool Ones – Page 12 – Rock Is The New Roll

Five Cool Ones: Five New Records Released This Week (February 12, 2021)

The weather is getting colder and the music is getting hotter. Sure, the present-day recording methods are certainly not old-school, you don’t even have to be in the same room as your bandmates these days, but the Rock and Roll results are no less cool.

L.A. Witch is priming the pumps with “Motorcycle Boy” the new single in advance of proper record to be released later in the year.

The Treatment rocks as well as roll the earth with “Rat Race.”

And, Kings of Leon are back, and ready to roll with the release of “Echoing” they are announcing their return to form in fine fashion.

Here are five captivating new albums that are tickling our ear lobes this week.

The Pretty Reckless – Death By Rock And Roll

It is hard to believe that Taylor Momsen is now 27 years old. Four albums in with Death By Rock and Roll the Pretty Reckless singer has released her magnum opus with a stunner of a record that bears her rock and roll soul and pays tribute to a couple of people close to her that had recently passed away, Chris Cornell in 2017, and her best friend who died in a motorcycle accident.

The opener and title track “Death By Rock and Roll” has Momsen in great vocal form and maybe ultimately a contender for Rock song of the year, “Got So High” slows the vibe down to a delicate beauty, and the Halloween friendly one-two punch of “Broomsticks” and “Witches Burn” brings us back to the days of the Salem witch burnings and might be the strongest vocal in the set. This is a user-friendly album that will resonate long into the year.

Django Django – Glowing In The Dark

The jangle guitars, shimmering synths, and hints of Surf Rock all serve to give notice that even after four records of experimentation with New Wave, Psych, and Krautrock the U.K. Quartet is not ready to sit on their collective laurels as displayed with their new release, Glowing In The Dark.

There is a surprise around every corner with this record. Once you settle in with the shimmering propulsion of the opener “Spirals” the bouncy Pop-fastic bass-driven “Free From Gravity” hits you between the ears, and the title track “Glowing in the Dark” will have you hitting the dance floor.

Beth Lee – Waiting On You Tonight

After stepping away from her band and the recordings she made as Beth Lee & The Breakups, Austin-based artist Beth Lee shows that she is no one-trick Americana pony. Influenced by Nicole Atkins and Stax Soul with a healthy dose of Hope Sandoval, front-woman for Mazzy Star, her latest record produced by Chuck Prophet drummer Vincente Rodriguez jumps into ’60’s girl group on “Birthday Girl” Joan Jett rocker with “Pens and Needles” and Go-Go Girl chanteuse on the infectious “It Was Enough.” Call this an Americana record if you will. But do so at your own peril. This one is a refreshing new find that will be renting some space between your ears for quite some time.

The Barlow – Horseshoe Lounge

Not to be confused with the now-defunct Austin dive bar The Horseshoe Lounge, the joint made famous by Slaid Cleaves in his song of the same name, here, The Barlow delivers their own unique Colorado Country story-book small town anthems with a heartfelt honesty earned courtesy of thousands of road-weary miles on the road. Combining Americana, Country, and Rock with some sweet pedal steel along to way to keep things old-school, Horseshoe Lounge will remind your ears of many of the artists you hold dear including Mike & The Moonpies, The Steel Woods, and Sunny Sweeny.

The Moons – Pocket Melodies

The Paul Weller personally endorsed band, The Moons, singer Andy Croft was part of Weller’s backing band, don’t stray too far from the Modfather vibe on this, their first album after a six-year hiatus.

The touchtones are as varied as you would expect given the pedigree with influences the likes of ’60’s Garage Rock, British Invasion, Brit-Pop, along with the Weller go-to genre, Power Pop.

Every song on this one is next-level cool. “Sleep” has a Sgt. Pepper era Beatles meets The Kinks aura about it and could have been produced by George Martin himself, “Maybe I’m The Perfect Man (For You)” could have been on an early Style Council record, and the orchestral George Harrison-Esque ballad “Here I Am” might be the best song of the bunch. “Far Away” even has a bit of Doug Sahm in its DNA.

Of course, the Weller co-write here, “Tunnel of Time,” is as you would expect, brilliant. Released on their own Colorama label, this one is the leader in the clubhouse for album of the year.

Five Cool Ones: Five New Records Released This Week (February 5, 2021)

The year is bobbing and weaving along quite nicely and is shaping up to be a pretty fine one on the music front. While the number of new releases might not be up to the cornucopia of riches we have seen a couple of years back, the diversity and the quality week after week is definitely first-rate and prime cut material.

Rock is the new roll Retro Rockers Cats In Space are out with a live video from their latest release, Atlantis.

Chuck Mead delivers a spirited version of “Daddy Worked The Pole.”

And, we are starting to see the delightful David Gray bubbling to the surface with some new music with “Heart and Soul.”

Here are five records that are particularly enticing our ear-buds and dazzling our senses this week.

DeWolff – Wolffpack

It’s official folks. With the release of Wolffpack, the terrific new record from Dutch Psych-Rocker trio DeWolff, the band has moved with a bullet to the number one spot on our list of great bands that are saving Rock and Roll stepping ahead of The Struts. At least for the moment. This new record doesn’t just stand on its laurels and imitate the great rockers of the past so much as they build on a template of infectious melodies, delicious organ riffs, and swirling guitars. The opener “Yes You Do” is an organ drenched propulsive stunner worthy of Deep Purple, “Do Me” is as close to a ballad as you are going to find here, and “Lady J” travels a bit into Blues territory.

With full fan participation, the band released three songs every two weeks for ten weeks through their Wolffpack subscription service allowing subscribers to get an early listen as well as to participate in selecting the tracking order of the album. If you are looking for funky swamp grooves, dizzying organ drenched jams, and top-down drive worthy anthems then this new DeWolff record is most definitely your jam and the leader in the clubhouse for the best Rock album of 2021.

Bones Owens – When I Think About Love

The self-titled debut album from Bones Owens is not set to be released for another three weeks yet, however, this early e.p. release with six highly addictive tunes should be more than enough to wet our collective whistles and give us a glimpse of what we can look forward to from this exciting young artist.

Drawing on Hill Country Blues, Swampy Roots Rock as well as Americana influences in the Creedence Clearwater mold this Nashville transplant is ready to let his own light shine after performing with the likes of Yelawolf, Mikkey Ekko, and Whiskey Myers. His current single “White Lines” and the almost Brit Rock feel of “Keep It Close” are just two examples of this tip of the iceberg moment from an artist that should be around a very long time.

Sharon Jones and the Dap Kings – Just Dropped In (To See What Condition My Condition Was In

It is hard to believe that It has been four years since the Diva of Soul Sharon Jones passed away. Thankfully, to keep her memory alive, Daptone records has mined the vaults and repackaged several of their flagship artists’ best cover songs delivering a set of 13 tasty morsels mostly performed for tribute albums or film soundtracks. Some, like the faithfully rendered Stevie Wonder classic “Signed, Sealed, Delivered, I’m Yours” play it pretty close to the vest not varying the blueprint, while other songs, most notably “This Land Is Your Land,” that has a bit more passion and defiance in the delivery, play the song forward.

Her impressive band The Dap-Kings shine as per normal setting into the groove on “Rescue Me” and funking it up on the Prince deeper cut from Purple Rain “Take Me With You.” The entire record is first-rate, however, it is on the more obscure, rarely covered tunes that Jones really hits the mark. Bob Marley’s “It Hurts To Be Alone” is delivered with knee dropping passion and the out of left field version of the Musique disco anthem “In The Bush” is staggeringly great.

Here’s hoping the Dap Tone mine has more gems like this one to be unearthed as a reminder of a great talent that has left us way too soon.

The Staves – Good Woman

The sister trio’s first self-penned record in six years, the group has drawn from heavy real-life experiences including the death of their mother, a couple of dissolved relationships, and the birth of eldest Emily’s child to use as inspiration for what it means to be a good woman.

The vibe goes from the mellow gold opening title track to the Carole King inspired “Waiting on Me To Change” in the blink of an ear. The textures and the drifting between individual, then two-part, and plenty of three-part harmonies are what makes this record really shine. There are enough subtle differences in the sibling’s voices to ensure that a listening sameness never kicks in, and when they all come together in a glorious whole all is right with the world.

Aaron Lee Tasjan – Tasjan! Tasjan! Tasjan!

Blending Americana and Blues along with good-old ’70s era singer-songwriter flair, Aaron Lee Tasjan never fails to deliver intoxicating, exquisitely produced music of the highest order. With clear production nods to The Travelling Wilburys on “Up All Night,” cool era Jeff Lynne E.L.O. on “Computer of Love” and Roy Orbison by way of Brian Wilson on “Dada Bois,” the retro textures of the record never seems to overwhelm the proceedings and only serve to complement the modern production and knob-twirling that is ear-pleasing at every turn.

Five Cool Ones: Five New Records Released This Week (January 29, 2021)

There is swirling energy surrounding the music we are being exposed to this week. With sparse pandemic inspired lo-fi efforts co-mingling with euphoric “let the sunshine in” party anthems, the musicians that we love are delivering their music to our ears in the most creative of ways.

New Zealand’s own and appropriately named Kiwi Jr. is out with a new video in support of their highly approachable new record Cooler Returns.

Rock is the new Roll favorite Imelda May is out with a seductive single with “Just One Kiss” featuring Noel Gallagher and Ronnie Wood.

And, completely out of left field, we don’t remember asking for it, and not really sure if we like it, a new version of the iconic “American Pie” has been dropped on our ear-step. This time out the vocal Country group Home Free teams up with Don McClean to take us to the levy. This cover does stand ears and shoulders above what we got from Madonna, but the jury is still out on this one. At least for us, anyway.

Here are five new records to wrap your ears around this week.

Weezer – OK Human

There is a certain supremely pleasing Joie-de-vie that Weezer brings to everything that they do, and despite the volume of material they release there is almost never a dud in the yearly package of fireworks they deliver. Largely held as a secret until just last week, OK Human is a soaring record that is a welcome and sharp contrast to the sparse lo-fi Bedroom Pop that has been, mostly by necessity, the norm for most post-pandemic releases.

Written mostly on the keyboard instead of the guitar, the large orchestra seems to take the place of the standard four-piece delivery of the songs quite effectively mostly due to the subtle production and the delicate placement of the strings on these tunes that never seem to stray from the core Weezer vibe we all know and love.

Baio – Dead Hand Control

Three records in, Vampire Weekend’s Chris Baio certainly seems to have hit his stride with his latest Synth-Pop effort, Dead Hand Control. With the tracks seemingly flowing seamlessly into one another, the groove takes on the atmosphere of a dance floor that could be could set in the ’80s in places and the present-day in others.

Mixed in with the epic 7 minutes or greater shoe-gaze worthy tracks the likes of “Caisse Noire,” and the closer “O.M.W.” that features fellow vampire Ezra Koenig, are shorter more concise contemplations referencing the end of times, a theme that seems to be prevalent throughout the record. This one will wash over you and fully envelop all of your senses.

Steven Wilson – The Future Bites

Much to the dismay of his hard-core Progressive Rock fan-base, and to the immense pleasure of the rest of us, with his new record, The Future Bites, Steven Wilson, the reigning king of Progressive Rock, is exploring his inner Pop and Electronica sides. “12 Things I forgot” is an epic pop song, and things can’t be any less prog than an appearance from Elton John on the highly addictive “Personal Shopper,” a song that might have fit in quite nicely on an early Moody Blues record. If it takes synthesizing a long ambient drone down to bite-size nugget size morsels in order for us to savor the elegance and truly experience the genius of Steven Wilson, then color us in.

Goat Girl – On All Fours

Signed to their label, Rough Trade, when they were teenagers, the members of Goat Girl are now firmly developed and cynical along with the rest of us. Most of the lyrical content embodied in each of the songs on their new record touches on angst, social injustice, or both. Returning after a three-year absence while they honed their craft following their debut record, this time out they tackle gentrification, homelessness, anxiety, and depression on a bed of Synth-Pop energy into a batch of songs that demand a listen.

Little Steven and the Disciples of Soul – Macca To Mecca!

Sure the original cavern club is no longer there having been torn down, paved over, and made into a parking lot, but here we get the next best thing with Little Steven and his band delivering a scorching set of vintage Rock and Roll songs live from the new Cavern Cavern, a club that has been faithfully restored into a pretty much exact replica of the original iconic venue that made The Beatles famous.

Cheating just a bit here, the opener “I Saw Here Standing There” was actually recorded at The Roundhouse in London, not the revamped Cavern Club, but all can be forgiven since Sir Paul himself makes an appearance on the song. The remainder of the record bristles with energy as Little Steven and his band use every inch of the cramped stage to deliver a lovingly vibrant set of songs that include “Some Other Guy,” “Soldier of Love,” “All You Need is Love” and “Slow Down,” all songs the Beatles would have likely played at the club back in the day.

Five Cool Ones: Five New Albums Released This Week (January 22, 2021)

Things are rocking as well as rolling right along entering the new year. We have a lot of really hip releases as several artists are stepping their toes into the waters fully understanding that we will likely have problems remembering these tasty morsels when it comes to putting together our best of the year lists.

David Gray is representing full-on with a sublime tune from his quarantine bunker.

Our boy, Allen Stone is bringing the voodoo down for Jam in the Van.

And, Austin’s own, Black Pumas represented with pride performing at the Biden inaufuration.

On top of all that, here are five really good records released this week.

James Yorkston – The Wide, Wide River

Here. the Scottish singer-songwriter joins forces with The Second Hand Orchestra on a set of songs that run the gamut from Baroque-Pop to Pastoral Folk on to the Indie-Folk brilliance of “There Is No Upside.”

Rhye – Home

If you are hip to the Rhye scene you understand. While this record does not deviate too much from the norm it is nonetheless a record that demands some of your ear-time. Sensual sonically pleasant musings that are perfect for a Sunday afternoon or a night of rekindling that fire that burns within you.

The Dead Daisies – Holy Ground

Here in the halls of Rock is the New Roll we have been waiting for this one for a really long time. Glen Hughes, the voice of Rock and Roll, fronting the Dead Daisies. If you like good old fashioned Rock and Roll brought to you by a frontman that has scorched the earth with Deep Purple, then this is your jam.

Cub Scout Bowling Pins – Heaven Beats Iowa

Shhhhhhh, don’t tell anybody but Cub Scout Bowling Pins is actually a side-piece band of Guided By Voices. Certainly in the Indie Rock Mold, and certainly in the wild and wonky Robert Pollard Vein, this is about as good as it gets. The title track should be in consideration for top ten of the year honors.

John Diva & The Rockets of Love

This band could very well have been stapled up to a telephone pole in the Sunset Strip back in the glory days without blinking a mascara wearing eye. These guys make no bones about their influences that fall squarely in the Motley Crue, Poison, RATT mold. They are even more old school than Guns ‘N’ Roses for that matter. But love ’em, or loathe em’ and we stand firmly in the love them camp, if you like your rock on the roll side, John Diva and his band of hooligans are your jam.

Five Cool Ones: Five Cool New Songs Our Ears Are Enjoying This Week (January 15, 2021)

One of the more enjoyable things to do this time of year is to catch up on the singles that dip towards our years in anticipation of the proper release likely to hit the shelves in the upcoming 3-6 months. This time out we have ear-picked 5 choice cuts to rock your world.

Julien Baker – Hardline

The new record, Little Oblivions, comes out on February 26th, but here, with her single “Hardline,” you get a chance to check out Julien’s more expansive less introspective sound. And, so far we like what we are hearing.

Field Music – Orion From the Street

Shimmering and lush, this expansive track that brings to mind early Electric Light Orchestra is a great placeholder for their new record to be released later in the year.

Baio – Dead Hand Control

The title track from the upcoming January 29th release of his solo record from the Vampire Weekends member Chris Baio.

Still Corners – White Sands

The new record, Last Exit, comes out on January 22nd with their terrific single carrying a bit of a Chris Isaak vibe into the new year.

William Doyle – And Everything Changed (But I Feel Alright)

We will need to wait until March to enjoy the new record from William Doyle, formerly known as East India Youth, but in the meantime, we have this bit of Syd Barret and Robyn Hitchcock wholesomeness to savor.

Five Cool Ones: Five New Albums Released This Week (January 15, 2021)

The yearly musical hiatus seems to be over. Artists that have been waiting in the wings for the right time to elicit maximum exposure for their music are back and ready to entertain us once again hanging on to the hopes that they will be able to get back on the road very soon. In the meantime, Rock is the New Roll favorites Moon Taxi performs “Stay” a song from their upcoming album to be released later in the year looking pretty lonely at a Tennessee Titans playoff game.

The Last Internationale with frontwoman Dilila Paz for some reason dressed like Zorro delivering a beautiful socially aware song and video with “Modern Man.”

The Power Pop mavens Radio Days bring joy to the world with their Big Star meets the Rubinoos “I Got A Love.”

Here are five new records that are tickling our ears, touching our soul, and are making the world a better place.

Kurt Vile – Speed, Sound, Lonely KV

Mostly known for his Slacker Rock vibe, here, Kurt Vile leans into the Country and Americana side of life with an impressive 5 song E.P. that serves to pay tribute to his hero John Prine, having toured with the songwriter just before he passed away in 2020. Vile’s handling of Prine’s “Speed of the Sound of Loneliness” is hero-worthy and floats into Gram Parsons territory, the version of Cowboy Jack Clement’s “Gone Girl” could have been on a Steve Earle record, and the gemstone of the record, “How Lucky,” a duet with Prine himself is worth the price of admission alone.

One of the shorter Kurt Vile efforts we have heard in a while, his records typically go one hour or more, here, less is more as this short-stack of sublime tunes is pretty much perfect.

Beach Bunny – Blame Game

The E.P. is all the musical rage these days as artists are floating out little nuggets of wonderfulness as they raft the COVID waters waiting to release a full album until they can hit the stage and entertain the troops live and in person.

Here, in a short burst of perfectly hooky teenage-anthems the Pop-Punk burst of energy from the opener “Good Girls (Don’t Get Used)” as well as the closer “Blame Game” will have you firmly convinced that the problems of the world may finally be solved.

Pearl Charles – Magic Mirror

Already earmarked for the 2021 top album list, Pearl Charles has finally found her voice. After experimenting with Garage and Psychedelia, here, she definitely sticks the landing with a laid back blend of Southern California Beach Soul and late ’70s Country Pop in the Bobbi Gentry mold.

The sun-warmed touchstones are in abundance right from the ABBA inpired opener “Only For Tonight.” From there, she takes a left turn toward the coast with the Fleetwood Mac evoking “What I Need,” a song that brings to the ear “Baker Street” as well, with “Imposter” she delivers Dr. Hook without the eyepatch vibes, and The Carpenters make an appearance on “Don’t Like Myself.” The spot-on production value is highlighted on the George Harrison-esque “Sweet Sunshine Wine” and don’t sleep on the Helen Reddy loveliness of “Take Your Time.”

Vintage sounding while still being fresh, this record will stay in your rotation on into the summer when it will be the perfect time to pick it up once again and bathe in its dandelion glory.

Matthew Sweet – Catspaw

With Catspaw, his third record since joining the mass exodus out of Los Angeles, Matthew Sweet has returned to the studio in his home town of Nebraska on another set of Power Pop Wizardy. Turning the guitar dials up just a bit, a-la Crazy Horse, this record has a raw sound with a bit more of an edge than we may be used to from the Fuzz-Pop maestro.

Sweet plays all of the instruments with the exception of the drums here and does so impecibly well. Rooted firmly in ’70s inspired rock, songs Like “Driftwood” have a Sweetheart of the Radio era Byrdsian vibe to them, “Stars Exlode” could have been on any mid-era Neil Young record, and “Challenge The Gods” is Tom Petty fronting Big Star.

Bring out the good stuff and warmly embrace and old friend.

Midnight Sister – Painting the Roses

There is no sophomore slump going on here with Painting the Roses, the fine new record from the Stylized-Pop mavens, Midnight Sister. Delicately mood setting from the sultry “Satellite” on to the disco dancefloor worthy “Limousine” calling for you to put on your Sunday Dancing shoes there is nary a miss-step on this one. “Wednesday’s Baby” is a love song to a dog, and the opener “Doctor Says” is a great string-laden introudiction to the album and to a band that deserves more attention.

Five Cool Ones: Just Five Cool Ones for This Week (January 8, 2021)

As musicians are dusting themselves off and getting ready to make their plans for the new year, the new record releases for this week have been a bit tepid, to say the least. But, fear not musical buckaroos, we will be back in full glory in the next couple of weeks as there are some really cool tunes primed and ready to hit our ear-waves very soon. In the meantime, here five cool ones that have hit our radar recently.

Grace Potter – Release

Somewhere along the line, Grace Potter has started to morph into a slightly more hip Beth Hart. But, that’s not necessarily a bad thing. Here, on her fresh as a daisy new video for some inexplicable reason, we see her pulling a boat down the beach in a bikini, slow walking seductively in a field of flowers, and sitting down at the piano singing like a bird. But ours is not to question why ours is only to enjoy the ride provided by this song from her highly excellent 2019 record, Daylight.

Lukas Nelson – Set Me Down On A Cloud

Son of Willie proves once again that the apple falls right next to the tree. His series of quarantine songs, Special Soundcheck Songs, has been a beautiful respite of calmness during these trying days. Here, he performs an acoustically lovely version of “Set Me Down On A Cloud” from his debut self-titled record.

Peanuts Gang – Roundabout

This is a tough song to cover, but here the entire Peanuts gang joins in on one of the best versions of the song you will ever hear. Spoiler alert, Snoopy plays a mean upright bass.

Brothers in Exile – Last Orders

The former member of the Welsh band Sonny Jim, Lloyd Jenkins partners with Stu Calder for a new project, Brothers in Exile. With this, their latest single, the boys deliver a bouncy hook-laden gem in the Wildhearts mold. Classic Rock magazine describes the tune as more fun than a clown car driven at speed into a bouncy castle. And, heck they may have something there.

The Quins – Wild Ones

Put a pin in this one and save it in your musical memory banks because you are going to bearing a lot more great music emanating from this band in the coming months, you can bet on it. Solid riffs, Power Pop textures with a dynamically voiced singer that can carry the day. For practice dive into their back catalog that includes their 2019 epic of an album, The Woods Look Good.

And, for extra credit check the band out live performing “The Devil’s Abode.”

Five Cool Ones: The Top 5 Rock and Roll Songs from 2020

If you have not heard the news rock is not dead, and the demise of good old barn burning Rock and Roll has been extremely exaggerated. Here are our top five singles worthy of checking out to increase your musical street cred.

Thundermother – Driving In Style

These hard-driving all-female Swedish rockers delivered their stellar record, Heat Wave, carrying a ’70s rock groove that can stand fret for fret with any of their male counterparts. The lead-off single “Driving In Style” will take you pedal to the metal down to the parts of your subconscious that you have not visited in a very long time.

The Struts – Cool

It’s no secret that we love Luke Spiller and the Struts. In fact, their new record, Strange Days, would have been our record of the year were it not for the fact that Robbie Williams appears on the single, and we will have none of that. Here, on the appropriately named “Cool” the most dynamic frontman in the game today struts his stuff in a fine fashion.

The Dirty Denims – Last Call For Alchohol

Another fine band with a female rocker leading the way, this time courtesy of Mirjam Sieben, the vibe is pure AC/DC by way of Joan Jett and the Blackhearts. With this ode to blasting past the last call at your local bar, or these days in your living room, and letting things rip you can start your own countdown to ecstasy.

The Wild – High Speed

Another Born to Be Wild jump on your Harley and ride hard groover of a tune. You will grow a mullet just listening to this one.

King King – Dance Together

As groove-laden a rocker as you are likely to come across in recent months, these Scottish rockers will make you miss putting a couple more tokens in your local’s jukebox just to make the night last a little bit longer.

Five Cool Ones: Five New Records Released This Week – Or So (December 18, 2020)

Sure, it has been a slow couple of weeks for new music releases, and here at Rock is the New Roll we took this opportunity to take a week off for a little bit of a Staycation. But, fear not and ears up, we are back and ready to Rock and or Roll.

Lukas Nelson and the Promise of the Real continue to cement themselves as one of Rock is the New Roll’s favorite bands, here delivering a mesmerizing version of J.J. Cale’s “Magnolia” for their soundcheck series of videos.

La. funkster Marc Broussard brings it hard performing live from the Lafayette science museum with “Hard Knocks.”

And, our new to us discovery Fontaines D.C. perform “A Lucid Dream” from their latest record A Hero’s Death on an episode of 6 Music Live Sessions.

On top of all of that, here are five records that have tickled our ears this week.

Paul McCartney – McCartney iii

Much like taking your favorite jacket out of the closet when the weather gets cold, it is supremely comforting to have new Paul McCartney music in our lives. With McCartney iii, a direct sequel to McCartney released in 1970 and McCartney II in 1970, the high notes are not quite reached, but the slight nod of the head to whimsey and the wink of an eye to the oddities of life are clearly expressed along with the overall joy he gets from writing and presenting new music.

The songs are delicately sparse and there is never a sense that Sir Paul is trying to pander to the present-day Pop sensibilities. This is just one of the best artists that ever lived expressing himself through his music, staying in his lane, and delivering his best work in over a decade. The instrumental opener “Long Tailed Winter Bird” will take you back to a generation ago mind-space, the opus of a song “Deep Deep Feeling” is as solid a bit of songwriting you will have heard all year, and “Lavatory Lil” rocks things up a bit and shows that McCartney can still get saucy when he wants to after all these years. Word on the music streets is that McCartney has been hanging around with Rick Ruben. If this collaboration results in a new record in 21 or 22, that would be one hell of a swan song.

Margo Price – Perfectly Imperfect at The Ryman

Fresh off of her sparkling 2020 release, That’s How Rumors Get Started,” one of the Best Americana records of the year, Margo Price virtually owns the hallowed grounds of the Ryman with this solid set of songs going back to her debut with Third Man Records and her breakthrough All American Made albums. Her infectious blend of Country, Memphis Soul, and Texas twang are all on full display accompanied by some stellar guests including Emmylou on “Wild Women,” Jack White on the White Stripes Deep cut “Honey, We Can’t Afford to Look This Cheap,” and Sturgill Simpson tearing it up on “I Ain’t Livin’ Long like this. If you are already a Margo Price fan you will love this record. The medley of “Hurtin’ on the Bottle,” “I Think I’ll Just Stay Here and drink” and “Whiskey River is just plain cool. If you are not hip to the Margo scene, get ready to fall in love. Her version of “Proud Mary” is worth the price of admission alone.

Kacy & Clayton feat. Marlon Williams – Plastic Bouquet

Psych-Folk duo Kacy & Clayton this time out stretching all sorts of musical boundaries with their new record Plastic Bouquet delivers Classic Country duet style musings on “Old Fashioned Man,” Roy Orbison crooner on “I Wonder Why,” and ’60s Sandy Denny British-Folk inspired grooviness on “Light of Love.” In short, courtesy of cousins Kacy and Clayton, along with co-conspirator Marlon Williams, this one is a record with an eclectic delight around every corner that takes you down a road that we all really should travel.

Foxy Shazam – Burn

Do not adjust your ears. You read this correctly. Foxy Shazam, the band that brought you Gonzo in 2014, and The Church of Rock and Roll is back, and, yes indeed they are better than ever. All of the key elements of the band that we love so much are present and accounted for. Solid hooks, operatic vocals, elements of Queen, Jellyfish and Low Cut Connie all blending together to create a Power Pop Masterpiece.

The opener and title track is pure bombastic Foxy Shazam, “In My Mind” is Jellyfish on steroids and S.Y.A.A.F could have been a Styx ballad.

Call Me Spinster – Call Me Spinster

This slightly left of center sister trio from Chattanooga combines old-timey ’50s vocal sensibilities, Think Andrews Sisters, with pristine harmonies and clever arrangements for a blend that is not only genre-defying but wholly intoxicating as well. “Two Hearts” could have very easily come from a Palmolive commercial back in the day, and “Long Hard Day” would fit quite nicely on a Norah Jones record. Enjoy this teaser of a 5 song E.P. in anticipation of a proper release sometime in 2021.

Five Cool Ones: Five New Records Released This Week (November 27, 2020)

Sure, we have to dig a bit deeper as the December freeze-out time for new releases starts to hit us, but heck, we never said it was going to be easy. And besides, we are doing all of the heavy liftings so you don’t have to.

Aaron Lee Tasjan continues to release solid immaculately produced songs.

Icecream Hands are out with a Beatlesque gem with “No Weapon But Love.”

And, an epic version of “Stand By Me ” that features Roger Daltry and Gary Moore has recently surfaced.

Here are five deftly curated gems for your ears to savor this week.

Kenny Wayne Shepherd – Straight To You: Live

Kenny Wayne Shepherd who, fun fact, is married to Mel Gibson’s daughter, pretty much consistently stood in the shadow of fellow guitar slinger Jonny Lang until recent years. And, with this his the first live concert recording in 10 years, he may now be on top. A mix of covers along with Shepherd staples like “Blue on Black” the band crackles in places and explodes in others. “Mr. Soul” is a highlight with a scorched earth solo, and “King Bee” takes things a bit lower and slower and demonstrates the versatility of the band along with Noah Hunt’s impressive vocals not to mention featuring an off the rails organ riff.

Cats In Space – Atlantis

After settling in with Damien Edwards, the latest new lead singer for Cats in Space, one of the best present-day AOR bands, we are all in here at Rock is the New Roll. With a vocal range that can time-warp back to the early ’80s, the music here is big, bombastic, and over the top in all of the right places. Very much in the Styx or Boston mold, songs like “Spaceship Superstar” and “Listen to the Radio” are pure Pomp-Rock pleasures, and the requisite ballad “I Fell Out of Love With Rock and Roll” is Queen meets Electric Light Orchestra with a side order of early Journey. And, of course, don’t sleep on the Glam wonderment of “Marionettes.”

Kelley Stoltz – Ah!

Guitar Pop Impressario Kelley Stolz with his latest effort Ah! proves once again that he can stand fret for fret with Matthew Sweet for Power Pop supremacy. Combining Power Pop, Indie Rock, Jangle Pop along with moody Post-Punk sensibilities, this record combines everything that Stolz does best. “Never Change Enough” is a bit of a Country Rocker with a bit of an Old 97’s feel, “She Likes Noise” has a Post-Punk ‘My Sharona feel to it, and “and “Moon Shy” puts it all in a blender of cool smoothness.

The High Water Marks – Ecstasy Rhymes

Their first proper release in over a decade, the Indie Rock pairing of Hilarie Sidney and Ole Bratset is still as strong as ever. Wandering just on the outer edges of lo-fi, the title track comes dangerously close to shoegaze, and the cleverly titled “Some Like It Lukewarm” cranks things up a bit. With Sidney as a founding member of the terrific band Apples In Stereo, these guys know their way around an Indie-Pop rock song, just listen to the R.E.M. flavored “The Trouble With Friends” and tell us we’re wrong.

Billie Joe Armstrong – No Fun Mondays

As evidenced by his collaboration with Norah Jones on a set of Everly Brothers tunes, the Green Day main man is not afraid of taking chances and sending us down a rabbit hole or two for the sake of his songs. And, on No Fun Mondays, a set of eclectically chosen cover songs, he does just that.

Fortunately, there are more peaks than valleys on this one, “I Think We’re Alone Now” doesn’t quite stick the landing, but “Manic Monday” delivers, and, if it’s possible for a Shaun Cassidy (sort of) cover song to be cool “That’s Rock and Roll” is pretty hip.